Engravings and Visual History in Eighteenth-century Britain PDF Download

Author: Isabelle Baudino
Publisher: Routledge
ISBN: 9781003245445
Category : Art
Languages : en
Pages : 0

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Book Description
"Extending the scholarly discussion of visual history, this book examines eighteenth-century engraved book illustrations in order to outline the genealogy of the modern visualization of the past in Britain. This study is based on a body of more than a hundred engraved historical plates designed in the second half of the eighteenth century in Britain and published in more than a dozen pictorial histories. Focusing on these previously unstudied engravings, this work contributes to the study of eighteenth-century visual culture and is informed by current interdisciplinary approaches at the intersection of visual and book studies. This book is about the urge to envision the past and about the establishment of the new relationship between visual media, visuality and history in eighteenth-century Britain. The book will be of interest to scholars working in art history, British history, book studies, and visual culture"--

Author: Isabelle Baudino
Publisher: Taylor & Francis
ISBN: 1000843386
Category : Art
Languages : en
Pages : 248

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Book Description
Extending the scholarly discussion of visual history, this book examines eighteenth-century engraved book illustrations in order to outline the genealogy of the modern visualisation of the past in Britain. This study is based on a body of more than a hundred engraved historical plates designed in the second half of the eighteenth century in Britain and published in more than a dozen pictorial histories. Focusing on these previously unstudied engravings, this work contributes to the study of eighteenth-century visual culture and is informed by current interdisciplinary approaches at the intersection of visual and book studies. Eighteenth-Century Engravings and Visual History in Britain is about the urge to envision the past and about the establishment of the new relationship between visual media, visuality, and history in eighteenth-century Britain. The book will be of interest to scholars working in art history, British history, book studies, and visual culture.

Author: Vic Gatrell
Publisher: Bloomsbury Publishing USA
ISBN: 0802716024
Category : History
Languages : en
Pages : 720

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Book Description
Drawing upon the satirical prints of the eighteenth century, the author explores what made Londoners laugh and offers insight into the origins of modern attitudes toward sex, celebrity, and ridicule.

Author: Troy Bickham
Publisher: Reaktion Books
ISBN: 1789142458
Category : History
Languages : en
Pages : 286

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Book Description
When students gathered in a London coffeehouse and smoked tobacco; when Yorkshire women sipped sugar-infused tea; or when a Glasgow family ate a bowl of Indian curry, were they aware of the mechanisms of imperial rule and trade that made such goods readily available? In Eating the Empire, Troy Bickham unfolds the extraordinary role that food played in shaping Britain during the long eighteenth century (circa 1660–1837), when such foreign goods as coffee, tea, and sugar went from rare luxuries to some of the most ubiquitous commodities in Britain—reaching even the poorest and remotest of households. Bickham reveals how trade in the empire’s edibles underpinned the emerging consumer economy, fomenting the rise of modern retailing, visual advertising, and consumer credit, and, via taxes, financed the military and civil bureaucracy that secured, governed, and spread the British Empire.

Author: Alice Eden
Publisher: Taylor & Francis
ISBN: 135100428X
Category : Art
Languages : en
Pages : 323

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Book Description
This book proposes new understandings of modern life in Britain by bringing constructs of female spirituality centre stage and examining three ‘forgotten’ artists identified with the Pre-Raphaelites and Victorianism. Thomas Cooper Gotch, Robert Anning Bell and Frederick Cayley Robinson are resituated squarely within the tumultuous social and cultural changes of the period. Becoming visible again, in more inclusive histories, allows such artists not only to re-inhabit but to reshape narratives of modernism, reanimating the scholarly discourse and creating a dynamic cultural history of modern Britain expressed through their striking visions of womanhood. This book will be of interest to scholars in art history, gender studies and British studies.

Author: JJ Charlesworth
Publisher: Taylor & Francis
ISBN: 1351061968
Category : Art
Languages : en
Pages : 203

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Book Description
A critical study of the life of art criticism in the 1970s, this volume traces the evolution of art and art criticism in a pivotal period in post-war British history. JJ Charlesworth explores how art critics and the art press attempted to negotiate new developments in art, faced with the challenges of conceptualism, alternative media, new social movements and radical innovations in philosophy and theory. This is the first comprehensive study of the art press and art criticism in Britain during this pivotal period, seen through the lens of its art press, charting the arguments and ideas that would come to shape contemporary art as we know it today. This book will be of interest to scholars working in art history, British cultural history and history of journalism.

