Performing Embodiment in Samuel Beckett's Drama PDF Download

Author: Anna McMullan
Publisher: Routledge
ISBN: 1000155374
Category : History
Languages : en
Pages : 194

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Book Description
The representation and experience of embodiment is a central preoccupation of Samuel Beckett’s drama, one that he explored through diverse media. McMullan investigates the full range of Beckett’s dramatic canon for stage, radio, television and film, including early drama, mimes and unpublished fragments. She examines how Beckett’s drama composes and recomposes the body in each medium, and provokes ways of perceiving, conceiving and experiencing embodiment that address wider preoccupations with corporeality, technology and systems of power. McMullan argues that the body in Beckett’s drama reveals a radical vulnerability of the flesh, questioning corporeal norms based on perfectible, autonomous or invulnerable bodies, but is also the site of a continual reworking of the self, and of the boundaries between self and other. Beckett’s re-imagining of the body presents embodiment as a collaborative performance between past and present, flesh and imagination, self and other, including the spectator / listener.

Author: Charlotta Palmstierna Einarsson
Publisher: Ibidem Press
ISBN: 9783838210681
Category : Art
Languages : en
Pages : 199

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Book Description
Combining phenomenological analysis and affect theory, this book takes stock of the various ways in which the body in Samuel Beckett's drama participates in the affective ecology of performance. If the post-human innovation up until the present has worked to decentre the 'human', by rendering notions of thinking, experience, and affect impersonal and by developing new models of expression and communication, then this innovation seems to be already underway in Beckett's theatre of affect where the assault against language is made possible through the thematising of the body as a mode of encountering presence. The corporeal turn in Beckett's drama therefore has far-reaching implications for the production of meaning in his work.

Author: Shimon Levy
Publisher: Liverpool University Press
ISBN: 1802071628
Category : Drama
Languages : en
Pages : 266

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Book Description
An exploration of Samuel Beckett's drama, using the criteria that ensue from the works themselves, with particular attention given to the relationship between the medium and the message. This fully revised second edition includes chapters on the radioplays and film and television scripts.

Author: Anna McMullan
Publisher: Routledge
ISBN: 1000378497
Category : Literary Criticism
Languages : en
Pages : 145

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Book Description
This book, first published in 1993, is the first full-length analysis of Samuel Beckett’s later drama in the context of contemporary critical and performance theory. It employs a close, textual examination of the later plays as a springboard for exploring ideas around authority, gender and the ideology of performance. Recent work in the world of critical theory has suggested new ways of looking at performance practice. McMullan argues that, while contemporary theory can deepen our understanding of Beckett’s dramatic practice, his drama places performance in the context of a metaphysical history and a metatheatrical tradition, thereby confronting and provoking some of the central debates in performance studies’ engagement with critical theory.

Author: Jonathan Kalb
Publisher: Cambridge University Press
ISBN: 9780521423793
Category : Drama
Languages : en
Pages : 292

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Book Description
A critical look at the work of one of the twentieth century's most influential playwrights emerges from the viewpoint of numerous Beckett actors and directors and includes the author's personal experiences as well.

Author: Katherine H. Burkman
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838632994
Category : Myth in literature
Languages : en
Pages : 188

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Book Description
All of the essays in this collection reflect a sense that Beckett's power as a playwright derives largely from a mythic vision that informs his drama. Their approaches to the definition and use of myth and ritual in his plays vary considerably, however, ranging from the Jungian to the Marxian to the Lacanian, and drawing on the theories of Campbell, Freud, Eliade, Frye, Turner, Girard, Baudrillard, and others.

Author:
Publisher: Bloomsbury Publishing
ISBN: 1474240569
Category : Performing Arts
Languages : en
Pages : 288

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Book Description
This is the first full-length study to focus on the staging of Samuel Beckett's drama in Ireland and Northern Ireland. Beckett's relationship with his native land was a complex one, but the importance of his drama as a creative force both historically and in contemporary practice in Ireland and Northern Ireland cannot be underestimated. Drawing on previously unpublished archival materials and re-examining familiar narratives, this volume traces the history of Beckett's drama at Dublin's Abbey and Gate Theatres as well as bringing to light unexamined and little-known productions such as those performed in the Irish language, Druid Theatre Company's productions, and those of Dublin's Focus Theatre. Leading scholars in Beckett studies and in Irish drama, including Anna McMullan and Anthony Roche, and renowned interpreters of Beckett's dramatic work such as Barry McGovern, explore Beckett's drama within the context of Irish creative theatrical practice and heritage, and analyse its legacies. As with its companion volume, Staging Beckett in Great Britain, production analyses are underpinned by a consideration of the political, economic and cultural contexts. Readers are invited to experience Beckett's drama as resonating in new ways, through theatre practice, against the complex and connected histories of Ireland, north and south.

Author: Sarah West
Publisher: Brill Rodopi
ISBN: 9789042030787
Category : Literary Criticism
Languages : en
Pages : 277

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Book Description
Central to Samuel Beckett¿s literature is a wilful voice which insists on speaking and being heard. Beckett described it as ¿a truly exterior voice¿, and in the plays he separates voice from the body and turns it into an audible character. Previous critical studies have explored the enigma of this voice, its identity, source and location, but little attention has been given to the voice as protagonist. This volume traces the genesis of the performative voice in the early prose and charts its trajectory throughout the dramatic oeuvre in a readable narrative which generates fresh insights into some of Beckett¿s most remarkable and impenetrable plays. It examines the use of embodied and acousmatic ¿ `out of body¿ ¿ voices in the different media of theatre, radio and television; the treatment of voice in relation to music, image and movement; and the `shifting threshold¿ between the written and spoken word. The analysis comprises a detailed study of dramatic speech and technical aspects of sound reproduction, making it relevant for all scholars and students with an interest in textual and performance issues in Beckett¿s drama.

Author: Jennifer M. Jeffers
Publisher: Routledge
ISBN: 1136761462
Category : Performing Arts
Languages : en
Pages : 280

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Book Description
Samuel Beckett: A Casebook may be characterized as a new collection of essays by a generation of Beckett scholars who did not have access to the author. This text demarcates the line between the critical work produced when Beckett was alive, and the critical work produced within ten years of the author's death. This collection is distinctive, too, because the text offers a variety of critical perspectives which engage and problematize Beckett's dramatic canon. From Deleuzean rhizomatics to New Historicism to the crucial question of gender-each reading re-positions Beckett's plays and forces us to rethink our standard interpretations of Beckett's drama.

Author: Samuel Beckett
Publisher: Faber & Faber
ISBN: 0571300197
Category : Drama
Languages : en
Pages : 462

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Book Description
The present volume gathers all of Beckett's texts for theatre, from 1955 to 1984. It includes both the major dramatic works and the short and more compressed texts for the stage and for radio. 'He believes in the cadence, the comma, the bite of word on reality, whatever else he believes; and his devotion to them, he makes clear, is a sufficient focus for the reader's attention. In the modern history of literature he is a unique moral figure, not a dreamer of rose-gardens but a cultivator of what will grow in the waste land, who can make us see the exhilarating design that thorns and yucca share with whatever will grow anywhere.' - Hugh Kenner Contents: Waiting for Godot, Endgame, Happy Days, All That Fall, Acts Without Words, Krapp's Last Tape, Roughs for the Theatre, Embers, Roughs for the Radio, Words and Music, Cascando, Play, Film, The Old Tune, Come and Go, Eh Joe, Breath, Not I, That Time, Footfalls, Ghost Trio,... but the clouds..., A Piece of Monologue, Rockaby, Ohio Impromptu, Quad, Catastrophe, Nacht und Traume, What Where.