Author: Jennifer Alison RosenblittPublisher: Oxford University Press
ISBN: 0198767153
Category : Literary Criticism
Languages : en
Pages : 393
Book Description
Includes bibliographical references (pages 339-357) and index.
E. E. Cummings' Modernism and the Classics
Author: Jennifer Alison RosenblittPublisher: Oxford University Press
ISBN: 0198767153
Category : Literary Criticism
Languages : en
Pages : 393
Book Description
Includes bibliographical references (pages 339-357) and index.
E. E. Cummings' Modernism and the Classics
Author: Jennifer Alison RosenblittPublisher:
ISBN: 9780191821332
Category :
Languages : en
Pages : 370
Book Description
This volume is a major, ground-breaking study of the modernist E.E. Cummings' engagement with the classics. It explores the significance of Cummings' Harvard training as a Classicist to his development as a poet and to his published work, and also contains an edition of new, previously unpublished material by Cummings himself
E. E. Cummings' Modernism and the Classics
Author: J. Alison RosenblittPublisher: Oxford University Press
ISBN: 0191079871
Category : Literary Criticism
Languages : en
Pages : 352
Book Description
This volume is a major, ground-breaking study of the modernist E. E. Cummings' engagement with the classics. With his experimental form and syntax, his irreverence, and his rejection of the highbrow, there are probably few current readers who would name Cummings if asked to identify 20th-century Anglophone poets in the Classical tradition. But for most of his life, and even for ten or twenty years after his death, this is how many readers and critics did see Cummings. He specialised in the study of classical literature as an undergraduate at Harvard, and his contemporaries saw him as a 'pagan' poet or a 'Juvenalian' satirist, with an Aristophanic sense of humour. In E.E. Cummings' Modernism and the Classics, Alison Rosenblitt aims to recover for the contemporary reader this lost understanding of Cummings as a classicizing poet. The book also includes an edition of previously unpublished work by Cummings himself, unearthed from archival research. For the first time, the reader has access to the full scope of Cummings' translations from Horace, Homer, and Greek drama, as well as two short pieces of classically-related prose, a short 'Alcaics' and a previously unknown and classicizing parody of T. S. Eliot's The Waste Land. This new work is exciting in its own right and essential to understanding Cummings' development as a poet.
The Beauty of Living: E. E. Cummings in the Great War
Author: J. Alison RosenblittPublisher: W. W. Norton & Company
ISBN: 0393246973
Category : Biography & Autobiography
Languages : en
Pages : 368
Book Description
An incisive biography of E. E. Cummings’s early life, including his World War I ambulance service and subsequent imprisonment, inspirations for his inventive poetry. E. E. Cummings is one of our most popular and enduring poets, one whose name extends beyond the boundaries of the literary world. Renowned for his formally fractured, gleefully alive poetry, Cummings is not often thought of as a war poet. But his experience in France and as a prisoner during World War I (the basis for his first work of prose, The Enormous Room) escalated his earliest breaks with conventional form the innovation with which his name would soon become synonymous. Intimate and richly detailed, The Beauty of Living begins with Cummings’s Cambridge upbringing and his relationship with his socially progressive but domestically domineering father. It follows Cummings through his undergraduate experience at Harvard, where he fell into a circle of aspiring writers including John Dos Passos, who became a lifelong friend. Steeped in classical paganism and literary Decadence, Cummings and his friends rode the explosion of Cubism, Futurism, Imagism, and other “modern” movements in the arts. As the United States prepared to enter World War I, Cummings volunteered as an ambulance driver, shipped out to Paris, and met his first love, Marie Louise Lallemand, who was working in Paris as a prostitute. Soon after reaching the front, however, he was unjustly imprisoned in a brutal French detention center at La Ferté-Macé. Through this confrontation with arbitrary and sadistic authority, he found the courage to listen to his own voice. Probing an underexamined yet formative time in the poet’s life, this deeply researched account illuminates his ideas about love, justice, humanity, and brutality. J. Alison Rosenblitt weaves together letters, journal entries, and sketches with astute analyses of poems that span Cummings’s career, revealing the origins of one of the twentieth century’s most famous poets.
The Beauty of Living
Author: Alison RosenblittPublisher: National Geographic Books
ISBN: 0393246965
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
An incisive biography of E. E. Cummings’s early life, including his World War I ambulance service and subsequent imprisonment, inspirations for his inventive poetry. E. E. Cummings is one of our most popular and enduring poets, one whose name extends beyond the boundaries of the literary world. Renowned for his formally fractured, gleefully alive poetry, Cummings is not often thought of as a war poet. But his experience in France and as a prisoner during World War I (the basis for his first work of prose, The Enormous Room) escalated his earliest breaks with conventional form?the innovation with which his name would soon become synonymous. Intimate and richly detailed, The Beauty of Living begins with Cummings’s Cambridge upbringing and his relationship with his socially progressive but domestically domineering father. It follows Cummings through his undergraduate experience at Harvard, where he fell into a circle of aspiring writers including John Dos Passos, who became a lifelong friend. Steeped in classical paganism and literary Decadence, Cummings and his friends rode the explosion of Cubism, Futurism, Imagism, and other “modern” movements in the arts. As the United States prepared to enter World War I, Cummings volunteered as an ambulance driver, shipped out to Paris, and met his first love, Marie Louise Lallemand, who was working in Paris as a prostitute. Soon after reaching the front, however, he was unjustly imprisoned in a brutal French detention center at La Ferté-Macé. Through this confrontation with arbitrary and sadistic authority, he found the courage to listen to his own voice. Probing an underexamined yet formative time in the poet’s life, this deeply researched account illuminates his ideas about love, justice, humanity, and brutality. J. Alison Rosenblitt weaves together letters, journal entries, and sketches with astute analyses of poems that span Cummings’s career, revealing the origins of one of the twentieth century’s most famous poets.
