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Author: John G. Peters Publisher: Cambridge University Press ISBN: 9780521791731 Category : Art Languages : en Pages : 228
Book Description
John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. He investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views.
Author: Paul Wake Publisher: Manchester University Press ISBN: 1847796745 Category : Literary Criticism Languages : en Pages : 408
Book Description
Variously described as ‘the average pilgrim’, a ‘wanderer’, and ‘a Buddha preaching in European clothes’, Charlie Marlow is the voice behind Joseph Conrad’s ‘Youth’ (1898), Heart of Darkness (1899), Lord Jim (1900) and Chance (1912). Conrad’s Marlow offers a comprehensive account and critical analysis of one of Conrad’s most celebrated creations, asking both who and what is Marlow: a character or a narrator, a biographer or an autobiographical screen, a messenger or an interpreter, a bearer of truth or a misguided liar? Reading Conrad’s fiction alongside the work of Walter Benjamin, Maurice Blanchot, Jacques Derrida and Martin Heidegger, and offering an investigation into the connection between narrative and death, this book argues that Marlow’s essence is located in his liminality – in his constantly shifting position – and that the emergence of meaning in his stories is at all points bound up with the process of his storytelling.
Author: Latef S. N. Berzenji Publisher: AuthorHouse ISBN: 1728374421 Category : Travel Languages : en Pages : 111
Book Description
Joseph Conrad is one of the most intriguing and important modernist novelists and short story writers, whose writing continues to preoccupy readers. Conrad combined his unique personal background as a Polish emigre, his personal experiences and voyagings as a seaman and his literary readings with the tradition of his adopted country to produce literary works and fictions, which blended with his distinctive taste, gave the English novel a further originality and development. This study, which primarily concentrates on four of Conrad's major works - Heart of Darkness, Lord Jim, “The Secret Sharer,” and The Shadow Line shows that Conrad conceives voyaging as a symbolic means, an insight and vision into the human psyche. It becomes a journey into the inner-world of man’s psychological diving into his inner world of the self in quest of truth, of self-identity, self-knowledge, and self-control.
Author: Kaoru Yamamoto Publisher: Bloomsbury Publishing ISBN: 1474250033 Category : Literary Criticism Languages : en Pages : 224
Book Description
Rethinking Joseph Conrad's Concepts of Community uses Conrad's phrase 'strange fraternity' from The Rover as a starting point for an exploration of the concept of community in his writing, including his neglected vignettes and later stories. Drawing on the work of continental thinkers including Jacques Derrida, Jean Luc-Nancy and Hannah Arendt, Yamamoto offers original readings of Heart of Darkness, The Nigger of the 'Narcissus', The Rover and Suspense and the short stories "The Secret Sharer†?, "The Warrior's Soul†? and "The Duel†?. Working at the intersection between literature and philosophy, this is a unique and interdisciplinary engagement with Conrad's work.
Author: Peter Mallios Publisher: Stanford University Press ISBN: 0804775710 Category : Literary Criticism Languages : en Pages : 488
Book Description
Our Conrad is about the American reception of Joseph Conrad and its crucial role in the formation of American modernism. Although Conrad did not visit the country until a year before his death, his fiction served as both foil and mirror to America's conception of itself and its place in the world. Peter Mallios reveals the historical and political factors that made Conrad's work valuable to a range of prominent figures—including Fitzgerald, Faulkner, Richard Wright, Woodrow Wilson, and Theodore and Edith Roosevelt—and explores regional differences in Conrad's reception. He proves that foreign-authored writing can be as integral a part of United States culture as that of any native. Arguing that an individual writer's apparent (national, gendered, racial, political) identity is not always a good predictor of the diversity of voices and dialogues to which he gives rise, this exercise in transnational comparativism participates in post-Americanist efforts to render American Studies less insular and parochial.
Author: Richard Ambrosini Publisher: Cambridge University Press ISBN: 9780521403498 Category : Literary Criticism Languages : en Pages : 274
Book Description
Joseph Conrad's comments about his works have commonly been dismissed as theoretically unsophisticated, while the critical notions of James, Woolf and Joyce have come to shape our understanding of the modern novel. Richard Ambrosini's study of Conrad's Fiction as Critical Discourse makes an original claim for the importance of his theoretical ideas as they are formed, tested, and eventually redefined in Heart of Darkness and Lord Jim. Setting the narrator's discourse in these tales in the context of the dynamic interplay of Conrad's fictional with his non-fictional writings, and of the transformations in his narrative forms, Ambrosini defines Conrad's view of fiction and the artistic ideal underlying his commitment as a writer in a new and challenging way. Conrad's innovatory techniques as a novelist are shown in the continuity of his theoretical enterprise, from the early search for an artistic prose and a personal novel form, to the later dislocations of perspective achieved by manipulation of conventions drawn from popular fiction. This reassessment of Conrad's critical thought offers a new perspective on the transition from the Victorian novel to contemporary fiction.
Author: Vance Byrd Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110660148 Category : Social Science Languages : en Pages : 401
Book Description
Building upon recent German Studies research addressing the industrialization of printing, the expansion of publication venues, new publication formats, and readership, Market Strategies maps a networked literary field in which the production, promotion, and reception of literature from the Enlightenment to World War II emerges as a collaborative enterprise driven by the interests of actors and institutions. These essays demonstrate how a network of authors, editors, and publishers devised mutually beneficial and, at times, conflicting strategies for achieving success on the rapidly evolving nineteenth-century German literary market. In particular, the contributors consider how these actors shaped a nineteenth-century literary market, which included the Jewish press, highbrow and lowbrow genres, and modernist publications. They explore the tensions felt as markets expanded and restrictions were imposed, which yielded resilient new publication strategies, fostered criticism, and led to formal innovations. The volume thus serves as major contribution to interdisciplinary research in nineteenth-century German literary, media, and cultural studies.
Author: Ian Watt
Author: Ian Watt
Author: John G. Peters
Author: Ian Watt
Author: Michael John DiSanto
Author: Paul Wake
Author: Latef S. N. Berzenji
Author: Kaoru Yamamoto
Author: Peter Mallios
Author: Richard Ambrosini
Author: Vance Byrd