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Author: Brenda Cooper Publisher: Peter Lang Incorporated, International Academic Publishers ISBN: Category : Foreign Language Study Languages : en Pages : 368
Book Description
"Is it possible for European and North American men to depict Africa in a wise and non-exploitative manner?" That's the question Cooper (African studies, U. of Cape Town, South Africa) hopes to answer in her examination of writers whose opposition to racism, the nature of imperialism, and gender stereotypes make them "weary" inheritors of the legacy of Joseph Conrad. She borrows concepts and methodologies from Said's Orientalism, postmodernism, Lacanian theory, and other areas, rejecting a unified approach. Among the works she examines are Adam Thorpe's Pieces of Light, Alan Hollinghurst's The Swimming-Pool Library, Patrick Roscoe's The Lost Oasis, William Boyd's Brazzaville Beach, Will Self's Great Apes, Peter Hoeg' s The Woman and the Ape, and Lawrence Norfolk's The Pope's Rhinoceros. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Brenda Cooper Publisher: Peter Lang Incorporated, International Academic Publishers ISBN: Category : Foreign Language Study Languages : en Pages : 368
Book Description
"Is it possible for European and North American men to depict Africa in a wise and non-exploitative manner?" That's the question Cooper (African studies, U. of Cape Town, South Africa) hopes to answer in her examination of writers whose opposition to racism, the nature of imperialism, and gender stereotypes make them "weary" inheritors of the legacy of Joseph Conrad. She borrows concepts and methodologies from Said's Orientalism, postmodernism, Lacanian theory, and other areas, rejecting a unified approach. Among the works she examines are Adam Thorpe's Pieces of Light, Alan Hollinghurst's The Swimming-Pool Library, Patrick Roscoe's The Lost Oasis, William Boyd's Brazzaville Beach, Will Self's Great Apes, Peter Hoeg' s The Woman and the Ape, and Lawrence Norfolk's The Pope's Rhinoceros. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Joseph Conrad Publisher: Penguin ISBN: 1101613688 Category : Fiction Languages : en Pages : 160
Book Description
In a novella which remains highly controversial to this day, Conrad explores the relations between Africa and Europe. On the surface, this is a horrifying tale of colonial exploitation. The narrator, Marlowe journeys on business deep into the heart of Africa. But there he encounters Kurtz, an idealist apparently crazed and depraved by his power over the natives, and the meeting prompts Marlowe to reflect on the darkness at the heart of all men. This short but complex and often ambiguous story, which has been the basis of several films and plays, continues to provoke interpretation and discussion. Heart of Darkness grew out of a journey Joseph Conrad took up the Congo River; the verisimilitude that the great novelist thereby brought to his most famous tale everywhere enhances its dense and shattering power. Apparently a sailor’s yarn, it is in fact a grim parody of the adventure story, in which the narrator, Marlow, travels deep into the heart of the Congo where he encounters the crazed idealist Kurtz and discovers that the relative values of the civilized and the primitive are not what they seem. Heart of Darkness is a model of economic storytelling, an indictment of the inner and outer turmoil caused by the European imperial misadventure, and a piercing account of the fragility of the human soul.
Author: David Adams Publisher: Cornell University Press ISBN: 1501720422 Category : Literary Criticism Languages : en Pages : 265
Book Description
Works such as Joseph Conrad's Heart of Darkness and Lord Jim, Virginia Woolf's The Voyage Out, E. M. Forster's A Passage to India, and Evelyn Waugh's A Handful of Dust explore the relationship between Britain and its colonies when the British Empire was at its height. David Adams observes that, because of their structure and specific literary allusions, they also demand to be read in relation to the epic tradition. The elegantly written and powerfully argued Colonial Odysseys focuses on narratives published in English between 1890 and 1940 in which protagonists journey from the familiar world of Europe to alien colonial worlds. The underlying concerns of these narratives, Adams discovers, are often less political or literary than metaphysical: in each of these fictions a major character dies as a result of the journey, inviting reflection on the negation of existence. Repeatedly, imaginative encounters with distant, uncanny colonies produce familiar, insular presentations of life as an odyssey, with death as the home port. Expanding postcolonial and Marxist theories by drawing on the philosophy of Hans Blumenberg, Adams finds in this preoccupation with mortality a symptom of the failure of secular culture to give meaning to death. This concern, in his view, shapes the ways modernist narratives reinforce or critique imperial culture—the authors project onto British imperial experience their anxieties about the individual's relation to the absolute.
