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Author: Charlotte Yeldham Publisher: ISBN: 9781315091488 Category : Electronic books Languages : en Pages : 216
Book Description
"Maria Spilsbury Taylor (1776-1820) lived and worked in London and Ireland and was patronized by the Prince Regent. A painter of portraits, genre scenes, biblical subjects and large crowd compositions - an unusual feature in women's art of this period - she is represented in major museums and art galleries as well as in numerous private collections. Her work, hitherto considered on a purely decorative level, merits closer attention. For the first time, this volume argues the relevance of Spilsbury's religious background, and in particular her evangelical and Moravian connections, to the interpretation of her art and examines her pervasive, and often inovert references to the Bible, hymnody and religious writing. The art that emerges is distinctly Protestant and evangelical, offering a vivid illustration of the mood of patriotic, Protestant fervour that characterized the quarter century succeeding the French revolution. This focus may be situated in the general context of increasing interest in the religious faith of historical actors - men and women - in the eighteenth century, and in the related contexts of growing acknowledgement of a religious aspect to "enlightenment" art, as well as investigations into Protestant culture in Ireland. The book is extensively illustrated and contains a list of all of Spilsbury's known works."--Provided by publisher.
Author: Charlotte Yeldham Publisher: ISBN: 9781315091488 Category : Electronic books Languages : en Pages : 216
Book Description
"Maria Spilsbury Taylor (1776-1820) lived and worked in London and Ireland and was patronized by the Prince Regent. A painter of portraits, genre scenes, biblical subjects and large crowd compositions - an unusual feature in women's art of this period - she is represented in major museums and art galleries as well as in numerous private collections. Her work, hitherto considered on a purely decorative level, merits closer attention. For the first time, this volume argues the relevance of Spilsbury's religious background, and in particular her evangelical and Moravian connections, to the interpretation of her art and examines her pervasive, and often inovert references to the Bible, hymnody and religious writing. The art that emerges is distinctly Protestant and evangelical, offering a vivid illustration of the mood of patriotic, Protestant fervour that characterized the quarter century succeeding the French revolution. This focus may be situated in the general context of increasing interest in the religious faith of historical actors - men and women - in the eighteenth century, and in the related contexts of growing acknowledgement of a religious aspect to "enlightenment" art, as well as investigations into Protestant culture in Ireland. The book is extensively illustrated and contains a list of all of Spilsbury's known works."--Provided by publisher.
Author: Charlotte Yeldham Publisher: Routledge ISBN: 1351559249 Category : Art Languages : en Pages : 231
Book Description
Maria Spilsbury Taylor (1776-1820) lived and worked in London and Ireland and was patronized by the Prince Regent. A painter of portraits, genre scenes, biblical subjects and large crowd compositions - an unusual feature in women's art of this period - she is represented in major museums and art galleries as well as in numerous private collections. Her work, hitherto considered on a purely decorative level, merits closer attention. For the first time, this volume argues the relevance of Spilsbury's religious background, and in particular her evangelical and Moravian connections, to the interpretation of her art and examines her pervasive, and often inovert references to the Bible, hymnody and religious writing. The art that emerges is distinctly Protestant and evangelical, offering a vivid illustration of the mood of patriotic, Protestant fervour that characterized the quarter century succeeding the French revolution. This focus may be situated in the general context of increasing interest in the religious faith of historical actors - men and women - in the eighteenth century, and in the related contexts of growing acknowledgement of a religious aspect to "enlightenment" art, as well as investigations into Protestant culture in Ireland. The book is extensively illustrated and contains a list of all of Spilsbury's known works.
Author: Charlotte Yeldham Publisher: Routledge ISBN: Category : Art Languages : en Pages : 242
Book Description
Looking beyond the purely decorative interpretations of the past, this volume closely examines the art of Maria Spilsbury Taylor, a painter of portraits, genre and biblical themes, who lived and worked in London and Ireland during the Georgian period, and who was patronized by the Prince Regent. A new, religious interpretation is offered here in the light of her Moravian and evangelical background and the patriotic, Protestant ethos of the time.
Author: Gareth Atkins Publisher: Studies in the Eighteenth Century ISBN: 1783274395 Category : Evangelical Revival Languages : en Pages : 347
Book Description
A compelling study of Anglican Evangelicalism in the Age of Wilberforce revealing its potency as a political machine whose reach extended into every area of the British establishment and its nascent Empire.
Author: Harriet Kramer Linkin Publisher: Rowman & Littlefield ISBN: 1611462479 Category : Literary Collections Languages : en Pages : 543
Book Description
This annotated edition provides a revelatory glimpse into the life and mind of Ireland’s premier Romantic-era woman poet, Mary Blachford Tighe (1772-1810), author of Psyche, Verses, and Selena. Although Tighe’s family burned most of her personal papers, 166 letters by and to her survived the flames, and are printed here for the first time. They offer rich insights into her thoughts and feelings about her writing, marriage, friendships, family, anxieties, aspirations, spirituality, politics, travels, and day-to-day activities, with beauty, poignance and wit. The letters written between 1786 and 1801 reveal stunning details about her complex relationship with her voyeuristic husband, about the years she spent in England developing her craft as a writer and acquiring her reputation as a much-admired beauty, and about the lived realities that ground the proto-feminist aesthetics of Psyche, the lyrics in Verses, and the narratives in Selena. The letters from 1802 through 1809 contain exceptional information about her reading habits and scholarly studies, resistance to publication, and friendships with other writers. The Collected Letters of Mary Blachford Tighe presents a rich archive of material that open up significant avenues for scholarship on Tighe: they document how actively she participated in her culture, shed autobiographical light on some of the least-known periods in her life, and illuminate her development as a poet and novelist.
