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Author: José Blanco F. Publisher: Bloomsbury Publishing ISBN: 1350115177 Category : Design Languages : en Pages : 232
Book Description
Scholars have argued that postmodernism is dead and that we are entering into a new era that some have labelled altermodernism, digimodernism, performatism, and post-postmodernism. This book expands on the nascent scholarship of post-postmodernism to highlight how dress, fashion, and appearance are reflections of this new age. The volume starts with a discussion of fashion, subjectivity, and time and an analysis of temporality, technology, and fashion in post-postmodern times. Later chapters analyse the work of design houses and mass producers such as Vetements, Gucci, and Uniqlo whose products align with post-postmodern aesthetics, hyperconsumption, and hypermodern branding. The book looks at diverse geographic and identity markers by discussing post-postmodernism and the religio-politico-cultural questions in South Asian Muslim fashion, image and identity presentation in queer social networking apps, and by exploring fashion designer Tom Ford's output as a movie director. Two chapters discuss the post-postmodern fashion exhibition with analyses of recent exhibitions and an in-depth look at the work of exhibition maker Judith Clark. The final chapter is written by members of The Rational Dress Society, a counter-fashion collective that makes JUMPSUIT, an experimental garment to replace all clothes. Fashion, Dress, and Post-postmodernism is a companion to research on relationships between post-postmodernism, fashion, and dress, and the go-to resource for researchers and students interested in these areas.
Author: José Blanco F. Publisher: Bloomsbury Publishing ISBN: 1350115177 Category : Design Languages : en Pages : 232
Book Description
Scholars have argued that postmodernism is dead and that we are entering into a new era that some have labelled altermodernism, digimodernism, performatism, and post-postmodernism. This book expands on the nascent scholarship of post-postmodernism to highlight how dress, fashion, and appearance are reflections of this new age. The volume starts with a discussion of fashion, subjectivity, and time and an analysis of temporality, technology, and fashion in post-postmodern times. Later chapters analyse the work of design houses and mass producers such as Vetements, Gucci, and Uniqlo whose products align with post-postmodern aesthetics, hyperconsumption, and hypermodern branding. The book looks at diverse geographic and identity markers by discussing post-postmodernism and the religio-politico-cultural questions in South Asian Muslim fashion, image and identity presentation in queer social networking apps, and by exploring fashion designer Tom Ford's output as a movie director. Two chapters discuss the post-postmodern fashion exhibition with analyses of recent exhibitions and an in-depth look at the work of exhibition maker Judith Clark. The final chapter is written by members of The Rational Dress Society, a counter-fashion collective that makes JUMPSUIT, an experimental garment to replace all clothes. Fashion, Dress, and Post-postmodernism is a companion to research on relationships between post-postmodernism, fashion, and dress, and the go-to resource for researchers and students interested in these areas.
Author: David Muggleton Publisher: ISBN: 9781474214988 Category : Fashion Languages : en Pages : 198
Book Description
"What motivates people to dress in a manner that marks them out as different to the conventional norm? Is it true that, with dress, 'anything goes' in our mix-and-match postmodern culture? Have easily recognizable, authentic subcultures imploded in a glut of ironic revivals and stylistic fragmentation? Does this supposed 'post-subcultural' generation actively celebrate ephemerality, transience and disposability, merely casting off and trying on one alternative identity after another in an ever-accelerating fashion frenzy? This exciting book is a considered sociological examination of such questions. By listening to the voices of the subcultural stylists themselves-their subjective perceptions of their style and the ideas that lie behind them-the author provides original insights into issues of subjectivity and identity. Situating an empirical case study within a wider consideration of postmodernism and cultural change, the author rejects cultural studies perspectives that attempt to 'read' subcultures as texts. Drawing on extensive interviews with people who dress in what might be deemed a stylistically unconventional manner, he seeks instead to establish whether contemporary subcultures display modern or postmodern sensibilities and forms. He argues persuasively that they do both-a stress on postmodern hyperindividualism, fluidity and fragmentation runs alongside a modernist emphasis on authenticity and underlying essence. He concludes that a Romantic libertarianism has permeated working-class culture and that the distinction between 'individualistic' middle-class countercultures and 'collectivist' working-class subcultures has been over-emphasized."--Bloomsbury Publishing.
