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Author: Marcel Proust Publisher: Simon and Schuster ISBN: 1941701507 Category : Art Languages : en Pages : 63
Book Description
Chardin and Rembrandt is an unfinished essay written around 1895 by Marcel Proust. Oft overlooked in Prousts illustrious writing career, this book is a newly translated version by David Zwirner Books as one of the first two entries in its ekphrasis series. This essay is a literary experiment in which an unnamed narrator gives advice to a young man suffering from melancholy, taking him on an imaginary tour through the Louvre where his readings of Chardin imbue the everyday world with new meaning, and his ruminations on Rembrandt take his melancholic pupil beyond the realm of mere objects.
Author: Marcel Proust Publisher: Simon and Schuster ISBN: 1941701507 Category : Art Languages : en Pages : 63
Book Description
Chardin and Rembrandt is an unfinished essay written around 1895 by Marcel Proust. Oft overlooked in Prousts illustrious writing career, this book is a newly translated version by David Zwirner Books as one of the first two entries in its ekphrasis series. This essay is a literary experiment in which an unnamed narrator gives advice to a young man suffering from melancholy, taking him on an imaginary tour through the Louvre where his readings of Chardin imbue the everyday world with new meaning, and his ruminations on Rembrandt take his melancholic pupil beyond the realm of mere objects.
Author: Herbert E. A. Furst Publisher: Forgotten Books ISBN: 9781330445051 Category : Art Languages : en Pages : 251
Book Description
Excerpt from Chardin Owing to the difficulty experienced in trying to provide a large number of illustrations, which after all it has not been possible to obtain, this book has been in the press rather longer than expected. Reading it over now, I feel that its attitude to modern art, more particularly towards Whistler and the Academy - now a topic devoid of actuality it seems - needs perhaps some definition. The new manner of seeing exemplified, amongst others, by Whistler, has relieved the modern artist of a great deal of grinding labour; he produces his illusions with considerable effect and inconsiderable effort. Whistler's Protests in Pigment have been the cause of a great deal of slipshod workmanship, because the mental labour which preceded each stroke of Whistler's brush is not so apparent as the patient toil of Van Eyck's pencil, for instance. We have now all over Europe a host of painters, who, pleased with their ability to produce effects, seem to think that that is due to their exceptional abilities. That, however, is a great fallacy. Careful scrutiny of seventy-five out of a hundred 'modern' painters' work will reveal less knowledge of the painter's craft than some of the most discredited of the early and mid-Victorian painters possessed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Helene Prigent Publisher: ISBN: Category : Art Languages : en Pages : 132
Book Description
Charming yet scholarly, this book explores the work of the French artist Jean Baptiste Sim̌on Chardin, who brought a breath of fresh air to 18th-century painting. His masterful sense of color and light filled his simple domestic interiors and delicate renderings of still lifes with a profound humanism. - Publisher.
Author: Ruth Bernard Yeazell Publisher: Princeton University Press ISBN: 9780691127262 Category : Art Languages : en Pages : 294
Book Description
Realist novels are celebrated for their detailed attention to ordinary life. But two hundred years before the rise of literary realism, Dutch painters had already made an art of the everyday--pictures that served as a compelling model for the novelists who followed. By the mid-1800s, seventeenth-century Dutch painting figured virtually everywhere in the British and French fiction we esteem today as the vanguard of realism. Why were such writers drawn to this art of two centuries before? What does this tell us about the nature of realism? In this beautifully illustrated and elegantly written book, Ruth Yeazell explores the nineteenth century's fascination with Dutch painting, as well as its doubts about an art that had long challenged traditional values. After showing how persistent tensions between high theory and low genre shaped criticism of novels and pictures alike, Art of the Everyday turns to four major novelists--Honoré de Balzac, George Eliot, Thomas Hardy, and Marcel Proust--who strongly identified their work with Dutch painting. For all these writers, Dutch art provided a model for training themselves to look closely at the particulars of middle-class life. Yet even as nineteenth-century novelists strove to create illusions of the real by modeling their narratives on Dutch pictures, Yeazell argues, they chafed at the model. A concluding chapter on Proust explains why the nineteenth century associated such realism with the past and shows how the rediscovery of Vermeer helped resolve the longstanding conflict between humble details and the aspirations of high art.
Author: Thomas Baldwin Publisher: Peter Lang ISBN: 9783039103232 Category : Art Languages : en Pages : 200
Book Description
This book describes the development of Proust's treatment of material objects from his earliest work Les Plaisirs et les jours to his mature novel À la recherche du temps perdu. It examines the literary influences on Proust's way with objects in the light of certain critical texts and reconsiders the significance of Ruskin. As the movement from unreflective and spontaneous representation to a meta-narrative of consciousness is traced, some questions as to the banality of the 'banal object' arise. The meta-narrative finds resonance in a peculiarly Proustian pictoriality which has been largely unnoticed. It resides in descriptions where objects appear simultaneously or at different times as things in paintings and in the real. By exploring connections between Proust's pictoriality and his reflections on 'matière' and 'surface', the author suggests a radical approach to the modernism of À la recherche du temps perdu.
Author: Paul Gauguin Publisher: David Zwirner Books ISBN: 1941701396 Category : Art Languages : en Pages : 57
Book Description
“Criticism is our censorship . . .” So begins one of the greatest invectives against criticism ever written by an artist. Paul Gauguin wrote “Racontars de rapin” only months before he died in 1903, but the essay remained unpublished until 1951. Through discussions of numerous artists, both his contemporaries and predecessors, Gauguin unpacks what he viewed as the mistakes and misjudgments behind much of art criticism, revealing not only how wrong critics’ interpretations have been, but also what it would mean to approach art properly—to really look. Long out of print, this new translation by Donatien Grau includes an introduction that situates the essay within Gauguin’s written oeuvre, as well as explanatory notes. This text sheds light on Gauguin’s conception of art—widely considered a predecessor to Duchamp—and engages with many issues still relevant today: history, novelty, criticism, and the market. His voice feels as fresh, lively, sharp in English now as it did in French over one hundred years ago. Through Gauguin’s final piece of writing, we see the artist in the full throes of passion—for his work, for his art, for the art of others, and against anyone who would stand in his way. As the inaugural publication in David Zwirner Books’s new ekphrasis reader series, Ramblings of a Wannabe Painter sets a perfect tone for the books to come. Poised between writing, art, and criticism, Gauguin brings together many different worlds, all of which should have a seat at the table during any meaningful discussion of art. With the express hope of encouraging open exchange between the world of writing and that of the visual arts, David Zwirner Books is proud to present this new edition of a lost masterpiece.
Author: Kenneth Bendiner Publisher: Reaktion Books ISBN: 9781861892133 Category : Art Languages : en Pages : 252
Book Description
In this sumptuous exploration of food images in European and American painting from the early Renaissance to the present, Kenneth Bendiner sees food painting as a separate classification of art with its own history.
Author: Marcel Proust
Author: Marcel Proust
Author: Herbert Furst
Author: Marcel Proust
Author: Herbert E. A. Furst
Author: Herbert E. A. Furst
Author: Helene Prigent
Author: Ruth Bernard Yeazell
Author: Thomas Baldwin
Author: Paul Gauguin
Author: Kenneth Bendiner