Woman as Image in Medieval Literature from the Twelfth Century to Dante PDF Download

Author: Joan M. Ferrante
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 182

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Author: Margaret Schaus
Publisher: Taylor & Francis
ISBN: 0415969441
Category : History
Languages : en
Pages : 986

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Author:
Publisher: Manchester University Press
ISBN: 9780719046520
Category : Women
Languages : en
Pages : 178

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Book Description
This is one of a series of bibliographical guides designed to meet the needs of undergraduates, postgraduates and their teachers in universities and colleges of further education. All volumes in the series share a number of common characteristics. They are selective, manageable in size, and include those books and articles which are considered most important and useful. All are editied by practising teachers of the subject in question and are based on their experience of the needs of students. The arrangement combines chronological with thematic divisions. Most of the items listed receive some descriptive comment.

Author: Barbara H. Gold
Publisher: SUNY Press
ISBN: 9780791432464
Category : Literary Criticism
Languages : en
Pages : 348

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Examines interrelated topics in Medieval and Renaissance Latin literature: the status of women as writers, the status of women as rhetorical figures, and the status of women in society from the fifth to the early seventeenth century.

Author: Josie P. Campbell
Publisher: Popular Press
ISBN: 9780879723392
Category : History
Languages : en
Pages : 180

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The culture of the Middle Ages was as complex, if not as various, as our own, as the essays in this volume ably demonstrate. The essays cover a wide range of tipics, from church sculpture as "advertisement" to tricks and illusions as "homeeconomics."

Author: Penny Schine Gold
Publisher: University of Chicago Press
ISBN: 9780226300887
Category : Social Science
Languages : en
Pages : 214

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Book Description
Penny Schine Gold provides a bold analysis of key literary and artistic images of women in the Middle Ages and the relationship between these images and the actual experience of women. She argues that the complex interactions between men and women as expressed in both image and experience reflect a common pattern of ambivalence and contradiction. Thus, women are seen as both helpful and harmful, powerful and submissive, and the actuality of women's experience encompasses women in control and controlled, autonomous and dependent. Vividly recreating the rich texture of medieval life, Gold effectively and eloquently goes beyond a simple equation of social context and representation. In the process. she challenges equally simple judgments of historical periods as being either "good" or "bad" for women. "[The Lady and the Virgin] presents its findings in a form that should attract students as well as their instructors. The careful and controlled use of so many different kinds of sources . . . offers us a valuable medieval case study in the inner-relationship between the segments of society and its ethos or value system."—Joel T. Rosenthal, The History Teacher "Something of a tour de force in an interdisciplinary approach to history."—Jo Ann McNamara, Speculum "[A] well-written, extremely well-researched book. . . . The Lady and the Virgin is useful, readable, and well informed."—R. Howard Bloch, Modern Philology

Author: D. H. Green
Publisher: Cambridge University Press
ISBN: 0521513359
Category : Literary Criticism
Languages : en
Pages : 275

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Book Description
D. H. Green shows how German romances found ways to debate and challenge the conventional antifeminism of the medieval period.

Author: Marcelle Thiebaux
Publisher: Routledge
ISBN: 0429618980
Category : History
Languages : en
Pages : 396

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Book Description
Published in 1994: The period surveyed in this anthology extends from the eve of Christianity's triumph, in the third century, to the new age of expansion in the fifteenth century, an age marked by the advent of printing pressed, the European discovery of the Caribbean islands, which Columbus called the Indies, the relentless stripping of medieval altars by Church reformists, and perhaps a diminution of female autonomy.

Author: Diana Glenn
Publisher: Troubador Publishing Ltd
ISBN: 1906510237
Category : Literary Criticism
Languages : en
Pages : 299

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Offers an analysis of the presence and significance of female characters in Dante's 'Comedy'. Commencing with the tabulations of women listed in "Inferno IV" and "Purgatorio XXII", to which may be added the grouping in "Paradiso XXXII", this work traces the symmetry and symbolic import of these clusters.

Author: Elena Lombardi
Publisher: Oxford University Press
ISBN: 0192550942
Category : Literary Criticism
Languages : en
Pages : 304

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Book Description
Imagining the Woman Reader in the Age of Dante brings to light a new character in medieval literature: that of the woman reader and interlocutor. It does so by establishing a dialogue between literary studies, gender studies, the history of literacy, and the material culture of the book in medieval times. From Guittone d'Arezzo's piercing critic, the 'villainous woman', to the mysterious Lady who bids Guido Cavalcanti to write his grand philosophical song, to Dante's female co-editors in the Vita Nova and his great characters of female readers, such as Francesca and Beatrice in the Comedy, all the way to Boccaccio's overtly female audience, this particular interlocutor appears to be central to the construct of textuality and the construction of literary authority. This volume explores the figure of the woman reader by contextualizing her within the history of female literacy, the material culture of the book, and the ways in which writers and poets of earlier traditions imagined her. It argues that these figures are not mere veneers between a male author and a 'real' male readership, but that, although fictional, they bring several advantages to their vernacular authors, such as orality, the mother tongue, the recollection of the delights of early education, literality, freedom in interpretation, absence of teleology, the beauties of ornamentation and amplification, a reduced preoccupation with the fixity of the text, the pleasure of making mistakes, dialogue with the other, the extension of desire, original simplicity, and new and more flexible forms of authority.