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Author: Lubomír Doležel Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 360
Book Description
"The universe of possible worlds is constantly expanding and diversifying thanks to the incessant world-constructing activity of human minds and hands. Literary fiction is probably the most active experimental laboratory of the world-constructing enterprise." -- from the author's Preface The standard contrast between fiction and reality, notes Lubomr Dolezel, obscures an array of problems that have beset philosophers and literary critics for centuries. Commentators usually admit that fiction conveys some kind of truth -- the truth of the story of Faust, for instance. They acknowledge that fiction usually bears some kind of relation to reality -- for example, the London of Dickens. But both the status of the truth and the nature of the relationship have baffled, frustrated, or repelled a long line of thinkers. In Heterocosmica, Lubomr Dolezel offers nothing less than a complete theory of literary fiction based on the idea of possible worlds. Beginning with a discussion of the extant semantics and pragmatics of fictionality -- by Leibniz, Russell, Frege, Searle, Auerbach, and others -- he relates them to literature, literary theory, and narratology. He also investigates theories of action, intention, and literary communication to develop a system of concepts that allows him to offer perceptive reinterpretations of a host of classical, modern, and postmodern fictional narratives--from Defoe through Dickens, Dostoevsky, Huysmans, Bely, and Kafka to Hemingway, Kundera, Rhys, Plenzdorf, and Coetzee. By careful attention to philosophical inquiry into possible worlds, especially Saul Kripke's and Jaakko Hintikka's, and through long familiarity with literary theory, Dolezel brings us anunprecedented examination of the notion of fictional worlds. "This remarkable book sums up the life's work of one of the most serious, original, and balanced literary thinkers in North America. Focusing on the fictional universes projected by literary texts and the discursive means of achieving fictional effects, Lubomr Dolezel's Heterocosmica provides a general theory of literary meaning. The result is a highly distinguished contribution to the field of literary theory." -- Thomas Pavel, Princeton University
Author: Lubomír Doležel Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 360
Book Description
"The universe of possible worlds is constantly expanding and diversifying thanks to the incessant world-constructing activity of human minds and hands. Literary fiction is probably the most active experimental laboratory of the world-constructing enterprise." -- from the author's Preface The standard contrast between fiction and reality, notes Lubomr Dolezel, obscures an array of problems that have beset philosophers and literary critics for centuries. Commentators usually admit that fiction conveys some kind of truth -- the truth of the story of Faust, for instance. They acknowledge that fiction usually bears some kind of relation to reality -- for example, the London of Dickens. But both the status of the truth and the nature of the relationship have baffled, frustrated, or repelled a long line of thinkers. In Heterocosmica, Lubomr Dolezel offers nothing less than a complete theory of literary fiction based on the idea of possible worlds. Beginning with a discussion of the extant semantics and pragmatics of fictionality -- by Leibniz, Russell, Frege, Searle, Auerbach, and others -- he relates them to literature, literary theory, and narratology. He also investigates theories of action, intention, and literary communication to develop a system of concepts that allows him to offer perceptive reinterpretations of a host of classical, modern, and postmodern fictional narratives--from Defoe through Dickens, Dostoevsky, Huysmans, Bely, and Kafka to Hemingway, Kundera, Rhys, Plenzdorf, and Coetzee. By careful attention to philosophical inquiry into possible worlds, especially Saul Kripke's and Jaakko Hintikka's, and through long familiarity with literary theory, Dolezel brings us anunprecedented examination of the notion of fictional worlds. "This remarkable book sums up the life's work of one of the most serious, original, and balanced literary thinkers in North America. Focusing on the fictional universes projected by literary texts and the discursive means of achieving fictional effects, Lubomr Dolezel's Heterocosmica provides a general theory of literary meaning. The result is a highly distinguished contribution to the field of literary theory." -- Thomas Pavel, Princeton University
Author: Jan-Noël Thon Publisher: U of Nebraska Press ISBN: 0803288379 Category : Language Arts & Disciplines Languages : en Pages : 552
Book Description
Narratives are everywhere--and since a significant part of contemporary media culture is defined by narrative forms, media studies need a genuinely transmedial narratology. Against this background, Transmedial Narratology and Contemporary Media Culture focuses on the intersubjective construction of storyworlds as well as on prototypical forms of narratorial and subjective representation. This book provides not only a method for the analysis of salient transmedial strategies of narrative representation in contemporary films, comics, and video games but also a theoretical frame within which medium-specific approaches from literary and film narratology, from comics studies and game studies, and from various other strands of media and cultural studies may be applied to further our understanding of narratives across media.
