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Author: Simon Goldhill Publisher: Princeton University Press ISBN: 1400840074 Category : History Languages : en Pages : 377
Book Description
How did the Victorians engage with the ancient world? Victorian Culture and Classical Antiquity is a brilliant exploration of how the ancient worlds of Greece and Rome influenced Victorian culture. Through Victorian art, opera, and novels, Simon Goldhill examines how sexuality and desire, the politics of culture, and the role of religion in society were considered and debated through the Victorian obsession with antiquity. Looking at Victorian art, Goldhill demonstrates how desire and sexuality, particularly anxieties about male desire, were represented and communicated through classical imagery. Probing into operas of the period, Goldhill addresses ideas of citizenship, nationalism, and cultural politics. And through fiction--specifically nineteenth-century novels about the Roman Empire--he discusses religion and the fierce battles over the church as Christianity began to lose dominance over the progressive stance of Victorian science and investigation. Rediscovering some great forgotten works and reframing some more familiar ones, the book offers extraordinary insights into how the Victorian sense of antiquity and our sense of the Victorians came into being. With a wide range of examples and stories, Victorian Culture and Classical Antiquity demonstrates how interest in the classical past shaped nineteenth-century self-expression, giving antiquity a unique place in Victorian culture.
Author: Simon Goldhill Publisher: Princeton University Press ISBN: 1400840074 Category : History Languages : en Pages : 377
Book Description
How did the Victorians engage with the ancient world? Victorian Culture and Classical Antiquity is a brilliant exploration of how the ancient worlds of Greece and Rome influenced Victorian culture. Through Victorian art, opera, and novels, Simon Goldhill examines how sexuality and desire, the politics of culture, and the role of religion in society were considered and debated through the Victorian obsession with antiquity. Looking at Victorian art, Goldhill demonstrates how desire and sexuality, particularly anxieties about male desire, were represented and communicated through classical imagery. Probing into operas of the period, Goldhill addresses ideas of citizenship, nationalism, and cultural politics. And through fiction--specifically nineteenth-century novels about the Roman Empire--he discusses religion and the fierce battles over the church as Christianity began to lose dominance over the progressive stance of Victorian science and investigation. Rediscovering some great forgotten works and reframing some more familiar ones, the book offers extraordinary insights into how the Victorian sense of antiquity and our sense of the Victorians came into being. With a wide range of examples and stories, Victorian Culture and Classical Antiquity demonstrates how interest in the classical past shaped nineteenth-century self-expression, giving antiquity a unique place in Victorian culture.
Author: Laura Eastlake Publisher: Classical Presences ISBN: 0198833032 Category : Literary Criticism Languages : en Pages : 258
Book Description
Masculinity and Ancient Rome in the Victorian Cultural Imagination examines Victorian receptions of ancient Rome, with a specific focus on how those receptions were deployed to create useable models of masculinity. Romans in Victorian literature are at once pagan persecutors, pious statesmen, pleasure-seeking decadents, and heroes of empire, and these manifold and often contradictory representations are used as vehicles equally to capture the martial virtue of Wellington and to condemn the deviance and degeneracy of Oscar Wilde. In the works of Thomas Macaulay, Wilkie Collins, Anthony Trollope, H. Rider Haggard, and Rudyard Kipling, among others, Rome emerges as a contested space with an array of possible scripts and signifiers which can be used to frame masculine ideals, or to vilify perceived deviance from those ideals, though with a value and significance often very different to ancient Greek models. Sitting at the intersection of reception studies, gender studies, and interdisciplinary literary and cultural studies across discourses ranging from education and politics, this volume offers the first comprehensive examination of the importance of ancient Rome as a cultural touchstone for nineteenth-century manliness and Victorian codifications of masculinity.
Author: Martin Daunton Publisher: Oxford University Press ISBN: 9780197263266 Category : Education Languages : en Pages : 444
Book Description
This collection of essays explores the questions of what counted as knowledge in Victorian Britain, who defined knowledge and the knowledgeable, by what means and by what criteria. During the Victorian period, the structure of knowledge took on a new and recognizably modern form, and the disciplines we now take for granted took shape. The ways in which knowledge was tested also took on a new form, with the rise of written examinations. New institutions of knowledge were created: museums were important at the start of the period, universities had become prominent by the end. Victorians needed to make sense of the sheer scale of new information, to popularize it, and at the same time to exclude ignorance and error - a role carried out by encyclopaedias and popular publications. By studying the Victorian organization of knowledge in its institutional, social, and intellectual settings, these essays contribute to our wider consideration of the complex and much debated concept of knowledge.
