Critical Reflections on Audience and Narrativity PDF Download

Author: Valentina Marinescu
Publisher: Columbia University Press
ISBN: 383826679X
Category : Performing Arts
Languages : en
Pages : 200

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Author: Tricia Austin
Publisher: Routledge
ISBN: 0429640676
Category : Design
Languages : en
Pages : 193

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Book Description
This book argues narrative, people and place are inseparable and pursues the consequences of this insight through the design of narrative environments. This is a new and distinct area of practice that weaves together and extends narrative theory, spatial theory and design theory. Examples of narrative spaces, such as exhibitions, brand experiences, urban design and socially engaged participatory interventions in the public realm, are explored to show how space acts as a medium of communication through a synthesis of materials, structures and technologies, and how particular social behaviours are reproduced or critiqued through spatial narratives. This book will be of interest to scholars in design studies, urban studies, architecture, new materialism and design practitioners in the creative industries.

Author: Elisia L. Cohen
Publisher: Routledge
ISBN: 1317236963
Category : Language Arts & Disciplines
Languages : en
Pages : 645

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Book Description
Communication Yearbook 40 completes four decades of publishing state-of-the-discipline literature reviews and essays. In the final Communication Yearbook volume, editor Elisia L. Cohen includes chapters representing international and interdisciplinary scholarship, demonstrating the broad global interests of the International Communication Association. The contents include summaries of communication research programs that represent the most innovative work currently. Emphasizing timely disciplinary concerns and enduring theoretical questions, this volume will be valuable to scholars throughout the communication discipline and beyond.

Author: Loukia Kostopoulou
Publisher: Taylor & Francis
ISBN: 1000880192
Category : Language Arts & Disciplines
Languages : en
Pages : 90

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Book Description
The book proposes a new perspective on avant-garde cinema, utilising approaches from intermediality to explore how the spirit of experimentation, a hallmark of historical avant-garde and post-war artistic movements, is still present in contemporary filmmaking today. The volume explores how contemporary avant-garde filmmakers have brought innovation to modern cinema. Filmmakers, such as, Jean-Luc Godard, Lars von Trier, and Alexander Sokurov and their contemporary works will be analyzed, reflecting on their experimentation with cinematic techniques and the mixing of the film medium with other media, such as literature, theatre, and painting. Important research questions considered throughout the book include: How do intermedial experiments convey meaning in films? What is the impact on the spectator of the mixing of various media forms in cinema? And how are the contemporary films of Jean-Luc Godard, Lars von Trier, and Alexander Sokurov innovative and experimental? The book is devoted to all these themes and provides a thorough analysis of contemporary films examined through an intermedial perspective. Providing a comprehensive analysis of contemporary avant-garde filmmaking from an intermedial perspective, this book will be of interest to graduate students and scholars working in intermedial studies, film and media studies, and cultural studies.

Author: Xiaoling Yao
Publisher: Taylor & Francis
ISBN: 1003802281
Category : Biography & Autobiography
Languages : en
Pages : 204

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Book Description
Drawing on recent studies on life writing, memory, the narrative turn, and psychology, Conrad, Autobiographical Remembering, and the Making of Narrative Identity is the first major work that extensively explores the dynamic interplay between Conrad’s autobiographical remembering and storytelling in relation to his identity construction within a historical and cultural context. This unique perspective makes the book particularly attractive for students, teachers, and researchers of Conrad. Contrary to the prevalent "achievement-and-decline" paradigm that implies a decline in quality of Conrad’s works in his later period, this volume contends that Conrad’s later works continue to engage with the complex questions of memory, identity, and culture, demonstrating a sustained commitment to exploring the intricacies of the human experiences. Essential reading for Conrad enthusiasts, but also for those who seek to explore how memory studies in literature intersect with psychology, philosophy, and cultural studies.

Author: Virginia Nightingale
Publisher: Open University Press
ISBN:
Category : Mass media
Languages : en
Pages : 328

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· What next for audience research in the 21st century?

Author: Colette Daiute
Publisher: SAGE
ISBN: 0761927980
Category : Literary Criticism
Languages : en
Pages : 321

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Book Description
Narrative Analysis is organized around three approaches or "readings." Literary Readings focus on aesthetic, metaphorical, and other literary qualities inherent to narrative approaches. Social-Relational Readings build upon the idea that narrative discourse is personal but also echoes political, economic, and other material relationships in the environment. Readings through the Force of History explain how narrators come to know themselves and their worlds in terms of and in spite of the received explanations of time and place. Working in a range of ethnic, geographic, generational, class, and institutional communities, the authors demonstrate how they have used narrative inquiry to explore development in challenging social contexts.

Author: Sebastian M. Herrmann
Publisher: transcript Verlag
ISBN: 3839461308
Category : Literary Criticism
Languages : en
Pages : 271

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Book Description
This book calls for an investigation of the ›borderlands of narrativity‹ — the complex and culturally productive area where the symbolic form of narrative meets other symbolic logics, such as data(base), play, spectacle, or ritual. It opens up a conversation about the ›beyond‹ of narrative, about the myriad constellations in which narrativity interlaces with, rubs against, or morphs into the principles of other forms. To conceptualize these borderlands, the book introduces the notion of »narrative liminality,« which the 16 articles utilize to engage literature, popular culture, digital technology, historical artifacts, and other kinds of texts from a time span of close to 200 years.

Author: Dirk Remley
Publisher: Taylor & Francis
ISBN: 1351796682
Category : Language Arts & Disciplines
Languages : en
Pages : 172

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Book Description
Cover -- Half Title -- Titel Page -- Copyright Page -- Contents -- List of Figures -- Permission Page -- 1 Persuasive Rhetoric and the Brain -- 2 Multimodality and Neurobiology -- 3 The Neuro-Cognitive Model of Multimodal Rhetoric -- 4 Framing Perception With Media -- 5 Narrative and Persuasion -- 6 Dress and Natural [Neural] Codes: Smell, Setting, and Audience -- 7 Persuasion of Change -- 8 Historical Political Speeches -- 9 Persuasion, Perception, and the Law -- 10 Applications in Production of Materials -- 11 A Neurorhetorical Analysis of a Multimodal Print Persuasive Message -- 12 Conclusion -- References -- Index

Author: Wanda Teays
Publisher: Springer Nature
ISBN: 3030992659
Category : Philosophy
Languages : en
Pages : 270

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Book Description
This volume offers original essays exploring what ‘fictive narrative philosophy’ might mean in the research and teaching of philosophy. The first part of the book presents theoretical essays that examine Boylan’s recent books: Teaching Ethics with Three Philosophical Novels and Fictive Narrative Philosophy: How Literature can Act as Philosophy. The second and third part offer essays on how Boylan executes his theory in the practice within his novels from his two series De Anima and Archē. The book clearly shows the unique aspects of the fictive narrative philosophy approach. First, it makes story-telling accessible to wide audiences. Second, story-telling techniques invoke devices that can set out complicated existential problems to the reader that offer an additional approach to thorny problems through the presentation of lived experience. Third, the discussion of these devices is a way to explore philosophical problems in a way that many can profit from. The book concludes with an essay in which Boylan responds to the critical challenges set out in Part One and the practical criticism set out in Parts Two and Three. Boylan addresses the key claims made by his objectors and defends his position. He engages with the authors in the way his theory is matched against his actual novels. This is useful reading for both philosophers and professors of literature teaching introductory as well as upper-level courses in the fields of philosophy, literature and criticism.