Author: Elyssa Dimant Publisher: Harper Collins ISBN: 0061925993 Category : Design Languages : en Pages : 228
Book Description
Minimalism and Fashion is the first book to examine the minimalist movement in fashion while addressing its confluence with and divergence from similar currents in art, architecture, and design. Organized by decade, the text explores the evolving relationships and influences between fine art and the art of sartorial minimalism, and is accompanied by more than 150 breathtaking images. This sumptuous volume considers the work of the world’s most important designers and artists in fascinating juxtaposition. It contains creations by noteworthy designers, including Madeleine Vionnet, AndrÉ CourrÈges, Halston, Karl Lagerfeld, Rei Kawakubo, Miuccia Prada, Yohji Yamamoto, Helmut Lang, and many others. There are major works by such key minimalist artists as Frank Stella, Sol LeWitt, Donald Judd, Dan Flavin, Rachel Whiteread, Peter Halley, and Jeff Koons. The volume’s photography includes editorial shots by the greatest image makers of this century and the previous, including Richard Avedon, Hiro, Francesco Scavullo, Guy Bourdin, David Bailey, William Klein, Corinne Day, and Juergen Teller. The dialogue among fine art, photography, and fashion is explored in a brilliantly woven text that clarifies how each form has influenced the other. With its extraordinary art and insight, this book is a must for lovers of fashion as well as fine art and photography books.
Author: Kimberly A. Miller-Spillman Publisher: Bloomsbury Publishing USA ISBN: 1501323881 Category : Design Languages : en Pages : 345
Book Description
"There are some really great readings that supplement the theoretical underpinnings of each chapter." Angie G. Liljequist, Fontbonne University, USA "A comprehensive compilation of readings for students studying the social and psychological aspects of appearance and dress." Jessica Strubel, University of North Texas, USA Learn how-and why-consumers buy clothing and accessories, and increase your global awareness as you study dress and appearance. Contributions are from writers on four continents and examples are from ten countries, including Ghana, Vietnam, Norway, and Jamaica, among others. The book includes more than 40 articles on topics such as wearable technology, cosplay, lesbian dress, and genderqueer fashion. - Contributors are experts in fashion theory, cultural studies, psychology, sociology, gender studies, religion, material culture, consumer behavior, and popular culture - Two separate chapters on gender and sexuality - International examples are included from Afghanistan, China, Ghana, India, Jamaica, Japan, Norway, the United Kingdom, the United States, and Vietnam - More than 100 black and white images
Author: Andrew Reilly Publisher: Bloomsbury Publishing ISBN: 1350091936 Category : Design Languages : en Pages : 161
Book Description
How does a style become a fashion? Why do trends spread and decline? Introducing Fashion Theory explores these questions and more to help you quickly get up-to-speed with fashion theories, from scarcity to conformity, through clear practical examples and fascinating case studies. This second edition, re-titled from Key Concepts for the Fashion Industry, includes expanded coverage on cultural appropriation, corporate greenwashing, and the criminal world of counterfeit goods. - Illustrated examples, from Apple's post-postmodernist iWatch to Savage X Fenty's body image message on diversity - Covers core fashion theories, from trickle-down to trickle-up, to political dress and conspicuous consumption - Filled with learning activities, key terms, chapter summaries, and discussion questions to inspire and inform
Author: Ingrid Loschek Publisher: Berg ISBN: 1847883664 Category : Design Languages : en Pages : 254
Book Description
When, how and why do clothes become fashion? Fashion is more than mere clothing. It is a moment of invention, a distillation of desire, a reflection of a zeitgeist. This book explores the structures and strategies which underlie fashion innovation, how fashion is perceived and the point at which clothing is accepted or rejected as fashion.