Author: Lisa Zunshine Publisher: Oxford Handbooks ISBN: 0199978069 Category : Literary Criticism Languages : en Pages : 681
Book Description
This title considers how the architecture that enables human cognitive processing interacts with cultural and historical contexts. Organised into five parts (Narrative, History, and Imagination; Emotions and Empathy; The New Unconscious; Empirical and Qualitative Studies of Literature; and Cognitive Theory and Literary Experience), the volume considers case studies from a wide range of historical periods and national literary traditions.
Author: Martin Kindermann Publisher: Springer Nature ISBN: 3030552691 Category : Literary Criticism Languages : en Pages : 338
Book Description
Exploring the Spatiality of the City across Cultural Texts: Narrating Spaces, Reading Urbanity explores the narrative formations of urbanity from an interdisciplinary perspective. Within the framework of the “spatial turn,” contributors from disciplines ranging from geography and history to literary and media studies theorize narrative constructions of the city and cities, and analyze relevant examples from a variety of discourses, media, and cities. Subdivided into six sections, the book explores the interactions of city and text—as well as other media—and the conflicting narratives that arise in these interactions. Offering case studies that discuss specific aspects of the narrative construction of Berlin and London, the text also considers narratives of urban discontinuity and their theoretical implications. Ultimately, this volume captures the narratological, artistic, material, social, and performative possibilities inherent in spatial representations of the city.
Author: Mark J.P. Wolf Publisher: Routledge ISBN: 1317375939 Category : Social Science Languages : en Pages : 376
Book Description
The concept of world and the practice of world creation have been with us since antiquity, but they are now achieving unequalled prominence. In this timely anthology of subcreation studies, an international roster of contributors come together to examine the rise and structure of worlds, the practice of world-building, and the audience's reception of imaginary worlds. Including essays written by world-builders A.K. Dewdney and Alex McDowell and offering critical analyses of popular worlds such as those of Oz, The Lord of the Rings, Star Trek, Star Wars, Battlestar Galactica, and Minecraft, Revisiting Imaginary Worlds provides readers with a broad and interdisciplinary overview of the issues and concepts involved in imaginary worlds across media platforms.
Author: Luc Herman Publisher: U of Nebraska Press ISBN: 1496218558 Category : Literary Criticism Languages : en Pages : 462
Book Description
Stories are everywhere, from fiction across media to politics and personal identity. Handbook of Narrative Analysis sorts out both traditional and recent narrative theories, providing the necessary skills to interpret any story. In addition to discussing classical theorists, such as Gérard Genette, Mieke Bal, and Seymour Chatman, Handbook of Narrative Analysis presents precursors (such as E. M. Forster), related theorists (Franz Stanzel, Dorrit Cohn), and a large variety of postclassical critics. Among the latter particular attention is paid to rhetorical, cognitive, and cultural approaches; intermediality; storyworlds; gender theory; and natural and unnatural narratology. Not content to consider theory as an end in itself, Luc Herman and Bart Vervaeck use two short stories and a graphic narrative by contemporary authors as touchstones to illustrate each approach to narrative. In doing so they illuminate the practical implications of theoretical preferences and the ideological leanings underlying them. Marginal glosses guide the reader through discussions of theoretical issues, and an extensive bibliography points readers to the most current publications in the field. Written in an accessible style, this handbook combines a comprehensive treatment of its subject with a user-friendly format appropriate for specialists and nonspecialists alike. Handbook of Narrative Analysis is the go-to book for understanding and interpreting narrative. This new edition revises and extends the first edition to describe and apply the last fifteen years of cutting-edge scholarship in the field of narrative theory.
