American Portrait Miniatures in the Metropolitan Museum of Art PDF Download

Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588393577
Category : Art
Languages : en
Pages : 330

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Author: Dale T. Johnson
Publisher: Metropolitan Museum of Art
ISBN: 0870995979
Category : Portrait miniatures
Languages : en
Pages : 273

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Book Description

Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Abrams
ISBN:
Category : Architecture
Languages : en
Pages : 216

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Book Description
The collection includes one of two known portrait miniatures by Jean Clouet, who is credited with originating this genre, and three of no more than twenty recognized portrait miniatures by Hans Holbein the Younger, the first great master of this art. Most of the important figures in this field - Hilliard, Hoskins, Cooper, Hall, Fuger, Zincke, Cosway, and Isabey - are represented, as are several painters who worked primarily in larger formats - Fragonard, the Van Blarenberghes, and Rosalba Carriera, for example.

Author: Cincinnati Art Museum
Publisher: Yale University Press
ISBN: 0300115806
Category : Art
Languages : en
Pages : 356

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Book Description
Diminutive marvels of artistry and fine craftsmanship, portrait miniatures reveal a wealth of information within their small frames. They can tell tales of cultural history and biography, of people and their passions, of evolving tastes in jewelry, fashion, hairstyles, and the decorative arts. Unlike many other genres, miniatures have a tradition in which amateurs and professionals have operated in parallel and women artists have flourished as professionals. This richly illustrated book presents approximately 180 portrait miniatures selected from the holdings of the Cincinnati Art Museum, the largest and most diverse collection of its kind in North America. The book stresses the continuity of stylistic tradition across Europe and America as well as the vitality of the portrait miniature format through more than four centuries. A detailed catalogue entry, as well as a concise artist biography, appears for each object. Essays examine various aspects of miniature painting, of the depiction of costume in miniatures, and of the allied art of hair work.

Author: Wes Siegrist
Publisher: Wes Siegrist
ISBN: 0982127839
Category : Art
Languages : en
Pages : 268

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Author: Worcester Art Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 158

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Book Description

Author: Laura Arnold Leibman
Publisher: Oxford University Press
ISBN: 0197530494
Category : History
Languages : en
Pages : 321

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Book Description
An obsessive genealogist and descendent of one of the most prominent Jewish families since the American Revolution, Blanche Moses firmly believed her maternal ancestors were Sephardic grandees. Yet she found herself at a dead end when it came to her grandmother's maternal line. Using family heirlooms to unlock the mystery of Moses's ancestors, Once We Were Slaves overturns the reclusive heiress's assumptions about her family history to reveal that her grandmother and great-uncle, Sarah and Isaac Brandon, actually began their lives as poor Christian slaves in Barbados. Tracing the siblings' extraordinary journey throughout the Atlantic World, Leibman examines artifacts they left behind in Barbados, Suriname, London, Philadelphia, and, finally, New York, to show how Sarah and Isaac were able to transform themselves and their lives, becoming free, wealthy, Jewish, and--at times--white. While their affluence made them unusual, their story mirrors that of the largely forgotten population of mixed African and Jewish ancestry that constituted as much as ten percent of the Jewish communities in which the siblings lived, and sheds new light on the fluidity of race--as well as on the role of religion in racial shift--in the first half of the nineteenth century.

Author: Jeremiah William McCarthy
Publisher: Yale University Press
ISBN: 0300244282
Category : Art
Languages : en
Pages : 305

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Book Description
Featuring paintings by American icons like Winslow Homer and Thomas Eakins, this book illustrates the ways American artists have viewed themselves, their peers, and their painted worlds over 200 years.

Author: Kevin J. Avery
Publisher: Metropolitan Museum of Art
ISBN: 1588390608
Category : Drawing
Languages : en
Pages : 426

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Book Description
"The Metropolitan Museum began acquiring American drawings and watercolors in 1880, just ten years after its founding. Since then it has amassed more than 1,500 works executed by American artists during the eighteenth and nineteenth centuries in watercolor, pastel, chalk, ink, graphite, gouache, and charcoal. This volume documents the draftsmanship of more than 150 known artists before 1835 and that of about 60 unidentified artists of the period. It includes drawings and watercolors by such American masters as John Singleton Copley, John Trumbull, John Vanderlyn, Thomas Cole, Asher Brown Durand, George Inness, and James Abbott McNeill Whistler. Because the 504 works illustrate such a wide range of media, techniques, and styles, this publication is a veritable history of American drawing from the eighteenth through most of the nineteenth century."--Metropolitan Museum of Art website.

Author: Jennifer Van Horn
Publisher: UNC Press Books
ISBN: 1469629577
Category : History
Languages : en
Pages : 457

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Book Description
Over the course of the eighteenth century, Anglo-Americans purchased an unprecedented number and array of goods. The Power of Objects in Eighteenth-Century British America investigates these diverse artifacts—from portraits and city views to gravestones, dressing furniture, and prosthetic devices—to explore how elite American consumers assembled objects to form a new civil society on the margins of the British Empire. In this interdisciplinary transatlantic study, artifacts emerge as key players in the formation of Anglo-American communities and eventually of American citizenship. Deftly interweaving analysis of images with furniture, architecture, clothing, and literary works, Van Horn reconstructs the networks of goods that bound together consumers in Boston, New York, Philadelphia, and Charleston. Moving beyond emulation and the desire for social status as the primary motivators for consumption, Van Horn shows that Anglo-Americans' material choices were intimately bound up with their efforts to distance themselves from Native Americans and African Americans. She also traces women's contested place in forging provincial culture. As encountered through a woman's application of makeup at her dressing table or an amputee's donning of a wooden leg after the Revolutionary War, material artifacts were far from passive markers of rank or political identification. They made Anglo-American society.