Author: Ragnhild Johnsrud Zorgati Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110636565 Category : Religion Languages : en Pages : 625
Book Description
With the aim to write the history of Christianity in Scandinavia with Jerusalem as a lens, this book investigates the image – or rather the imagination – of Jerusalem in the religious, political, and artistic cultures of Scandinavia through most of the second millennium. Volume 3 analyses the impact of Jerusalem on Scandinavian Christianity from the middle of the 18. century in a broad context. Tracing the Jerusalem Code in three volumes Volume 1: The Holy City Christian Cultures in Medieval Scandinavia (ca. 1100–1536) Volume 2: The Chosen People Christian Cultures in Early Modern Scandinavia (1536–ca. 1750) Volume 3: The Promised Land Christian Cultures in Modern Scandinavia (ca. 1750–ca. 1920)
Author: William Gibson Publisher: Routledge ISBN: 1317040996 Category : Religion Languages : en Pages : 550
Book Description
As a religious and social phenomenon Methodism engages with a number of disciplines including history, sociology, gender studies and theology. Methodist energy and vitality have intrigued, and continue to fascinate scholars. This Companion brings together a team of respected international scholars writing on key themes in World Methodism to produce an authoritative and state-of-the-art review of current scholarship, mapping the territory for future research. Leading scholars examine a range of themes including: the origins and genesis of Methodism; the role and significance of John Wesley; Methodism’s emergence within the international and transatlantic evangelical revival of the Eighteenth-Century; the evolution and growth of Methodism as a separate denomination in Britain; its expansion and influence in the early years of the United States of America; Methodists’ roles in a range of philanthropic and social movements including the abolition of slavery, education and temperance; the character of Methodism as both conservative and radical; its growth in other cultures and societies; the role of women as leaders in Methodism, both acknowledged and resisted; the worldwide spread of Methodism and its enculturation in America, Asia and Africa; the development of distinctive Methodist theologies in the last three centuries; its role as a progenitor of the Holiness and Pentecostal movements, and the engagement of Methodists with other denominations and faiths across the world. This major companion presents an invaluable resource for scholars worldwide; particularly those in the UK, North America, Asia and Latin America.
Author: Dr Liam Lenihan Publisher: Ashgate Publishing, Ltd. ISBN: 9781409467526 Category : Art Languages : en Pages : 222
Book Description
Examining the literary career of the eighteenth-century Irish painter James Barry, 1741-1806 through an interdisciplinary methodology, The Writings of James Barry and the Genre of History Painting, 1775-1809 is the first full-length study of the artist’s writings. Liam Lenihan critically assesses the artist’s own aesthetic philosophy about painting and printmaking, and reveals the extent to which Barry wrestles with the significant stylistic transformations of the pre-eminent artistic genre of his age: history painting. Lenihan’s book delves into the connections between Barry’s writings and art, and the cultural and political issues that dominated the public sphere in London during the American and French Revolutions.
Author: William Laffan Publisher: Yale University Press ISBN: 0300210604 Category : Art Languages : en Pages : 289
Book Description
A sweeping survey of the arts of Ireland spanning 150 years and an astonishing range of artists and media This groundbreaking book captures a period in Ireland's history when countless foreign architects, artisans, and artists worked side by side with their native counterparts. Nearly all of the works within this remarkable volume--many of them never published before--have been drawn from North American collections. This catalogue accompanies the first exhibition to celebrate the Irish as artists, collectors, and patrons over 150 years of Ireland's sometimes turbulent history. Featuring the work of a wide range of artists--known and unknown--and a diverse array of media, the catalogue also includes an impressive assembly of essays by a pre-eminent group of international experts working on the art and cultural history of Ireland. Major essays discuss the subjects of the Irish landscape and tourism, Irish country houses, and Dublin's role as a center of culture and commerce. Also included are numerous shorter essays covering a full spectrum of topics and artworks, including bookbinding, ceramics, furniture, glass, mezzotints, miniatures, musical instruments, pastels, silver, and textiles.
Author: Peter S. Forsaith Publisher: Routledge ISBN: 1351608460 Category : Art Languages : en Pages : 210
Book Description
The face of John Wesley (1703–91), the Methodist leader, became one of the most familiar images in the English-speaking and transatlantic worlds through the late eighteenth and nineteenth centuries. After the dozen or so painted portraits made during his lifetime came numbers of posthumous portraits and moralising ‘scene paintings’, and hundreds of variations of prints. It was calculated that six million copies were produced of one print alone – an 1827 portrait by John Jackson R.A. as frontispiece for a hymn book. Illustrated by nearly one hundred images, many in colour, with a comprehensive appendix listing known Wesley images, this book offers a much-needed comprehensive and critical survey of one of the most influential religious and public figures of eighteenth-century Britain. Besides chapters on portraits from the life and after, scene paintings and prints, it explores aspects of Wesley’s (and Methodism’s) attitudes to art, and the personality cult which gathered around Wesley as Methodism expanded globally. It will be of interest to art historians as a treatment of an individual sitter and subject, as well as to scholars engaged in Wesley and Methodist studies. It is also significant for the field of material studies, given the spread and use of the image, on artefacts as well as on paper.
Author: Charlotte Yeldham
Author: Charlotte Yeldham
Author: Charlotte Yeldham
Author: Charlotte Yeldham
Author: Gareth Atkins
Author: Harriet Kramer Linkin
Author: Ragnhild Johnsrud Zorgati
Author: William Gibson
Author: Dr Liam Lenihan
Author: William Laffan
Author: Peter S. Forsaith