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Author: T. Allston Brown Publisher: Forgotten Books ISBN: 9780428640514 Category : Languages : en Pages : 534
Book Description
Excerpt from A History of the New York Stage, Vol. 1 of 3: From the First Performance in 1732 to 1901 In March. 1888. I commenced the publication in The New York Clipper of these records from 1732 to 1888. And it was continued in that paper for nearly five years. The present work has been carefully prepared and rewritten since the time of its publication in 771! Clipper. It now includes the close of the regular dramatic season of 1900-1. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: T. Allston Brown Publisher: Forgotten Books ISBN: 9780428640514 Category : Languages : en Pages : 534
Book Description
Excerpt from A History of the New York Stage, Vol. 1 of 3: From the First Performance in 1732 to 1901 In March. 1888. I commenced the publication in The New York Clipper of these records from 1732 to 1888. And it was continued in that paper for nearly five years. The present work has been carefully prepared and rewritten since the time of its publication in 771! Clipper. It now includes the close of the regular dramatic season of 1900-1. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Thomas A. Bogar Publisher: McFarland ISBN: 1476606803 Category : Biography & Autobiography Languages : en Pages : 441
Book Description
Not every presidential visit to the theatre is as famous as Lincoln’s last night at Ford’s, but American presidents attended the theatre long before and long after that ill-fated night. In 1751, George Washington saw his first play, The London Merchant, during a visit to Barbados. John Quincy Adams published dramatic critiques. William McKinley avoided the theatre while in office, on professional as well as moral grounds. Richard Nixon met his wife at a community theatre audition. Surveying 255 years, this volume examines presidential theatre-going as it has reflected shifting popular tastes in America.
Author: Geddeth Smith Publisher: Fairleigh Dickinson Univ Press ISBN: 9780838633175 Category : Biography & Autobiography Languages : en Pages : 188
Book Description
When the actress Eliza Poe--mother of Edgar Allen Poe--died at age 24 in Richmond, Virginia, she had played with every important theatrical company in the country. Compared to actors today, her career is truly extraordinary. She played nearly 300 parts--in plays by Shakespeare and Sheridan--a long line of heroines in 18th century sentimental comedies, comic operas, farces, and poetic tragedies whose titles are meaningless now, though they contain brilliant language and canny theatricality, requiring actors of discipline and skill to present successfully. Eliza left no personal documents, but available public documents relating to her professional life tell the vivid story of a gifted young actress serving her apprenticeship in the superior repertory system of late 18th and early 19th century America. Eliza was a young artist who had established a national reputation with her co-workers and the public, just embarking on what would have been her most important work at the time of her tragically early death.
Author: Danielle Rosvally Publisher: State University of New York Press ISBN: 1438498357 Category : Performing Arts Languages : en Pages : 332
Book Description
Theatres of Value explores the idea that buying and selling are performative acts and offers a paradigm for deeper study of these acts—"the dramaturgy of value." Modeling this multifaceted approach, the book explores six case studies to show how and why Shakespeare had value for nineteenth-century New Yorkers. In considering William Brown's African Theater, P. T. Barnum's American Museum and Lecture Hall, Fanny Kemble's American reading career, the Booth family brand, the memorial statue of Shakespeare in Central Park, and an 1888 benefit performance of Hamlet to theatrical impresario Lester Wallack, Theatres of Value traces a history of audience engagement with Shakespearean cultural capital and the myriad ways this engagement was leveraged by theatrical businesspeople.
Author: Shane WHITE Publisher: Harvard University Press ISBN: 0674045149 Category : History Languages : en Pages : 271
Book Description
Stories of Freedom in Black New York recreates the experience of black New Yorkers as they moved from slavery to freedom. In the early decades of the nineteenth century, New York City's black community strove to realize what freedom meant, to find a new sense of itself, and, in the process, created a vibrant urban culture. Through exhaustive research, Shane White imaginatively recovers the raucous world of the street, the elegance of the city's African American balls, and the grubbiness of the Police Office. It allows us to observe the style of black men and women, to watch their public behavior, and to hear the cries of black hawkers, the strident music of black parades, and the sly stories of black conmen. Taking center stage in this story is the African Company, a black theater troupe that exemplified the new spirit of experimentation that accompanied slavery's demise. For a few short years in the 1820s, a group of black New Yorkers, many of them ex-slaves, challenged pervasive prejudice and performed plays, including Shakespearean productions, before mixed race audiences. Their audacity provoked feelings of excitement and hope among blacks, but often of disgust by many whites for whom the theater's existence epitomized the horrors of emancipation. Stories of Freedom in Black New York brilliantly intertwines black theater and urban life into a powerful interpretation of what the end of slavery meant for blacks, whites, and New York City itself. White's story of the emergence of free black culture offers a unique understanding of emancipation's impact on everyday life, and on the many forms freedom can take.
Author: T. Allston Brown
Author: T. Allston Brown
Author: Thomas Allston Brown
Author: Thomas A. Bogar
Author: Geddeth Smith
Author: Frank Cullen
Author: Danielle Rosvally
Author: Anne C. Loveland
Author: Rosemarie K. Bank
Author: 
Author: Shane WHITE