Author: Dirk van HullePublisher:
ISBN:
Category :
Languages : en
Pages : 270
Book Description
The Making of Samuel Beckett's Krapp's Last Tape/la Derniere Bande
Author: Dirk van HulleThe Making of Samuel Beckett's Krapp's Last Tape/La Dernière Bande
Author: Krapp's Last Tape
Author: Samuel BeckettPublisher:
ISBN: 9780571229130
Category : English drama
Languages : en
Pages : 28
Book Description
Krapp's Last Tape was first performed by Patrick Magee at the Royal Court Theatre in October 1958, and has since been played by a host of distinguished actors including Albert Finney and Max Wall. Embers was specially written for radio and first performed in 1959.
Samuel Beckett, Krapp's Last Tape
Author: James KnowlsonPublisher: London : Brutus Books
ISBN:
Category : Drama
Languages : en
Pages : 192
Book Description
Krapp's Last Tape
Author: Samuel BeckettPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
'Krapp's Last Tape' is a one-act play, in English, by Samuel Beckett. With a cast of one man, it was written for Northern Irish actor Patrick Magee and first titled 'Magee Monologue'. It was inspired by Beckett's experience of listening to Magee reading extracts from 'Molloy' and 'From an Abandoned Work' on the BBC Third Programme in December 1957.
Beckett's afterlives
Author: Jonathan BignellPublisher: Manchester University Press
ISBN: 1526153785
Category : Literary Criticism
Languages : en
Pages : 201
Book Description
Despite the steady rise in adaptations of Samuel Beckett’s work across the world following the author’s death in 1989, Beckett’s afterlives is the first book-length study dedicated to this creative phenomenon. The collection employs interrelated concepts of adaptation, remediation and appropriation to reflect on Beckett’s own evolving approach to crossing genre boundaries and to analyse the ways in which contemporary artists across different media and diverse cultural contexts – including the UK, Europe, the USA and Latin America – continue to engage with Beckett. The book offers fresh insights into how his work has kept inspiring both practitioners and audiences in the twenty-first century, operating through methodologies and approaches that aim to facilitate and establish the study of modern-day adaptations, not just of Beckett but other (multimedia) authors as well.
Samuel Beckett and BBC Radio
Author: David AddymanPublisher: Springer
ISBN: 1137542659
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
This book is the first sustained examination of Samuel Beckett’s pivotal engagements with post-war BBC radio. The BBC acted as a key interpreter and promoter of Beckett’s work during this crucial period of his "getting known" in the Anglophone world in the 1950s and 1960s, especially through the culturally ambitious Third Programme, but also by the intermediary of the house magazine, The Listener. The BBC ensured a sizeable but also informed reception for Beckett’s radio plays and various “adaptations” (including his stage plays, prose, and even poetry); the audience that Beckett's works reached by radio almost certainly exceeded in size his readership or theatre audiences at the time. In rethinking several key aspects of his relationship with the BBC, a mix of new and familiar Beckett critics take as their starting point the previously neglected BBC radio archives held at the Written Archive Centre in Caversham, Berkshire. The results of this extended reassessment are timely and, in many cases, quite surprising for readers of Beckett and for scholars of radio, “late modernism,” and post-war British culture more broadly.
The Dramatic Works of Samuel Beckett
Author: Charles A. CarpenterPublisher: A&C Black
ISBN: 144118421X
Category : Reference
Languages : en
Pages : 525
Book Description
Oedipus at Colonus and King Lear: Classical and Early Modern Intersections
Author: Silvia BigliazziPublisher: Skenè. Texts and Studies
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 454
Book Description
The story of King Lear seems to fill in the blank space separating the end of Oedipus Tyrannus and the beginning of Oedipus at Colonus. In both Oedipus at Colonus and the latter part of King Lear we are presented with an old man who was once a King and, following his expulsion from his kingdom on account of a crime or of an error, is turned into a ‘no-thing’. This happens in the time of the division of the kingdom, which is also the time of the genesis of intraspecific conflict and, consequently, of the end of the dynasty. This collection of essays offers a range of perspectives on the many common concerns of these two plays, from the relation between fathers and sons/daughters to madness and wisdom, from sinning and suffering to ‘being’ and ‘non-being’ in human and divine time. It also offers an overarching critical frame that interrogates questions of ‘source’ and ‘reception’, probing into the possible exchangeability of perspectives in a game of mirrors that challenges ideas of origin.
Eliot and Beckett's Low Modernism
Author: Rick de VilliersPublisher: Edinburgh University Press
ISBN: 1474479065
Category : Literary Criticism
Languages : en
Pages : 261
Book Description
<h4>Explores the relation between humility and humiliation in the works of T. S. Eliot and Samuel Beckett</h4>
<ul><li>Offers the first book-length comparative study of T. S. Eliot and Samuel Beckett</li>
<li>Develops a literary theory of humility and humiliation – concepts whose definitions have largely been determined by philosophy and theology</li>
<li>Explores the relation between negative affect, ethics and aesthetics</li></ul>
<p>Humility and humiliation have an awkward, often unacknowledged intimacy. Humility may be a queenly, cardinal or monkish virtue, while humiliation points to an affective state at the extreme end of shame. Yet a shared etymology links the words to lowliness and, further down, to the earth. As this study suggests, like the terms in question, T. S. Eliot and Samuel Beckett share an imperfect likeness. Between them is a common interest in states of abjection, shame and suffering – and possible responses to such states. Tracing the relation between negative affect, ethics, and aesthetics, <i>Eliot and Beckett’s Low Modernism</i> demonstrates how these two major modernists recuperate the affinity between humility and humiliation – concepts whose definitions have largely been determined by philosophy and theology.</p>