Author: Timotheus Vermeulen Publisher: Edinburgh University Press ISBN: 0748691677 Category : Performing Arts Languages : en Pages : 224
Book Description
This book looks again at the filmic and televised spaces we think we know so well. How are these spaces built up? What is it that makes us recognize them as suburbs? How do they function? Vermeulen usesDesperate Housewives, The Simpsons, King of the Hill, Happiness, Pleasantville, Brick and Chumscrubber to explore these questions.
Author: Chris Hales Publisher: Cambridge Scholars Publishing ISBN: 1443869066 Category : Art Languages : en Pages : 210
Book Description
The last twenty or so years have seen a phenomenal expansion in the variety of forms of creative and narrative audiovisual expression. The increasing role of relatively recent developments such as the internet, mobile telephony and computer gaming, which complement the narrative representation of more traditional media, seems to have acted as a catalyst to unfreeze the standard types of story form that had been appearing on screens for over a hundred years. Storytelling has taken on new forms, in the physical format(s) of the narrative material, the place or device where it is experienced, and the way it is accessed by the viewer – in particular, a viewer who might now also be a creator, modifier, or active participant in the represented audiovisual experience. Including texts by leading media scholars Erkki Huhtamo and Ryszard W. Kluszczynski, this book offers both historical and contemporary analyses of a variety of these “expanding practices in audiovisual narrative”. Chapters discuss mobile and locative (and hybrid) narrative media; the connection between computer gaming and more traditional forms of storytelling and game-playing; the use of computational algorithms to organise and access narrative content; and explain how the traditional documentary film form is being transformed by the potential of the audience to participate in, or change the form of, a non-fictional narrative. Historically, the work of Luc Courchesne and Radúz Činčera is analysed, as is the media-archaeological context of interactivity, pushing buttons, and group experiences. Narrative forms will undoubtedly continue their process of expansion and evolution, such that one can never truly represent the “state of the art” of current practice in audiovisual digital media. Nevertheless, the articles presented here offer useful source material to inform scholars and practitioners from a variety of related fields about certain historical, cultural and theoretical aspects of the evolution of the narrative form in the digital age.
Author: John Frow Publisher: OUP Oxford ISBN: 0191009695 Category : Literary Criticism Languages : en Pages : 352
Book Description
Fictional character is an ontologically ambivalent category — at once a formal construct and a quasi-person — which lies at the heart of the life of textual fictions of all kinds. Character and Person explores that ambivalence by investigating not only the kinds of thing that character is but how it works to engage readers and the range of typologies through which it has been constructed in very different periods, media, and genres. John Frow seeks to explore the ways in which character is person-like, and through that the question of what it means to be a social person. His focus is thus on the interaction between its two major categories, and its method involves a constant play back and forth between them: from philosophical theories of face to an account of the mask in the New Comedy; from an exploration of medieval beliefs about the body's existence in the afterlife to a reading of Dante's Purgatorio; from the history of humoral medicine to the figure of the melancholic in Jacobean drama; and from Proust and Pessoa to cognitive science. What develops from this methodological commitment to fusing the categories of character and person is an extended analysis of the schemata that underpin each of them in their distinct but mutually constitutive spheres of operation.
Author: Lubomír Doležel
Author: Lubomír Doležel
Author: Jan-Noël Thon
Author: Lisa Zunshine
Author: Martin Kindermann
Author: Mark J.P. Wolf
Author: Luc Herman
Author: 
Author: Timotheus Vermeulen
Author: Chris Hales
Author: John Frow