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Author: J. Robert Barth Publisher: University of Missouri Press ISBN: 0826262910 Category : Literary Criticism Languages : en Pages : 162
Book Description
"Grounded in the thought of Samuel Taylor Coleridge, Romanticism and Transcendence explores the religious dimensions of imagination in the Romantic tradition, both theoretically and in the poetry of Wordsworth and Coleridge. J. Robert Barth suggests that we may look to Coleridge for the theoretical grounding of the view of religious imagination proposed in this book, but that it is in Wordsworth above all that we see this imagination at work."--Jacket
Author: J. Robert Barth Publisher: University of Missouri Press ISBN: 0826262910 Category : Literary Criticism Languages : en Pages : 162
Book Description
"Grounded in the thought of Samuel Taylor Coleridge, Romanticism and Transcendence explores the religious dimensions of imagination in the Romantic tradition, both theoretically and in the poetry of Wordsworth and Coleridge. J. Robert Barth suggests that we may look to Coleridge for the theoretical grounding of the view of religious imagination proposed in this book, but that it is in Wordsworth above all that we see this imagination at work."--Jacket
Author: Kari E. Lokke Publisher: Routledge ISBN: 113430062X Category : Literary Criticism Languages : en Pages : 208
Book Description
Awarded the 2005 Jean-Pierre Barricelli Book Prize by the International Conference on Romanticism This book explores a cosmopolitan tradition of nineteenth-century novels written in response to Germaine de Staël's originary novel of the artist as heroine, corinne. The first book to delineate the contours of an international women's Romanticism, it argues that the künstlerromane of Mary Shelley, Bettine von Arnim, and George Sand offer feminist understandings of history and transcendence that constitute a critique of Romanticism from within. The book examines meditative, mystical and utopian visions of religious and artistic transcendence in the novels of women Romanticists as vehicles for the representation of a gendered subjectivity that seeks detachment and distance from the interests and strictures of the existing patriarchal social and cultural order. For these writers, the author argues, self-transcendence means an abandonment or dissolution of the individual self through political and spiritual efforts that culminate in a revelation of the divinity of a collective selfhood that comes into being through historical process.
Author: Douglas Kenning Publisher: Edwin Mellen Press ISBN: Category : Literary Criticism Languages : en Pages : 444
Book Description
This study traces a clear and fascinating narrative through the thought of the major British Romantic poets, from its rise in Wordsworth and Coleridge, through Shelley and Keats, to its decline with Byron.
Author: Kathryn M. Grossman Publisher: SIU Press ISBN: 9780809318896 Category : Literary Criticism Languages : en Pages : 384
Book Description
In this first book-length study of Les Misérables, Kathryn M. Grossman, with an authoritative command of Hugo’s work and Hugo criticism, situates the novelist’s masterpiece in relation both to his earlier novels—up to and including Notre-Dame de Paris— and to the poetry published during his exile under the Second Empire. Drawing on Paul Ricoeur’s theory of metaphor and on Thomas Weiskel’s analysis of the romantic sublime, Grossman illustrates how the novel’s motifs and structures correspond to a closely connected set of ethical, spiritual, political, and aesthetic concerns. The religious motifs in Les Misérables identify the sublime not just with utopian ideals (and the overthrow of Napoleon III’s grotesque Second Empire) but with artistic death and resurrection. Examining the ways the novel is largely concerned with the monstrous "brutalities of progress" called revolutions that must precede the advent of heaven on earth, Grossman traces that link to a mythos of sin and redemption and shows how the moral concerns of the plot also illuminate Hugo’s aesthetics. Les Misérables explores the tensions between heroes and scoundrels, chaos and order, law and lawlessness. Grossman painstakingly follows the novel’s ethical hierarchy from the grotesque (criminality) to the conventional (bourgeois complacency) and the sublime (sainthood), demonstrating how that hierarchy corresponds to two other hierarchies: the literary and the political.