Author: Tim Clayton
Publisher: Yale University Press
ISBN: 9780300066500
Category : Art
Languages : en
Pages : 337

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Book Description
Before the invention of photography, prints were the principal means for reproducing and disseminating visual information. The engraver did for the image what the printer did for the written word, and painters were compared and judged on the evidence of prints of their work. In this authoritative and innovative book, Timothy Clayton describes the growth of the print trade in England during the eighteenth century, a period during which Britain emerged from artistic obscurity to dominate the international print market. This highly readable account offers a fascinating tour of the principal outlets for prints in London, the provinces, and the British colonies over a period of more than one hundred years. Clayton considers the variety of published material -- history prints, topography, portraiture, satire, propaganda -- the channels of distribution, and the various audiences to which prints were addressed. He examines the effect of the sudden and dramatic influx of foreign prints in the second decade of the eighteenth century and traces the way in which English engravers and printsellers attempted to establish a national industry. Prints were used to promote English entertainments, luxury industries, landscapes, gardens, and paintings and to demonstrate the increasing wealth and sophistication of the English nation. Their influence over the commercialization of leisure and the development of luxury manufacturing was considerable. By the 1760s, British engravers and painters were winning recognition and establishing a new reputation on the Continent through the dissemination of their work. During the following decade, the enthusiasm for English prints developed into full-blown anglomania, and engraved scenes from English literature and national history were displayed on walls throughout Europe.

Author: Cindy McCreery
Publisher: Oxford University Press
ISBN: 9780199267569
Category : Art
Languages : en
Pages : 316

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Book Description
This is the first scholarly study to focus on satirical prints of women in the late eighteenth century. This was the golden age of graphic satire: thousands of prints were published, and they were viewed by nearly all sections of the population. These prints both reflected and sought to shape contemporary debate about the role of women in society. Cindy McCreery's study examines the beliefs and prejudices of Georgian England which they revealed.

Author: Reva Wolf
Publisher: Bloomsbury Publishing USA
ISBN: 150133798X
Category : Art
Languages : en
Pages : 321

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Book Description
Choice Outstanding Academic Title for 2020 With the dramatic rise of Freemasonry in the eighteenth century, art played a fundamental role in its practice, rhetoric, and global dissemination, while Freemasonry, in turn, directly influenced developments in art. This mutually enhancing relationship has only recently begun to receive its due. The vilification of Masons, and their own secretive practices, have hampered critical study and interpretation. As perceptions change, and as masonic archives and institutions begin opening to the public, the time is ripe for a fresh consideration of the interconnections between Freemasonry and the visual arts. This volume offers diverse approaches, and explores the challenges inherent to the subject, through a series of eye-opening case studies that reveal new dimensions of well-known artists such as Francisco de Goya and John Singleton Copley, and important collectors and entrepreneurs, including Arturo Alfonso Schomburg and Baron Taylor. Individual essays take readers to various countries within Europe and to America, Iran, India, and Haiti. The kinds of art analyzed are remarkably wide-ranging-porcelain, architecture, posters, prints, photography, painting, sculpture, metalwork, and more-and offer a clear picture of the international scope of the relationships between Freemasonry and art and their significance for the history of modern social life, politics, and spiritual practices. In examining this topic broadly yet deeply, Freemasonry and the Visual Arts sets a standard for serious study of the subject and suggests new avenues of investigation in this fascinating emerging field.

Author: Florence Grant
Publisher: Bloomsbury Publishing
ISBN: 1350023469
Category : History
Languages : en
Pages : 256

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Book Description
What can visual artifacts tell us about the past? How can we interpret them rigorously, weaving their formal and material qualities into rich social contexts to reach wider historical conclusions? Unfolding key historiographical and methodological issues, Writing Visual Histories equips students to answer these questions, showing visual analysis to be a key skill in historical research. A multifaceted structure makes this a practical guide for writing and reflecting on visual histories. A first section includes six case studies -- on topics ranging from medieval heraldry to Life magazine. These examples are followed by an exploration of essential concepts that inform historical thinking about visual matters, a treatment of disciplinary practices, and discussion of the practicalities (such as accessing museum collections and organising permissions) that scholars working with visual sources have to navigate. This book is an invaluable tool kit for opening up a historical understanding of visual phenomena and practices of looking, and for writing that takes an integrated approach to studies of the past.