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Author: Matthew Ward Publisher: Oxford University Press ISBN: 0198894767 Category : History Languages : en Pages : 273
Book Description
Romantic Poets and the Laughter of Feeling embraces the sublime and the ridiculous to offer a compelling new reading of British Romanticism. Matthew Ward reveals the decisive role laughter and the laughable play in Romantic aesthetics, emotions, and ethics.
Author: Matthew Ward Publisher: Oxford University Press ISBN: 0198894767 Category : History Languages : en Pages : 273
Book Description
Romantic Poets and the Laughter of Feeling embraces the sublime and the ridiculous to offer a compelling new reading of British Romanticism. Matthew Ward reveals the decisive role laughter and the laughable play in Romantic aesthetics, emotions, and ethics.
Author: Matthew Ward Publisher: Oxford University Press ISBN: 0198894775 Category : Literary Criticism Languages : en Pages : 273
Book Description
The Romantic period witnessed decisive interest in how feeling might align with forms of artistic expression. Many critical studies have focused on the serious side and melancholic moods of Romantic poets. Romantic Poets and the Laughter of Feeling instead embraces the sublime and the ridiculous to offer an original and compelling new reading of British Romanticism. It reveals the decisive role laughter and the laughable play in Romantic aesthetics, emotions, and ethics. Matthew Ward shows that laughter was one of the primary means by which Romantics embraced and expanded upon, but also frequently aped and lampooned, sympathetic feeling. The laughter of feeling is both the expression of sympathy and an articulation of its implications, prejudices, and constraints. For Romantic poets like Wordsworth, Shelley, and Keats, the sound of laughter carries the hope that greater knowledge of others derives from feeling for and with them through poetry, and this might lead to a better understanding of oneself. Yet laughter also makes these poets acutely aware that our emotional lives are utterly unfamiliar and perhaps ultimately unknowable. Their prosody of laughter enlivens and exposes; it embodies their sense of?and ambitions for?poetry, and yet calls those matters into the most comical and gravest doubt. Laughter helps define what it is to be human. This book shows that it also defines what it is to be a 'Romantic' poet.
Author: Eugenia M. Gunner Publisher: Routledge ISBN: 1317308220 Category : Literary Criticism Languages : en Pages : 180
Book Description
The fact that Eliot disapproved of Romanticism is clear from his critical essays, where he often appears to reject it absolutely. However, Eliot’s understanding of the term and his appreciation of literature developed and altered greatly from his adolescence to his years of scholarly study, yet he was never unable to dismiss Romanticism entirely as a critical issue. This study, first published in 1985, analyses Eliot’s approach and criticism to Romanticism, with an analysis of The Waste Land, adding to the layers of its meaning, context and content to the poem. This title will be of interest to students of literature.
Author: John Keats Publisher: Simon and Schuster ISBN: 1626864063 Category : Poetry Languages : en Pages : 800
Book Description
Feelings come alive through the words of the Romantic poets. Romanticism gained traction in the late 1700s as writers moved away from the intellectualism of the Enlightenment and toward more emotional and natural themes. The major works of the movement’s six most famous poets—William Wordsworth, George Gordon Byron, Percy Bysshe Shelley, Samuel Taylor Coleridge, John Keats, and William Blake—are represented in this handsome Word Cloud Classics volume, The Romantic Poets. One of the largest and most influential artistic movements in history, Romanticism valued intuition and pastoralism, and its themes are well represented in the verse of its stars.
Author: Victoria Tutschka Publisher: GRIN Verlag ISBN: 3640489365 Category : Languages : en Pages : 25
Book Description
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Erfurt (Sprachwissenschaft), course: Romanticism, language: English, abstract: William Wordsworth is known as one of the most influential English Romantic Poet. Born in the year 1770 in Cockermouth, a beautiful landscape of the English Lake District, his whole life and work was characterized by the love of nature. Yet in his early ages he and his beloved sister Dorothy were taught important poetry of Shakespeare and Milton by their rarely present father. William was treated harsh by his relatives, when he had to stay at his mother's home in Penrith as a teenager, but as a result he found comfort, tranquility and happiness in exploring the beauty of the nature on his own. In the first years of the 1790s he visited France and was impressed by the revolutionary force of the Republican movement. During his stay he fell in love with Annett Vallon, a French woman and got a daughter with her. Due to the developing British-French war, he had to leave France soon and saw Anett and their daughter seldom again, but always stayed in contact with them. In 1793 Wordsworth wrote the first version of the so-called manifesto of English Romantic Criticism: the 'Preface to Lyrical Ballads' with "experimental" poems. Together with his friend, the poet Samuel Taylor Coleridge, he produced the first of four editions of 'Lyrical Ballads' in the year 1798. In this central Romantic work, he defines poetry as " the spontaneous overflow of powerful feelings from emotions recollected in tranquility.".
Author: Thomas J. McCarthy Publisher: ISBN: Category : Authors and readers Languages : en Pages : 200
Book Description
With its emphasis on the Self entering into the mental and emotional experience of the Other, sympathy came to be regarded in the Romantic period as the source of artistic capacity, aesthetic insight and interpersonal understanding. Reasserting the importance of applying Romantic critical tenets to Romantic texts, this book argues that understanding and emotion should have a vital place in present-day thinking about Romantic literature.
Author: Matthew Ward
Author: Matthew Ward
Author: Matthew Ward
Author: Herbert Read
Author: Eugenia M. Gunner
Author: Joel Faflak
Author: John Keats
Author: Fred Misurella
Author: Harold Bloom
Author: Victoria Tutschka
Author: Thomas J. McCarthy