Author: Karen L. Kilcup
Publisher: University of Michigan Press
ISBN: 0472131559
Category : Literary Criticism
Languages : en
Pages : 426
Book Description
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
Who Killed American Poetry?
Author: Karen L. Kilcup
Publisher: University of Michigan Press
ISBN: 0472131559
Category : Literary Criticism
Languages : en
Pages : 426
Book Description
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
Publisher: University of Michigan Press
ISBN: 0472131559
Category : Literary Criticism
Languages : en
Pages : 426
Book Description
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
Rendezvous with Death
Author: Mark W. Van Wienen
Publisher: University of Illinois Press
ISBN: 9780252070594
Category : Poetry
Languages : en
Pages : 388
Book Description
This masterfully assembled volume, arranged chronologically, reveals American poets' shifting, conflicting reactions to the war and highlights their efforts to shape U.S. policies and define American attitudes. In his introduction, Mark W. Van Wienen describes the rapid, politically charged responses possible in a culture attuned to poetry. His historical and biographical notes provide a sturdy framework for the study of poetry's role in social activism and change during the "war to end war." The most complete resource of its kind, Rendezvous with Death brings together poetry originally published in little magazines, labor journals, newspapers, and wartime anthologies. Alight with sorrow, grace, silliness, satire, pride, and anger, works by IWW members, sock poets, pacifists, and protestors take their places next to those by Edith Wharton, Alan Seeger, Wallace Stevens, James Weldon Johnson, Amy Lowell, and Claude McKay.
Publisher: University of Illinois Press
ISBN: 9780252070594
Category : Poetry
Languages : en
Pages : 388
Book Description
This masterfully assembled volume, arranged chronologically, reveals American poets' shifting, conflicting reactions to the war and highlights their efforts to shape U.S. policies and define American attitudes. In his introduction, Mark W. Van Wienen describes the rapid, politically charged responses possible in a culture attuned to poetry. His historical and biographical notes provide a sturdy framework for the study of poetry's role in social activism and change during the "war to end war." The most complete resource of its kind, Rendezvous with Death brings together poetry originally published in little magazines, labor journals, newspapers, and wartime anthologies. Alight with sorrow, grace, silliness, satire, pride, and anger, works by IWW members, sock poets, pacifists, and protestors take their places next to those by Edith Wharton, Alan Seeger, Wallace Stevens, James Weldon Johnson, Amy Lowell, and Claude McKay.
Index to American Poetry and Plays in the Collection of C. Fiske Harris
Author: Caleb Fiske Harris
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 358
Book Description
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 358
Book Description
The Oxford Book of American Poetry
Author: David Lehman
Publisher: Oxford University Press, USA
ISBN: 019516251X
Category : Poetry
Languages : en
Pages : 1193
Book Description
Redefines the great canon of American poetry from its origins in the 17th century right up to the present.
Publisher: Oxford University Press, USA
ISBN: 019516251X
Category : Poetry
Languages : en
Pages : 1193
Book Description
Redefines the great canon of American poetry from its origins in the 17th century right up to the present.
American Poems
Author: Horace Elisha Scudder
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 472
Book Description
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 472
Book Description
American Poetry and Prose
Author: Norman Foerster
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 976
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 976
Book Description
Murder (a Violet)
Author: Raymond McDaniel
Publisher: National Poetry Series Books (
ISBN:
Category : Poetry
Languages : en
Pages : 92
Book Description
A National Poetry Series Winner, this collection follows a medieval assassin seeking refuge from her sordid past.
Publisher: National Poetry Series Books (
ISBN:
Category : Poetry
Languages : en
Pages : 92
Book Description
A National Poetry Series Winner, this collection follows a medieval assassin seeking refuge from her sordid past.
Six American Poets
Author: Joel Conarroe
Publisher: Random House (NY)
ISBN:
Category : American poetry
Languages : en
Pages : 328
Book Description
An anthology of 247 memorable poems by six of America's greatest poets encompasses the works of Walt Whitman, Emily Dickinson, William Carlos Williams, Wallace Stevens, Robert Frost, and Langston Hughes.
Publisher: Random House (NY)
ISBN:
Category : American poetry
Languages : en
Pages : 328
Book Description
An anthology of 247 memorable poems by six of America's greatest poets encompasses the works of Walt Whitman, Emily Dickinson, William Carlos Williams, Wallace Stevens, Robert Frost, and Langston Hughes.
Death to the Death of Poetry
Author: Donald Hall
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 176
Book Description
A spirited defense of the vitality of contemporary poetry.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 176
Book Description
A spirited defense of the vitality of contemporary poetry.
American Poetry 1946 to 1965
Author: Harold Bloom
Publisher: Facts On File
ISBN:
Category : Literary Criticism
Languages : en
Pages : 424
Book Description
Critical essays on the works of some twenty-five poets, written after World War II. Includes poetry of Louise Bogan, Stanley Kunitz, Elizabeth Bishop, Robert Hayden, Sylvia Plath, and others.
Publisher: Facts On File
ISBN:
Category : Literary Criticism
Languages : en
Pages : 424
Book Description
Critical essays on the works of some twenty-five poets, written after World War II. Includes poetry of Louise Bogan, Stanley Kunitz, Elizabeth Bishop, Robert Hayden, Sylvia Plath, and others.