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Author: Stephen D. Morrison Publisher: Beloved Publishing LLC ISBN: 9781631741791 Category : Languages : en Pages : 144
Book Description
Often bleak and blasphemous, Samuel Beckett's writing is not commonly considered a source of spiritual courage and theological depth, but "Christ's Wait for Godot" finds much to admire in Beckett's grey world. Stephen D. Morrison leverages his expertise in Jürgen Moltmann's theology to read Beckett with a theologian's eye and discover many surprising parallels. By also gleaning from the insights of Paul Tillich, Karl Barth, Dietrich Bonhoeffer, and the mystical and apophatic traditions, Morrison arrives at a highly original reading of Beckett that is at once comforting and challenging. Most critics studying Beckett's religious themes fail to reckon with the strength of his spiritual sensibilities. But there is tremendous metaphysical depth to Beckett's obsession with suffering, protest, longing, and hope. Morrison strives to uncover new ways of reading Beckett's work by taking his spiritual sensibilities seriously and reading him theologically. The result is a book at once hopeful and honest. In the end, it is Beckett's humanity that impresses us the most. And in these uncertain times, we need writers who courageously wrestle with God, truth, and meaning.
Author: Stephen D. Morrison Publisher: Beloved Publishing LLC ISBN: 9781631741791 Category : Languages : en Pages : 144
Book Description
Often bleak and blasphemous, Samuel Beckett's writing is not commonly considered a source of spiritual courage and theological depth, but "Christ's Wait for Godot" finds much to admire in Beckett's grey world. Stephen D. Morrison leverages his expertise in Jürgen Moltmann's theology to read Beckett with a theologian's eye and discover many surprising parallels. By also gleaning from the insights of Paul Tillich, Karl Barth, Dietrich Bonhoeffer, and the mystical and apophatic traditions, Morrison arrives at a highly original reading of Beckett that is at once comforting and challenging. Most critics studying Beckett's religious themes fail to reckon with the strength of his spiritual sensibilities. But there is tremendous metaphysical depth to Beckett's obsession with suffering, protest, longing, and hope. Morrison strives to uncover new ways of reading Beckett's work by taking his spiritual sensibilities seriously and reading him theologically. The result is a book at once hopeful and honest. In the end, it is Beckett's humanity that impresses us the most. And in these uncertain times, we need writers who courageously wrestle with God, truth, and meaning.
Author: Samuel Beckett Publisher: Grove/Atlantic, Inc. ISBN: 9780802198822 Category : Drama Languages : en Pages : 128
Book Description
From an inauspicious beginning at the tiny Left Bank Theatre de Babylone in 1953, followed by bewilderment among American and British audiences, Waiting for Godot has become of the most important and enigmatic plays of the past fifty years and a cornerstone of twentieth-century drama. As Clive Barnes wrote, “Time catches up with genius … Waiting for Godot is one of the masterpieces of the century.” The story revolves around two seemingly homeless men waiting for someone—or something—named Godot. Vladimir and Estragon wait near a tree, inhabiting a drama spun of their own consciousness. The result is a comical wordplay of poetry, dreamscapes, and nonsense, which has been interpreted as mankind’s inexhaustible search for meaning. Beckett’s language pioneered an expressionistic minimalism that captured the existential post-World War II Europe. His play remains one of the most magical and beautiful allegories of our time.
Author: Patricia Patkovszky Publisher: GRIN Verlag ISBN: 3640256247 Category : Languages : en Pages : 38
Book Description
Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,3, Humboldt-University of Berlin (Department of English and American Studies), course: 20th - Century Drama, 12 entries in the bibliography, language: English, abstract: On 5 January 1953 'Waiting for Godot' challenged its first theaters audience with a never seen dramatic work of art, radically different from anything shown before, the title "referring ironically to the nonappearance of the person awaited so faithfully by the two main protagonists". Before Beckett, drama was synonymous with action: a plot in which barely anything happens was inconceivable. Beckett is the first dramatist to focus exclusively on the act of waiting and to make this into his dominant metaphor for existence. He, at he same time, expects his audience to share that experience of waiting with Estragon and Vladimir. As Martin Esslin pointed out in 1961: "Beckett is trying to capture the basic experience of being 'in the world', having been thrust into it without a by-your-leave, and having, somehow, to come to terms with 'being there', 'Dasein' itself, in Heidegger's sense". Vladimir and Estragon, two tramps, are the main characters of the play. They perform on an empty stage, marked only by a single tree and a low mound, waiting for the appearance of a mysterious character named Godot. Two other men, Pozzo and Lucky, master and servant, turn up and stay with them for a while. To pass their time, they discuss their bodily handicaps, their non-fitting clothes and episodes of their life together as well as questions of theology. Godot, however, never comes; but a boy delivers the message, that he will be there the next day. Vladimir and Estragon consider leaving and even committing suicide, but they fail in doing so. Nearly the same events take place during the second act. Godot never comes and the story kind of repeats itself. Since the first performance of the play people