Author: Lucas Gottzén Publisher: Routledge ISBN: 1351676288 Category : Social Science Languages : en Pages : 580
Book Description
The Routledge International Handbook of Masculinity Studies provides a contemporary critical and scholarly overview of theorizing and research on masculinities as well as emerging ideas and areas of study that are likely to shape research and understanding of gender and men in the future. The forty-eight chapters of the handbook take an interdisciplinary approach to a range of topics on men and masculinities related to identity, sex, sexuality, culture, aesthetics, technology and pressing social issues. The handbook’s transnational lens acknowledges both the localities and global character of masculinity. A clear message in the book is the need for intersectional theorizing in dialogue with feminist, queer and sexuality studies in making sense of men and masculinities. Written in a clear and direct style, the handbook will appeal to students, teachers and researchers in the social sciences and humanities, as well as professionals, practitioners and activists.
Author: Kimberly A. Miller-Spillman Publisher: Fairchild Books ISBN: 1501391429 Category : Business & Economics Languages : en Pages : 0
Book Description
Providing insight into a broad and expanding range of topics, The Meanings of Dress, Fifth Edition examines social, behavioral, and cultural aspects in fashion and dress based on current research and practices. This revised edition responds fully to the current social and fashion trends by including theoretical perspectives of intersectional identities in global landscapes, transnational fashion and dress, and efforts to decentralize and decolonize the normative Eurocentric approach to fashion and dress studies. This edition includes two brand new chapters: “Decentralizing and Decolonizing Fashion and Dress” and “Social Justice and Human Rights.” New emphasis has been placed on “Fashion, Dress and Communication,” allowing for a conversation on how both dress and fashion work as communication, not just “non-verbal” but also explicitly in social media and by influencers. Issues on ethics in fashion are incorporated now throughout the book as well. New to this Edition: · Theoretical perspectives of intersectional identities in global landscapes, transnational fashion and dress, and efforts to decentralize and decolonize the normative Eurocentric approach to fashion and dress studies. · New Chapters: "Decentralizing and Decolonizing Fashion and Dress” and “Social Justice and Human Rights.” · New material and perspectives on chapters about “Fashion, Dress and Communication” and “Agency and Appearance Management” · Issues on ethics in fashion are incorporated and central to the text. STUDIO Features Include · Study smarter with self-quizzes featuring scored results and personalized study tips · Review concepts with flashcards of terms and definitions Instructor Resources · Instructor's Guide to help integrate the text into your classroom · PowerPoint Slides for every chapter
Author: José Blanco F. Publisher: Bloomsbury Publishing USA ISBN: 1610693108 Category : History Languages : en Pages : 1679
Book Description
This unique four-volume encyclopedia examines the historical significance of fashion trends, revealing the social and cultural connections of clothing from the precolonial times to the present day. This sweeping overview of fashion and apparel covers several centuries of American history as seen through the lens of the clothes we wear—from the Native American moccasin to Manolo Blahnik's contribution to stiletto heels. Through four detailed volumes, this work delves into what people wore in various periods in our country's past and why—from hand-crafted family garments in the 1600s, to the rough clothing of slaves, to the sophisticated textile designs of the 21st century. More than 100 fashion experts and clothing historians pay tribute to the most notable garments, accessories, and people comprising design and fashion. The four volumes contain more than 800 alphabetical entries, with each volume representing a different era. Content includes fascinating information such as that beginning in 1619 through 1654, every man in Virginia was required to plant a number of mulberry trees to support the silk industry in England; what is known about the clothing of enslaved African Americans; and that there were regulations placed on clothing design during World War II. The set also includes color inserts that better communicate the visual impact of clothing and fashion across eras.
Author: José Blanco F.
Author: José Blanco F.
Author: David Muggleton
Author: Christopher Breward
Author: Elyssa Dimant
Author: Kimberly A. Miller-Spillman
Author: Andrew Reilly
Author: Ingrid Loschek
Author: Lucas Gottzén
Author: Kimberly A. Miller-Spillman![Clothing and Fashion [4 volumes] PDF](https://books.google.com/books/content/images/frontcover/yETPEAAAQBAJ?fife=w80-h100)
Author: José Blanco F.