Author: Alexander J. B. Hampton Publisher: Cambridge University Press ISBN: 1108429440 Category : Philosophy Languages : en Pages : 267
Book Description
"The fundamental concern of Romanticism, which brought about its inception, determined its development, and set its end, was the need to create a new language for religion"--
Author: Kari Lokke Publisher: ISBN: 9780203692318 Category : Bildungsromans Languages : en Pages : 199
Book Description
This volume argues that the künstlerromane of Mary Shelley, Bettine von Arnim, and George Sand offer feminist understandings of history and transcendence that constitute a critique of Romanticism from within.
Author: Daniela Garofalo Publisher: Routledge ISBN: 1134778848 Category : Literary Criticism Languages : en Pages : 192
Book Description
Offering a new understanding of canonical Romanticism, Daniela Garofalo suggests that representations of erotic love in the period have been largely misunderstood. Commonly understood as a means for transcending political and economic realities, love, for several canonical Romantic writers, offers, instead, a contestation of those realities. Garofalo argues that Romantic writers show that the desire for transcendence through love mimics the desire for commodity consumption and depends on the same dynamic of delayed fulfillment that was advocated by thinkers such as Adam Smith. As writers such as William Blake, Lord Byron, Sir Walter Scott, John Keats, and Emily Brontë engaged with the period's concern with political economy and the nature of desire, they challenged stereotypical representations of women either as self-denying consumers or as intemperate participants in the market economy. Instead, their works show the importance of women for understanding modern economics, with women's desire conceived as a force that not only undermines the political economy's emphasis on productivity, growth, and perpetual consumption, but also holds forth the possibility of alternatives to a system of capitalist exchange.
Author: Thomas Pfau Publisher: Routledge ISBN: 1317978641 Category : Literary Criticism Languages : en Pages : 320
Book Description
Though traditionally defined as a relatively brief time period - typically the half century of 1780-1830 - the "Romantic era" constitutes a crucial, indeed unique, transitional phase in what has come to be called "modernity," for it was during these fifty years that myriad disciplinary, aesthetic, economic, and political changes long in the making accelerated dramatically. Due in part to the increased velocity of change, though, most of modernity’s essential master-tropes - such as secularization, instrumental reason, individual rights, economic self-interest, emancipation, system, institution, nation, empire, utopia, and "life" - were also subjected to incisive critical and methodological reflection and revaluation. The chapters in this collection argue that Romanticism’s marked ambivalence and resistance to decisive conceptualization arises precisely from the fact that Romantic authors simultaneously extended the project of European modernity while offering Romantic concepts as means for a sustained critical reflection on that very process. Focusing especially on the topics of form (both literary and organic), secularization (and its political correlates, utopia and apocalypse), and the question of how one narrates the arrival of modernity, this collection collectively emphasizes the importance of understanding modernity through the lens of Romanticism, rather than simply understanding Romanticism as part of modernity. This book was previously published as a special issue of European Romantic Review.
Author: Tim Milnes Publisher: Cambridge University Press ISBN: 1139488392 Category : Literary Criticism Languages : en Pages :
Book Description
How have our conceptions of truth been shaped by romantic literature? This question lies at the heart of this examination of the concept of truth both in romantic writing and in modern criticism. The romantic idea of truth has long been depicted as aesthetic, imaginative and ideal. Tim Milnes challenges this picture, demonstrating a pragmatic strain in the writing of Keats, Shelley and Coleridge in particular, that bears a close resemblance to the theories of modern pragmatist thinkers such as Donald Davidson and Jürgen Habermas. Romantic pragmatism, Milnes argues, was in turn influenced by recent developments within linguistic empiricism. This book will be of interest to readers of romantic literature, but also to philosophers, literary theorists, and intellectual historians.
Author: J. Robert Barth
Author: J. Robert Barth
Author: Thomas Weiskel
Author: Kari E. Lokke
Author: Douglas Kenning
Author: Kathryn M. Grossman
Author: Alexander J. B. Hampton
Author: Kari Lokke
Author: Daniela Garofalo
Author: Thomas Pfau
Author: Tim Milnes