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Author: Barbara Sher Tinsley Publisher: ISBN: 9781491759363 Category : Languages : en Pages : 0
Book Description
Thirty-two-year-old Candida Darroway, an Italian professor at Altamonte, a small college near San Francisco, searches for her identity. Still single, but in a relationship, she knows she needs to get her personal life in gear. She's offered an opportunity she can't pass up. The college is sponsoring a fund-raising, three-week luxury art tour to Italy, the equivalent of traveling for gastronomy and Renaissance art. Her colleague, Professor Rob Ferrell, would act as the art history leader and Candida would be the cultural leader. For some reason, she feels this trip will prove her own Renaissance. So begins a tour filled with misfits, art analysis, and gourmet cuisine, where Candida becomes Ferrell's scapegoat for what goes wrong. The group-a mixed bag-favors Ferrell's leadership, ostracizing Candida. She yearns for Professor Wes Spotswood, a man twenty-one years her senior, with whom she is having a torrid affair. During the trip, medieval Italy pulses under Renaissance skin, drunkards reform, and old flames rekindle. In the end, Altamonte's tour offers more than an appreciation of art and history. Candida discovers powers of judgment and social interaction. Other destinations have opened up grander vistas to her than even her beloved Italian Renaissance offered.
Author: Barbara Sher Tinsley Publisher: ISBN: 9781491759363 Category : Languages : en Pages : 0
Book Description
Thirty-two-year-old Candida Darroway, an Italian professor at Altamonte, a small college near San Francisco, searches for her identity. Still single, but in a relationship, she knows she needs to get her personal life in gear. She's offered an opportunity she can't pass up. The college is sponsoring a fund-raising, three-week luxury art tour to Italy, the equivalent of traveling for gastronomy and Renaissance art. Her colleague, Professor Rob Ferrell, would act as the art history leader and Candida would be the cultural leader. For some reason, she feels this trip will prove her own Renaissance. So begins a tour filled with misfits, art analysis, and gourmet cuisine, where Candida becomes Ferrell's scapegoat for what goes wrong. The group-a mixed bag-favors Ferrell's leadership, ostracizing Candida. She yearns for Professor Wes Spotswood, a man twenty-one years her senior, with whom she is having a torrid affair. During the trip, medieval Italy pulses under Renaissance skin, drunkards reform, and old flames rekindle. In the end, Altamonte's tour offers more than an appreciation of art and history. Candida discovers powers of judgment and social interaction. Other destinations have opened up grander vistas to her than even her beloved Italian Renaissance offered.
Author: Barbara Sher Tinsley Publisher: Strategic Book Publishing & Rights Agency ISBN: 1681816423 Category : Poetry Languages : en Pages : 148
Book Description
What motivated/inspired you to write this book? Reflecting on the diverse experiences of life: a grand marriage; foreign travel – we’ve lived in Paris, Florence, and southern Spain; teaching, painting, raising children, gardening, and practicing classical music; writing books on history, a novel, etc.; it struck me that my life has not only contained much art and striving for knowledge, but it has given me much to remember, to engage with, both with myself and my loved ones about our past, our present, and future. Even streams store much along their banks, create sheltered coves and marshes, and, in a figurative sense, after resting, continue to make progress. This collection of 115 poems draws on many themes, including: hope, famous literature (novelists, poets), ageing, romantic love, philosophers, ethics, protest, marriage, natural beauty, childhood, education, ekphrastic poetry, and poetics. This book is largely autobiographical. I seem to be piecing out my life like a colorful “quilt,” a pattern not found in quilting books, but recognizable by others. Sharing one’s life is another form of teaching, and I always thought that a noble profession. I have found no real obstacles, since I regard life’s lessons very similar to those we teachers teach our students, using history or literature for material. I accumulated this material through conscious living, long years of studying literature, history and several foreign languages, reflecting on the diverse experiences of life. I usually write at night. I think of an object or experience, reach for my pen and paper, and the poem emerges: sometimes in as little as five minutes. “Streaming consciousness,” a term recognized since the mid-l9th century, was defined as an interior monologue or unedited continuous chronological flow of the mind’s conscious experience. The author regards these pieces as edited interior dialogues, for a monologue would not produce such varying perspectives. But stream these poems do, as do thoughts, actions, memories. The reader will note that many describe the “lives” of rivulets, streams, and rivers, and how they affect the poet before they eventually empty into the sea, which may be viewed as the vast ocean of human experience, i.e., life. The ocean represents life, since life began there. The poet views hope, as in her poem “Aspiration,” as a chance to win the best things in life (idealism), just as early man hoped to learn how to clothe himself by making boots for cold weather in “Footwear: A History.” “In Dubious Battle,” farm workers hope for justice in terms of respect and fair wages. “Pen and I” conveys hope by artistic creation. Other themes include intimacy, education, childhood, sensitivity, frustration, governmental and social injustice, nature, family relationships, social protest. Not all her poems treat only what their titles suggest; each poem contains some surprise content.