Author: S. Evangelista Publisher: Springer ISBN: 0230242200 Category : Literary Criticism Languages : en Pages : 203
Book Description
This book is the first comprehensive study of the reception of classical Greece among English aesthetic writers of the nineteenth century. By exploring this history of reception, it aims to give readers a new and fuller understanding of literary aestheticism, its intellectual contexts, and its challenges to mainstream Victorian culture.
Author: Edmund Richardson Publisher: Cambridge University Press ISBN: 113962010X Category : History Languages : en Pages :
Book Description
Victorian Britain set out to make the ancient world its own. This is the story of how it failed. It is the story of the headmaster who bludgeoned his wife to death, then calmly sat down to his Latin. It is the story of the embittered classical prodigy who turned to gin and opium – and the virtuoso forger who fooled the greatest scholars of the age. It is a history of hope: a general who longed to be an Homeric hero, a bankrupt poet who longed to start a revolution. Victorian classicism was defined by hope – but shaped by uncertainty. Packed with forgotten characters and texts, with the roar of the burlesque-stage and the mud of the battlefield, this book offers a rich insight into nineteenth-century culture and society. It explores just how difficult it is to stake a claim on the past.
Author: Rosemary J. Barrow Publisher: ISBN: Category : Art Languages : en Pages : 306
Book Description
"This book explores the reception of the classical world in painting from the mid-Victorian period to the second decade of the twentieth century and centres on an examination of oil painting exhibited at the Royal Academy of Arts"--Page [vii].
Author: Peter Green Publisher: Univ of California Press ISBN: 0520918827 Category : History Languages : en Pages : 329
Book Description
In this collection of sixteen literary and historical essays, Peter Green informs, entertains, and stimulates. He covers a wide range of subjects, from Greek attitudes toward death to the mysteries of the Delphic Oracle, from Tutankhamun and the gold of Egypt to sex in ancient literature, from the island of Lesbos (where he once lived) to the challenges of translating Ovid's wit and elegant eroticism into present-day English verse, from Victorian pederastic aesthetics to Marxism's losing battle with ancient history. This third volume of Green's essays (several previously unpublished) reveals throughout his serious concern that we are, in a very real sense, losing the legacy of antiquity through the corrosive methodologies of modern academic criticism.
Author: Richard Jenkyns Publisher: Cambridge, Mass. : Harvard University Press ISBN: 9780674936874 Category : Literary Criticism Languages : en Pages : 386
Book Description
Focuses on Victorian culture, assessing the immense influence the ancient Greeks had on British classical education, the images and themes of George Eliot's writings, Christian sensibility, decorative arts, and English playing fields during the nineteenth century
Author: Bernard Lightman Publisher: Routledge ISBN: 1000124177 Category : Literary Collections Languages : en Pages : 343
Book Description
Current studies in disciplinarity range widely across philosophical and literary contexts, producing heated debate and entrenched divergences. Yet, despite their manifest significance for us today seldom have those studies engaged with the Victorian origins of modern disciplinarity. Victorian Culture and the Origin of Disciplines adds a crucial missing link in that history by asking and answering a series of deceptively simple questions: how did Victorians define a discipline; what factors impinged upon that definition; and how did they respond to disciplinary understanding? Structured around sections on professionalization, university curriculums, society journals, literary genres and interdisciplinarity, Victorian Culture and the Origin of Disciplines addresses the tangled bank of disciplinarity in the arts, humanities, social sciences and natural sciences including musicology, dance, literature, and art history; classics, history, archaeology, and theology; anthropology, psychology; and biology, mathematics and physics. Chapters examine the generative forces driving disciplinary formation, and gauge its success or failure against social, cultural, political, and economic environmental pressures. No other volume has focused specifically on the origin of Victorian disciplines in order to track the birth, death, and growth of the units into which knowledge was divided in this period, and no other volume has placed such a wide array of Victorian disciplines in their cultural context.
Author: Simon Goldhill
Author: Simon Goldhill
Author: Laura Eastlake
Author: Martin Daunton
Author: S. Evangelista
Author: Iain Ross
Author: Edmund Richardson
Author: Rosemary J. Barrow
Author: Peter Green
Author: Richard Jenkyns
Author: Bernard Lightman