Author: MaryEllen Higgins Publisher: Ohio University Press ISBN: 0821444336 Category : Performing Arts Languages : en Pages : 281
Book Description
Hollywood’s Africa after 1994 investigates Hollywood’s colonial film legacy in the postapartheid era, and contemplates what has changed in the West’s representations of Africa. How do we read twenty-first-century projections of human rights issues—child soldiers, genocide, the exploitation of the poor by multinational corporations, dictatorial rule, truth and reconciliation—within the contexts of celebrity humanitarianism, “new” military humanitarianism, and Western support for regime change in Africa and beyond? A number of films after 1994, such as Black Hawk Down, Hotel Rwanda, Blood Diamond, The Last King of Scotland, The Constant Gardener, Shake Hands with the Devil, Tears of the Sun, and District 9, construct explicit and implicit arguments about the effects of Western intervention in Africa. Do the emphases on human rights in the films offer a poignant expression of our shared humanity? Do they echo the colonial tropes of former “civilizing missions?” Or do human rights violations operate as yet another mine of sensational images for Hollywood’s spectacular storytelling? The volume provides analyses by academics and activists in the fields of African studies, English, film and media studies, international relations, and sociology across continents. This thoughtful and highly engaging book is a valuable resource for those who seek new and varied approaches to films about Africa. Contributors Harry Garuba and Natasha Himmelman Margaret R. Higonnet, with Ethel R. Higgonet Joyce B. Ashuntantang Kenneth W. Harrow Christopher Odhiambo Ricardo Guthrie Clifford T. Manlove Earl Conteh-Morgan Bennetta Jules-Rosette, J. R. Osborn, and Lea Marie Ruiz-Ade Christopher Garland Kimberly Nichele Brown Jane Bryce Iyunolu Osagie Dayna Oscherwitz
Author: Catharine Mee Publisher: Anthem Press ISBN: 1783084200 Category : Literary Criticism Languages : en Pages : 203
Book Description
This critical study examines the theme of interpersonal encounter in a range of late twentieth- and early twenty-first-century travel writing written in French and Italian. Structured typologically, each chapter focuses on a typical activity that brings traveller-protagonists into contact with other people. Drawing on literary critical studies of travel writing, sociological and anthropological approaches to tourism, as well as research in French and Italian area studies, ‘Interpersonal Encounters in Contemporary Travel Writing’ locates the concept of encounter within the context of modern tourism.
Author: David Peterson del Mar Publisher: Bloomsbury Publishing ISBN: 1783608552 Category : Performing Arts Languages : en Pages : 402
Book Description
Africa has long gripped the American imagination. From the Edenic wilderness of Edgar Rice Burroughs's Tarzan novels to the 'black Zion' of Garvey's Back-to-Africa movement, all manner of Americans - whether white or black, male or female - have come to see Africa as an idealized stage on which they can fashion new, more authentic selves. In this remarkable, panoramic work, David Peterson del Mar explores the ways in which American fantasies of Africa have evolved over time, as well as the role of Africans themselves in subverting American attitudes to their continent. Spanning seven decades, from the post-war period to the present day, and encompassing sources ranging from literature, film and music to accounts by missionaries, aid workers and travel writers, African, American is a fascinating deconstruction of 'Africa' as it exists in the American mindset.
Author: Kathryn Mathers Publisher: Taylor & Francis ISBN: 1000774597 Category : Social Science Languages : en Pages : 112
Book Description
This book interrogates the white savior industrial complex by exploring how America continues to present an imagined Africa as a space for its salvation in the 21st century. Through close readings of multiple mediated sites where Americans imagine Africa, White Saviorism and Popular Culture examines how an era of new media technologies is reshaping encounters between Africans and westerners in the 21st century, especially as Africans living and experiencing the consequences of western imaginings are also mobilizing the same mediated spaces. Kathryn Mathers emphasizes that the articulation of different forms of humanitarian engagement between America and Africa marks the necessity to interrogate the white savior industrial complex and the ways Africa is being asked to fulfill American needs as life in the United States becomes increasingly intolerable for Black Americans. Drawing on case studies from Savior Barbie (@barbiesavior) to Black Panther and Black is King, Mathers posits that global imperialism not only still reigns, but that it also disguises white supremacy by outsourcing Black American emancipation onto an imagined Africa. This is crucial reading for courses on the cultural politics of representation, particularly in relation to race, social media and popular culture, as well as anyone interested in issues of representation in the global humanitarianism industry.
Author: Brenda Cooper
Author: Brenda Cooper
Author: Joseph Conrad
Author: David Adams
Author: Minnie Earl Sears
Author: MaryEllen Higgins
Author: Shelly Eitniear-Cherry
Author: Catharine Mee
Author: David Peterson del Mar
Author: Kathryn Mathers
Author: John L. Ruth