Author: Patricia Emison Publisher: Routledge ISBN: 113652343X Category : Music Languages : en Pages : 290
Book Description
During the later 15th and in the 16th centuries pictures began to be made without action, without place for heroism, pictures more rueful than celebratory. In part, Renaissance art adjusted to the social and economic pressures with an art we may be hard pressed to recognize under that same rubric-an art not so much of perfected nature as simply artless. Granted, the heroic and epic mode of the Renaissance was that practiced most self-consciously and proudly. Yet it is one of the accomplishments of Renaissance art that heroic and epic subjects and style occasionally made way for less affirmative subjects and compositional norms, for improvisation away from the Vitruvian ideal. The limits of idealizing art, during the very period denominated as High Renaissance, is a topic that involves us in the history of class prejudice, of gender stereotypes, of the conceptualization of the present, of attitudes toward the ordinary, and of scruples about the power of sight Exploring the low style leads us particularly to works of art intended for display in private settings as personally owned objects, potentially as signs of quite personal emotions rather than as subscriptions to publicly vaunted ideologies. Not all of them show shepherds or peasants; none of them-not even Giorgione's La tempesta -is a classic pastoral idyll. The rosso stile is to be understood as more comprehensive than that. The issue is not only who is represented, but whether the work can or cannot be fit into the mold of a basically affirmative art.
Author: Meredith K. Ray Publisher: University of Toronto Press ISBN: 0802097049 Category : Literary Criticism Languages : en Pages : 377
Book Description
During the Italian Renaissance, dozens of early modern writers published collections of private correspondence, using them as vehicles for self-presentation, self-promotion, social critique, and religious dissent. Writing Gender in Women's Letter Collections of the Italian Renaissance examines the letter collections of women writers, arguing that these works were a studied performance of pervasive ideas about gender as well as genre, a form of self-fashioning that variously reflected, manipulated, and subverted cultural and literary conventions regarding femininity and masculinity. Meredith K. Ray presents letter collections from authors of diverse backgrounds, including a noblewoman, a courtesan, an actress, a nun, and a male writer who composed letters under female pseudonyms. Ray's study includes extensive new archival research and highlights a widespread interest in women's letter collections during the Italian Renaissance that suggests a deep curiosity about the female experience and a surprising openness to women's participation in this kind of literary production.
Author: British Museum. Department of Coins and Medals Publisher: London, Printed by order of the Trustees ISBN: Category : Medals Languages : en Pages : 128
Author: John Addington Symonds Publisher: DigiCat ISBN: Category : Art Languages : en Pages : 1666
Book Description
"Renaissance in Italy" is one of the best-known works by John Addington Symonds. This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Table of contents. Volume 1: The Spirit of the Renaissance Italian History The Age of the Despots The Republics The Florentine Historians 'The Prince' of Machiavelli The Popes of the Renaissance The Church and Morality Savonarola Charles VIII... Volume 2: The Men of the Renaissance First Period of Humanism Second Period of Humanism Third Period of Humanism Fourth Period of Humanism Latin Poetry... Volume 3: The Problem for the Fine Arts Architecture Painting Venetian Painting Life of Michael Angelo Life of Benvenuto Cellini The Epigoni... Volume 4: The Origins The Triumvirate The Transition Popular Secular Poetry Popular Religious Poetry Lorenzo De' Medici and Poliziano Pulci and Boiardo Ariosto... Volume 5: The Orlando Furioso The Novellieri The Drama Pastoral and Didactic Poetry The Purists Burlesque Poetry and Satire Pietro Aretino History and Philosophy... Volume 6-7: The Spanish Hegemony The Papacy and the Tridentine Council The Inquisition and the Index The Company of Jesus Social and Domestic Morals Torquato Tasso The "Gerusalemme Liberata" Giordano Bruno Fra Paolo Sarpi Guarini, Marino, Chiabrera, Tassoni Palestrina and the Origins of Modern Music The Bolognese School of Painters...
Author: Paul F. Grendler Publisher: JHU Press ISBN: 9780801880551 Category : Education Languages : en Pages : 622
Book Description
Winner of the Howard R. Marraro Prize for Italian History from the American Historical AssociationSelected by Choice Magazine as an Outstanding Academic Title for 2003 Italian Renaissance universities were Europe's intellectual leaders in humanistic studies, law, medicine, philosophy, and science. Employing some of the foremost scholars of the time—including Pietro Pomponazzi, Andreas Vesalius, and Galileo Galilei—the Italian Renaissance university was the prototype of today's research university. This is the first book in any language to offer a comprehensive study of this most influential institution. In this magisterial study, noted scholar Paul F. Grendler offers a detailed and authoritative account of the universities of Renaissance Italy. Beginning with brief narratives of the origins and development of each university, Grendler explores such topics as the number of professors and their distribution by discipline, student enrollment (some estimates are the first attempted), famous faculty members, budget and salaries, and relations with civil authority. He discusses the timetable of lectures, student living, foreign students, the road to the doctorate, and the impact of the Counter Reformation. He shows in detail how humanism changed research and teaching, producing the medical Renaissance of anatomy and medical botany, new approaches to Aristotle, and mathematical innovation. Universities responded by creating new professorships and suppressing older ones. The book concludes with the decline of Italian universities, as internal abuses and external threats—including increased student violence and competition from religious schools—ended Italy's educational leadership in the seventeenth century.
Author: Barbara Sher Tinsley
Author: Barbara Sher Tinsley
Author: Barbara Sher Tinsley
Author: Patricia Emison
Author: Sir George Francis Hill
Author: Meredith K. Ray
Author: British Museum. Department of Coins and Medals
Author: 
Author: John Addington Symonds
Author: L. B. T. Houghton
Author: Paul F. Grendler