Author: John G. Peters Publisher: Cambridge University Press ISBN: 1139432125 Category : Literary Criticism Languages : en Pages : 222
Book Description
In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and depth not only in visually perceived phenomena but also in his narratives and objects of consciousness, be they physical objects, human subjects, events or ideas. Though traditionally thought of as a sceptical writer, Peters claims that through Impressionism Conrad developed a coherent and mostly traditional view of ethical and political principles, a claim he supports through reference to a broad range of Conrad's texts. Conrad and Impressionism investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views. The same core ideas concerning the nature of human experience run throughout his works.
Author: John G. Peters Publisher: Cambridge University Press ISBN: 9780521791731 Category : Art Languages : en Pages : 228
Book Description
John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. He investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views.
Author: Todd K. Bender Publisher: Taylor & Francis ISBN: 9780815319436 Category : Art and literature Languages : en Pages : 192
Book Description
This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.
Author: Michael Fried Publisher: Harvard University Press ISBN: 0674984951 Category : Literary Criticism Languages : en Pages : 400
Book Description
“My task which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel—it is, before all, to make you see. That—and no more, and it is every-thing.” So wrote Joseph Conrad in the best-known account of literary impressionism, the late nineteenth- and early twentieth-century movement featuring narratives that paint pictures in readers’ minds. If literary impressionism is anything, it is the project to turn prose into vision. But vision of what? Michael Fried demonstrates that the impressionists sought to compel readers not only to see what was described and narrated but also to see writing itself. Fried reads Conrad, Stephen Crane, Frank Norris, W. H. Hudson, Ford Madox Ford, H. G. Wells, Jack London, Rudyard Kipling, Erskine Childers, R. B. Cunninghame Graham, and Edgar Rice Burroughs as avatars of the scene of writing. The upward-facing page, pen and ink, the look of written script, and the act of inscription are central to their work. These authors confront us with the sheer materiality of writing, albeit disguised and displaced so as to allow their narratives to proceed to their ostensible ends. What Was Literary Impressionism? radically reframes a large body of important writing. One of the major art historians and art critics of his generation, Fried turns to the novel and produces a rare work of insight and erudition that transforms our understanding of some of the most challenging fiction in the English language.
Author: Indrani Chaudhuri Publisher: Blue Rose Publishers ISBN: Category : Art Languages : en Pages : 195
Book Description
This book is an intriguing and intimate study of the dialogues forged between different forms of art, paintings and texts in particular. It entwines art with literature to create a complex yet marvellous mosaic of textures hitherto undiscussed in this manner. Reading, here, becomes both painting and travelling through Joseph Conrad’s Heart of Darkness and the works of the French Impressionist painters of the nineteenth century. Through an exploration of the distinctive characteristics of the paintings of Monet, Manet, Renoir, Pissarro, Cézanne and even Van Gogh and Gauguin, this book tries to decipher the codes and symbols of Conrad’s enigmatic novella. By taking the help of intertextuality, interdisciplinary and multidisciplinary approaches, detours and retours through time and space, this book offers extensive readings of texts on art, literature and Conrad’s works. Reading Heart of Darkness in this manner emerges as a kind of journey through the continents of imperial Europe and of colonized Africa, through diverse cultures, imaginary geographies, psychological processes that separate one human from another, through the metaphors and metonymies of the modern malaise that vacillated from Darwinian theories of evolution to Nietzsche’s proclamation of the death of God.
Author: Jesse Matz Publisher: Cambridge University Press ISBN: 0521803527 Category : Literary Criticism Languages : en Pages : 292
Book Description
This 2001 study addresses the problems of perception and representation that occupied modernist writers such as James, Conrad and Woolf.
Author: John Gerard Peters Publisher: ISBN: 9786610154807 Category : Impressionism in literature Languages : en Pages : 206
Book Description
John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and depth not only in visually perceived phenomena but also in his narratives and objects of consciousness, be they physical objects, human subjects, events or ideas. Though traditionally thought of as a sceptical writer, Peters claims that through Impressionism Conrad developed a coherent and mostly traditional view of ethical and political principles, a claim he supports through reference to a broad range of Conrad's texts. Conrad and Impressionism investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views. The same core ideas concerning the nature of human experience run throughout his works.
Author: Tamar Katz Publisher: University of Illinois Press ISBN: 0252054261 Category : Literary Criticism Languages : en Pages : 264
Book Description
Exploring the intersection of ideas about woman, subjectivity, and literary authority, Impressionist Subjects reveals the female subject as crucial in framing contradictions central to modernism, particularly the tension between modernism's claim to timeless art and its critique of historical conditions. Against the backdrop of the New Woman movement of the 1890s, Tamar Katz establishes literary impressionism as integral to modernist form and to the modernist project of investigating the nature and function of subjectivity. Focusing on a duality common to impressionism and contemporary ideas of feminine subjectivity, Katz shows how the New Woman reconciled the paradox of a subject at once immersed in the world and securely enclosed in a mysterious interiority. Book chapters feature discussion of modernists including Walter Pater, George Egerton, Sarah Grand, Henry James, Joseph Conrad, Ford Madox Ford, Dorothy Richardson, and Virginia Woolf. Sophisticated and tightly argued, Impressionist Subjects is a substantial contribution to the reassessment and expansion of the modernist fiction canon.
Author: John G. Peters
Author: John G. Peters
Author: Todd K. Bender
Author: Michael Fried
Author: Indrani Chaudhuri 
Author: Jesse Matz
Author: John Gerard Peters
Author: Helen Agnes Prentice Theimer
Author: Tamar Katz
Author: Ian Watt