Author: Johannes Viertel Publisher: GRIN Verlag ISBN: 3668978158 Category : Foreign Language Study Languages : en Pages : 17
Book Description
Essay from the year 2015 in the subject Didactics for the subject English - Literature, Works, grade: 1,7, University of Hildesheim (Institut für englische Sprache und Literatur), course: Literature - From Modernism to Postmodernism, language: English, abstract: In this essay care is taken specifically to the role and the criticism of Christianity. Since many studies came to the conclusion that the piece deals mainly with the topic of Christianity, with large influxes of philosophy and existential questions, a broad range of theories and conjectures has developed in this regard. In the course of this work I will first give a general overview of the most important references and criticisms of Christianity, oriented to the text, will then have a closer look at the role of Pozzo and Lucky and will present my conclusion at the end. The play “Waiting for Godot” premiered 1953 and was written by the Irish novelist Samuel Beckett. It is divided into two acts and the main characters, two old men called Vladimir and Estragon, wait on a lonely country road for a man called Mr. Godot. While waiting they are talking, one could say speculate, about that person, contemplate suicide several times, talk about religion and meet several characters but neither of these is Mr. Godot. This was just a very simple representation of events, another response of what happens might be “it depends what you mean by “happen””. In the fifty years since the plays publication many authors have tried to determine the meaning of this play. It seems like there is no specific meaning behind the text and that a new meaning is created each time the text is read. Therefor the text invites the reader to search for an interpretation, a meaning, a sense or message, even though it is not immediately visible. One thus has to accept that there is no right or wrong, only an assumption. With this knowledge it is possible to examine the text at various levels, such as political, religious, biographical, psychoanalytical or even existential.
Author: Lawrence Graver Publisher: Cambridge University Press ISBN: 9780521549387 Category : Drama Languages : en Pages : 132
Book Description
This volume offers a comprehensive critical study of Samuel Beckett's first and most renowned dramatic work, Waiting for Godot, which has become one of the most frequently discussed, and influential plays in the history of the theatre. Lawrence Graver discusses the play's background and provides a detailed analysis of its originality and distinction as a landmark of modern theatrical art. He reviews some of the differences between Beckett's original French version and his English translation.
Author: Mark Taylor-Batty Publisher: A&C Black ISBN: 1441156100 Category : Performing Arts Languages : en Pages : 125
Book Description
"An impressively complete survey of the play in its cultural, theatrical, historical and political contexts." - David Bradby, co-editor of Contemporary Theatre Review Samuel Beckett's Waiting for Godot is not only an indisputably important and influential dramatic text -it is also one of the most significant western cultural landmarks of the twentieth century. Originally written in French, the play first amazed and appalled Parisian theatre-goers and critics before receiving a harshly dismissive initial critical response in Britain in 1955. Its influence since then on the international stage has been significant, impacting on generations of actors, directors and audiences.
Author: Lois Gordon Publisher: Yale University Press ISBN: 0300132026 Category : Literary Criticism Languages : en Pages : 224
Book Description
divdivWaiting for Godot has been acclaimed as the greatest play of the twentieth century. It is also the most elusive: two lifelong friends sing, dance, laugh, weep, and question their fate on a road that descends from and goes nowhere. Throughout, they repeat their intention “Let’s go,” but this is inevitably followed by the direction “(They do not move.).” This is Beckett’s poetic construct of the human condition. Lois Gordon, author of The World of Samuel Beckett, has written a fascinating and illuminating introduction to Beckett’s great work for general readers, students, and specialists. Critically sophisticated and historically informed, it approaches the play scene by scene, exploring the text linguistically, philosophically, critically, and biographically. Gordon argues that the play portrays more than the rational mind’s search for self and worldly definition. It also dramatizes Beckett’s insights into human nature, into the emotional life that frequently invades rationality and liberates, victimizes, or paralyzes the individual. Gordon shows that Beckett portrays humanity in conflict with mysterious forces both within and outside the self, that he is an artist of the psychic distress born of relativism. /DIV/DIV
Author: Stephen D. Morrison Publisher: ISBN: 9781631741593 Category : Languages : en Pages : 198
Book Description
Written from one amateur to another Stephen Morrison hopes to introduce readers to Barth's thought without confusing theological jargon. By focusing on the eight major ideas of Barth's thought, the author provides readers with a helpful introduction to one of the greatest minds in modern theology.
Author: Stephen D. Morrison
Author: Stephen D. Morrison
Author: Samuel Beckett
Author: Patricia Patkovszky
Author: Johannes Viertel
Author: Lawrence Graver
Author: Mark Taylor-Batty
Author: Stephen D. Morrison
Author: Lois Gordon
Author: Harold Bloom
Author: Stephen D. Morrison