Art and Vision in the Inca Empire PDF Download

Author: Adam Herring
Publisher:
ISBN: 9781316327166
Category : Art
Languages : en
Pages : 264

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Book Description
This book offers a new, art-historical interpretation of pre-contact Inca culture and power and includes over sixty color images.

Author: Adam Herring
Publisher: Cambridge University Press
ISBN: 1107094364
Category : Art
Languages : en
Pages : 263

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Book Description
This book offers a new, art-historical interpretation of pre-contact Inca culture and power and includes over sixty color images.

Author: Adam Herring
Publisher:
ISBN: 9781316317129
Category : Art
Languages : en
Pages : 249

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Book Description
In 1500 CE, the Inca empire covered most of South America's Andean region. The empire's leaders first met Europeans on November 15, 1532, when a large Inca army confronted Francisco Pizarro's band of adventurers in the highland Andean valley of Cajamarca, Peru. At few other times in its history would the Inca royal leadership so aggressively showcase its moral authority and political power. Glittering and truculent, what Europeans witnessed at Inca Cajamarca compels revised understandings of pre-contact Inca visual art, spatial practice, and bodily expression. This book takes a fresh look at the encounter at Cajamarca, using the episode to offer a new, art-historical interpretation of pre-contact Inca culture and power. Adam Herring's study offers close readings of Inca and Andean art in a variety of media: architecture and landscape, geoglyphs, sculpture, textiles, ceramics, featherwork, and metalwork. The volume is richly illustrated with over sixty color images.

Author: David Jones
Publisher: Lorenz Books
ISBN: 9780754817260
Category : History
Languages : en
Pages : 0

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Book Description
This fascinating visual history tells the story of the ancient peoples of Peru and the Andes. Explores economics and the world of work, religious beliefs and life at home, crime and punishment, and death and sacrifice.

Author: Museum of Primitive Art (New York, N.Y.)
Publisher:
ISBN:
Category : Inca art
Languages : en
Pages : 68

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Book Description

Author: Musée du Petit Palais (Paris, France)
Publisher:
ISBN:
Category : Art, Peruvian
Languages : en
Pages : 252

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Book Description
Oxbow says: December 2005 marked the re-opening of the Petit Palais, Musee des Beaux Arts de la Ville de Paris, and from April to July 2006 it hosted an exhibition of dazzling artefacts from Peru.

Author: David M. Jones
Publisher: Lorenz Books
ISBN: 9780754823582
Category : Incas
Languages : en
Pages : 0

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Book Description
An expert and vivid guide to the history of the Inca civilization, exploring the native peoples of Peru and the Andes, their mythologies and ancient belief systems, the detail of their everyday lives, and the beauty of their art and architecture. ,

Author: R. Alan Covey
Publisher: Oxford University Press
ISBN: 0190299142
Category : History
Languages : en
Pages : 593

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Book Description
A major new history of the Spanish conquest of the Inca Empire, set in a larger global context than previous accounts Previous accounts of the fall of the Inca empire have played up the importance of the events of one violent day in November 1532 at the highland Andean town of Cajamarca. To some, the "Cajamarca miracle"-in which Francisco Pizarro and a small contingent of Spaniards captured an Inca who led an army numbering in the tens of thousands-demonstrated the intervention of divine providence. To others, the outcome was simply the result of European technological and immunological superiority. Inca Apocalypse develops a new perspective on the Spanish invasion and transformation of the Inca realm. Alan Covey's sweeping narrative traces the origins of the Inca and Spanish empires, identifying how Andean and Iberian beliefs about the world's end shaped the collision of the two civilizations. Rather than a decisive victory on the field at Cajamarca, the Spanish conquest was an uncertain, disruptive process that reshaped the worldviews of those on each side of the conflict.. The survivors built colonial Peru, a new society that never forgot the Inca imperial legacy or the enduring supernatural power of the Andean landscape. Covey retells a familiar story of conquest at a larger historical and geographical scale than ever before. This rich new history, based on the latest archaeological and historical evidence, illuminates mysteries that still surround the last days of the largest empire in the pre-Columbian Americas.

Author: Larry Silver
Publisher: Getty Publications
ISBN: 1606065971
Category : Art
Languages : en
Pages : 338

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Book Description
A critical rethinking of the way canons are defined, constructed, dismantled, and revised. A century ago, all art was evaluated through the lens of European classicism and its tradition. This volume explores and questions the foundations of the European canon, offers a critical rethinking of ancient and classical art, and interrogates the canons of cultures and regions that have often been left at the margins of art history. It underscores the historical and geographical diversity of canons and the local values underlying them. Twelve international scholars consider how canons are constructed and contested, focusing on the relationship between canonical objects and the value systems that shape their hierarchies. Deploying an array of methodologies—including archaeological investigations, visual analysis, and literary critique—the authors examine canon formation throughout the world, including Africa, India, East Asia, Mesoamerica, South America, ancient Egypt, classical Greece, and Europe. Global studies of art, which are dismantling the traditionally Eurocentric canon, promise to make art history more inclusive. But enduring canons cannot be dismissed. This volume raises new questions about the importance of canons—including those from outside Europe—for the wider discipline of art history.

Author: Maya Stanfield-Mazzi
Publisher: University of Notre Dame Pess
ISBN: 0268108072
Category : Art
Languages : en
Pages : 461

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Book Description
The book provides the first broad survey of church textiles of Spanish America and demonstrates that, while overlooked, textiles were a vital part of visual culture in the Catholic Church. When Catholic churches were built in the New World in the sixteenth century, they were furnished with rich textiles known in Spanish as “church clothing.” These textile ornaments covered churches’ altars, stairs, floors, and walls. Vestments clothed priests and church attendants, and garments clothed statues of saints. The value attached to these textiles, their constant use, and their stunning visual qualities suggest that they played a much greater role in the creation of the Latin American Church than has been previously recognized. In Clothing the New World Church, Maya Stanfield-Mazzi provides the first comprehensive survey of church adornment with textiles, addressing how these works helped establish Christianity in Spanish America and expand it over four centuries. Including more than 180 photos, this book examines both imported and indigenous textiles used in the church, compiling works that are now scattered around the world and reconstructing their original contexts. Stanfield-Mazzi delves into the hybrid or mestizo qualities of these cloths and argues that when local weavers or embroiderers in the Americas created church textiles they did so consciously, with the understanding that they were creating a new church through their work. The chapters are divided by textile type, including embroidery, featherwork, tapestry, painted cotton, and cotton lace. In the first chapter, on woven silk, we see how a “silk standard” was established on the basis of priestly preferences for this imported cloth. The second chapter explains how Spanish-style embroidery was introduced in the New World and mastered by local artisans. The following chapters show that, in select times and places, spectacular local textile types were adapted for the church, reflecting ancestral aesthetic and ideological patterns. Clothing the New World Church makes a significant contribution to the fields of textile studies, art history, Church history, and Latin American studies, and to interdisciplinary scholarship on material culture and indigenous agency in the New World.