The Classics in Modernist Translation
Author: Lynn KozakPublisher: Bloomsbury Publishing
ISBN: 1350040975
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
This volume sheds new light on a wealth of early 20th-century engagement with literature of Graeco-Roman antiquity that significantly shaped the work of anglophone literary modernism. The essays spotlight 'translation,' a concept the modernists themselves used to reckon with the Classics and to denote a range of different kinds of reception – from more literal to more liberal translation work, as well as forms of what contemporary reception studies would term 'adaptation', 'refiguration' and 'intervention.' As the volume's essays reveal, modernist 'translations' of Classical texts crucially informed the innovations of many modernists and often themselves constituted modernist literary projects. Thus the volume responds to gaps in both Classical reception and Modernist studies: essays treat a comparatively understudied area in Classical reception by reviving work in a subfield of Modernist studies relatively inactive in recent decades but enjoying renewed attention through the recent work of contributors to this volume. The volume's essays address work significantly informed by Classical materials, including Homer, Sophocles, Euripides, Sappho, Ovid, and Propertius, and approach a range of modernist writers: Pound and H.D., among the modernists best known for work engaging the Classics, as well as Cummings, Eliot, Joyce, Laura Riding, and Yeats.
James Joyce and Classical Modernism
Author: Leah Culligan FlackPublisher: Bloomsbury Publishing
ISBN: 135000412X
Category : Literary Criticism
Languages : en
Pages : 176
Book Description
James Joyce and Classical Modernism contends that the classical world animated Joyce's defiant, innovative creativity and cannot be separated from what is now recognized as his modernist aesthetic. Responding to a long-standing critical paradigm that has viewed the classical world as a means of granting a coherent order, shape, and meaning to Joyce's modernist innovations, Leah Flack explores how and why Joyce's fiction deploys the classical as the language of the new. This study tracks Joyce's sensitive, on-going readings of classical literature from his earliest work at the turn of the twentieth century through to the appearance of Ulysses in 1922, the watershed year of high modernist writing. In these decades, Joyce read ancient and modern literature alongside one another to develop what Flack calls his classical modernist aesthetic, which treats the classical tradition as an ally to modernist innovation. This aesthetic first comes to full fruition in Ulysses, which self-consciously deploys the classical tradition to defend stylistic experimentation as a way to resist static, paralyzing notions of the past. Analysing Joyce's work through his career from his early essays, Flack ends by considering the rich afterlives of Joyce's classical modernist project, with particular attention to contemporary works by Alison Bechdel and Maya Lang.
Brill’s Companion to the Reception of Classics in International Modernism and the Avant-Garde
Author: Publisher: BRILL
ISBN: 9004335498
Category : Art
Languages : en
Pages : 332
Book Description
Brill’s Companion to the Reception of Classics in International Modernism and the Avant-Garde examines the ways in which Ancient Greek and Roman culture were appropriated by a global set of authors from the late nineteenth to early twentieth centuries.
E. E. Cummings Selected Works
Author: Edward Estlin CummingsPublisher:
ISBN: 9780393617115
Category : Literary Collections
Languages : en
Pages : 0
Book Description
"This ample, authoritatively edited collection represents Cummings's work in all its variety and dynamism. We find here not only Cummings the poet--rebel and curmudgeon, lyric writer and satirist--but also Cummings the painter, the memoirist, the playwright, the letter writer, and the essayist. It's exciting to encounter both familiar and little known works. They are sure to delight and instruct, to puzzle and surprise. While revealing the modernist's historical contexts, these pages help to bring to life Cummings's spatial and typographical innovations, his visual energy and verbal wit." --JAHAN RAMAZANI, University of Virginia
Twentieth-Century and Contemporary American Literature in Context [4 volumes]
![Twentieth-Century and Contemporary American Literature in Context [4 volumes] PDF](https://books.google.com/books/content/images/frontcover/QETPEAAAQBAJ?fife=w80-h100)
Author: Linda De RochePublisher: Bloomsbury Publishing USA
ISBN: 1440853592
Category : Literary Criticism
Languages : en
Pages : 1563
Book Description
This four-volume reference work surveys American literature from the early 20th century to the present day, featuring a diverse range of American works and authors and an expansive selection of primary source materials. Bringing useful and engaging material into the classroom, this four-volume set covers more than a century of American literary history—from 1900 to the present. Twentieth-Century and Contemporary American Literature in Context profiles authors and their works and provides overviews of literary movements and genres through which readers will understand the historical, cultural, and political contexts that have shaped American writing. Twentieth-Century and Contemporary American Literature in Context provides wide coverage of authors, works, genres, and movements that are emblematic of the diversity of modern America. Not only are major literary movements represented, such as the Beats, but this work also highlights the emergence and development of modern Native American literature, African American literature, and other representative groups that showcase the diversity of American letters. A rich selection of primary documents and background material provides indispensable information for student research.