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Author: Rowan Moore Publisher: Harper Collins ISBN: 0062277596 Category : Architecture Languages : en Pages : 366
Book Description
In an era of brash, expensive, provocative new buildings, a prominent critic argues that emotions—such as hope, power, sex, and our changing relationship to the idea of home—are the most powerful force behind architecture, yesterday and (especially) today. We are living in the most dramatic period in architectural history in more than half a century: a time when cityscapes are being redrawn on a yearly basis, architects are testing the very idea of what a building is, and whole cities are being invented overnight in exotic locales or here in the United States. Now, in a bold and wide-ranging new work, Rowan Moore—former director of the Architecture Foundation, now the architecture critic for The Observer—explores the reasons behind these changes in our built environment, and how they in turn are changing the way we live in the world. Taking as his starting point dramatic examples such as the High Line in New York City and the outrageous island experiment of Dubai, Moore then reaches far and wide: back in time to explore the Covent Garden brothels of eighteenth-century London and the fetishistic minimalism of Adolf Loos; across the world to assess a software magnate’s grandiose mansion in Atlanta and Daniel Libeskind’s failed design for the World Trade Center site; and finally to the deeply naturalistic work of Lina Bo Bardi, whom he celebrates as the most underrated architect of the modern era.
Author: Rowan Moore Publisher: Harper Collins ISBN: 0062277596 Category : Architecture Languages : en Pages : 366
Book Description
In an era of brash, expensive, provocative new buildings, a prominent critic argues that emotions—such as hope, power, sex, and our changing relationship to the idea of home—are the most powerful force behind architecture, yesterday and (especially) today. We are living in the most dramatic period in architectural history in more than half a century: a time when cityscapes are being redrawn on a yearly basis, architects are testing the very idea of what a building is, and whole cities are being invented overnight in exotic locales or here in the United States. Now, in a bold and wide-ranging new work, Rowan Moore—former director of the Architecture Foundation, now the architecture critic for The Observer—explores the reasons behind these changes in our built environment, and how they in turn are changing the way we live in the world. Taking as his starting point dramatic examples such as the High Line in New York City and the outrageous island experiment of Dubai, Moore then reaches far and wide: back in time to explore the Covent Garden brothels of eighteenth-century London and the fetishistic minimalism of Adolf Loos; across the world to assess a software magnate’s grandiose mansion in Atlanta and Daniel Libeskind’s failed design for the World Trade Center site; and finally to the deeply naturalistic work of Lina Bo Bardi, whom he celebrates as the most underrated architect of the modern era.
Author: Felicity Cannell Publisher: Taylor & Francis ISBN: 1000900754 Category : Social Science Languages : en Pages : 233
Book Description
This book focuses on the contemporary fired clay brick to explore themes of home and house, homeownership, materiality, and sense of place. It investigates why, despite an increasing number of alternative materials, brick remains at the forefront of what people, in the UK in particular, expect homes to be built of, and how brick is indelibly entwined with what home means – something materially stable and financially secure, affording a located sense of place. Through observation of the building process and interviews with bricklayers, foremen, planners, developers, and homebuyers in England, Felicity Cannell traces the embedded meanings of a mundane, ubiquitous artefact, and reveals the tensions and contradictions in today’s use of brick to signify the traditional home. Although easing the planning process and leading to quick sales, the way brick is used in mass market housing today considerably restricts its capacities, notably decoration, flexibility, and strength: the very qualities which have historically positioned this tremendously versatile material as the superlative building block. Overall, the book adds complexity to the study of home and prompts debate about why we build the way we do.
Author: Mikkel Frost Publisher: Frame Publishers ISBN: 9492311380 Category : Architecture Languages : en Pages : 212
Book Description
A collection of sketches and watercolours by Mikkel Frost, co-founder of Danish architecture firm CEBRA, champions drawing as a communication tool. ‘Architects do not actually build buildings,’ says Frost. ‘What we build is an idea. To visualize it, we build drawings.’ The evolutionary process of how aphorisms develop into precise architectural concepts is illustrated through a collection of Frost’s sketches and watercolours. Over 200 drawings are organized into 20 sections, each relating to one of CEBRA’s projects. An index containing colour photographs and renders of their works further illuminates how the drawings are translated into reality. Introducing the book, a written version of Frost’s TEDx talk Let your fingers do the talking elaborates on the book’s impetus: to bring a spotlight to the craft of drawing as a powerful tool for creation and communication. Features • A collection of 200+ sketches and watercolours by Danish architect Mikkel Frost. • A curated selection of drawings is organized into 20 sections, each referring to one of the projects by internationally recognized architecture firm CEBRA. • The book provides insight into the architect’s creative process, illustrating how an idea develops into a well-defined concept. • In a compact and handy format, the book champions drawing as a powerful and important communication tool for everyone.
Author: Rowan Moore Publisher: ISBN: Category : Architecture Languages : en Pages : 0
Book Description
Architecture, good and bad, is shaped by emotions. In Why We Build Rowan Moore shows how buildings are driven by human emotions and desires -- such as hope, power, money, sex, and the idea of home -- and how buildings then shape our experiences. He explores the making of buildings from conception to inhabitation, and reveals the paradoxical power of architecture: it looks fixed and solid, but is always changing, in response to the lives around it. Moore takes us on a personal journey, moving freely across the globe and through history, through works of folly, beauty, spectacle, and subtlety. He uncovers the doomed mansion of an Atlanta multimillionaire, the phenomenally successful High Line in New York, and the remarkable Museu de Arte in Sao Paulo. He discusses baroque churches and Egyptian pyramids alongside works of the moment. We meet extraordinary characters: Sheikh Mohammed of Dubai, the lecherous Stanford White, and Lina Bo Bardi, the most underrated architect of the twentieth century. Refusing to bow to fashion or reputation, Moore gives a provocative and iconoclastic view of what makes architecture, why it matters, and why we find it fascinating. After reading Why We Build you will never look at a building in the same way again.
Author: Anne Jonas Publisher: Laurence King ISBN: 9781786276483 Category : Juvenile Nonfiction Languages : en Pages : 0
Book Description
Adapting themselves to all kinds of landscapes and climates, humans have used their architectural ingeniousness to build amazing dwellings: find them here, from houses on stilts and igloos to tree houses and skyscrapers.
Author: Rowan Moore
Author: Rowan Moore
Author: Felicity Cannell
Author: Mikkel Frost![Shall we build? A sermon [on Neh. ii. 18]: delivered ... in view of building a new church edifice PDF](https://books.google.com/books/content/images/frontcover/1j0W7SPpcBUC?fife=w80-h100)
Author: John Calvin Smith
Author: Rowan Moore
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Author: Anne Jonas
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