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Performing Religion

Performing Religion PDF Author: Gregory F. Barz
Publisher: BRILL
ISBN: 9004334327
Category : Religion
Languages : en
Pages : 241

Book Description
Performing Religion considers issues related to Tanzanian kwayas [KiSwahili, “choirs”], musical communities most often affiliated with Christian churches, and the music they make, known as nyimbo za kwaya [choir songs] or muziki wa kwaya [choir music]. The analytical approach adopted in this text focusing on the communities of kwaya is one frequently used in the fields of ethnomusicology, religious studies, culture studies, and philosophy for understanding diversified social processes-consciousness. By invoking consciousness an attempt is made to represent the ways seemingly disparate traditions coexist, thrive, and continue within contemporary kwaya performance. An East African kwaya is a community that gathers several times each week to define its spirituality musically. Members of kwayas come together to sing, to pray, to support individual members in times of need, and to both learn and pass along new and inherited faith traditions. Kwayas negotiate between multiple musical traditions or just as often they reject an inherited musical system while others may continue to engage musical repertoires from both Europe and Africa. Contemporary kwayas comfortably coexist in the urban musical soundscape of coastal Dar es Salaam along with jazz dance bands, taarab ensembles, ngoma performance groups, Hindi film music, rap, reggae, and the constant influx of recorded American and European popular musics. This ethnography calls into question terms frequently used to draw tight boundaries around the study of the arts in African expressive religious cultures. Such divisions of the arts present well-defended boundaries and borders that are not sufficient for understanding the change, adaptation, preservation, and integration that occur within a Tanzanian kwaya. Boundaries break down within the everyday performance of East African kwayas, such as Kwaya ya Upendo [“The Love Choir”] in Dar es Salaam, as repertoires, traditions, histories, and cultures interact within a performance of social identity.

Performing Religion

Performing Religion PDF Author: Gregory F. Barz
Publisher: BRILL
ISBN: 9004334327
Category : Religion
Languages : en
Pages : 241

Book Description
Performing Religion considers issues related to Tanzanian kwayas [KiSwahili, “choirs”], musical communities most often affiliated with Christian churches, and the music they make, known as nyimbo za kwaya [choir songs] or muziki wa kwaya [choir music]. The analytical approach adopted in this text focusing on the communities of kwaya is one frequently used in the fields of ethnomusicology, religious studies, culture studies, and philosophy for understanding diversified social processes-consciousness. By invoking consciousness an attempt is made to represent the ways seemingly disparate traditions coexist, thrive, and continue within contemporary kwaya performance. An East African kwaya is a community that gathers several times each week to define its spirituality musically. Members of kwayas come together to sing, to pray, to support individual members in times of need, and to both learn and pass along new and inherited faith traditions. Kwayas negotiate between multiple musical traditions or just as often they reject an inherited musical system while others may continue to engage musical repertoires from both Europe and Africa. Contemporary kwayas comfortably coexist in the urban musical soundscape of coastal Dar es Salaam along with jazz dance bands, taarab ensembles, ngoma performance groups, Hindi film music, rap, reggae, and the constant influx of recorded American and European popular musics. This ethnography calls into question terms frequently used to draw tight boundaries around the study of the arts in African expressive religious cultures. Such divisions of the arts present well-defended boundaries and borders that are not sufficient for understanding the change, adaptation, preservation, and integration that occur within a Tanzanian kwaya. Boundaries break down within the everyday performance of East African kwayas, such as Kwaya ya Upendo [“The Love Choir”] in Dar es Salaam, as repertoires, traditions, histories, and cultures interact within a performance of social identity.

Colloquial Swahili

Colloquial Swahili PDF Author: Lutz Marten
Publisher: Routledge
ISBN: 131730585X
Category : Foreign Language Study
Languages : en
Pages : 336

Book Description
Colloquial Swahili: The Complete Course for Beginners has been carefully developed by an experienced teacher to provide a step-by-step course to Swahili as it is written and spoken today. Combining a clear, practical and accessible style with a methodical and thorough treatment of the language, it equips learners with the essential skills needed to communicate confidently and effectively in Swahili in a broad range of situations. No prior knowledge of the language is required. Colloquial Swahili is exceptional; each unit presents a wealth of grammatical points that are reinforced with a wide range of exercises for regular practice. A full answer key, a grammar summary, bilingual glossaries and English translations of dialogues can be found at the back as well as useful vocabulary lists throughout. Key features include: A clear, user-friendly format designed to help learners progressively build up their speaking, listening, reading and writing skills Jargon-free, succinct and clearly structured explanations of grammar An extensive range of focused and dynamic supportive exercises Realistic and entertaining dialogues covering a broad variety of narrative situations Helpful cultural points explaining the customs and features of life in Swahili-speaking countries. An overview of the sounds of Swahili Balanced, comprehensive and rewarding, Colloquial Swahili is an indispensable resource both for independent learners and students taking courses in Swahili. Audio material to accompany the course is available to download free in MP3 format from www.routledge.com/cw/colloquials. Recorded by native speakers, the audio material features the dialogues and texts from the book and will help develop your listening and pronunciation skills.

Complete Swahili Beginner to Intermediate Course

Complete Swahili Beginner to Intermediate Course PDF Author: Joan Russell
Publisher: Teach Yourself
ISBN: 1444133829
Category : Foreign Language Study
Languages : en
Pages : 391

Book Description
Are you looking for a complete course in Swahili which takes you effortlessly from beginner to confident speaker? Whether you are starting from scratch, or are just out of practice, Complete Swahili will guarantee success! Now fully updated to make your language learning experience fun and interactive. You can still rely on the benefits of a top language teacher and our years of teaching experience, but now with added learning features within the course and online. The course is structured in thematic units and the emphasis is placed on communication, so that you effortlessly progress from introducing yourself and dealing with everyday situations, to using the phone and talking about work. By the end of this course, you will be at Level B2 of the Common European Framework for Languages: Can interact with a degree of fluency and spontaneity that makes regular interaction with native speakers quite possible without strain for either party. Learn effortlessly with a new easy-to-read page design and interactive features: NOT GOT MUCH TIME? One, five and ten-minute introductions to key principles to get you started. AUTHOR INSIGHTS Lots of instant help with common problems and quick tips for success, based on the author's many years of experience. GRAMMAR TIPS Easy-to-follow building blocks to give you a clear understanding. USEFUL VOCABULARY Easy to find and learn, to build a solid foundation for speaking. DIALOGUES Read and listen to everyday dialogues to help you speak and understand fast. PRONUNCIATION Don't sound like a tourist! Perfect your pronunciation before you go. TEST YOURSELF Tests in the book and online to keep track of your progress. EXTEND YOUR KNOWLEDGE Extra online articles at: www.teachyourself.com to give you a richer understanding of the culture and history of Swahili speakers. TRY THIS Innovative exercises illustrate what you've learnt and how to use it.

English Swahili Dictionary

English Swahili Dictionary PDF Author: Willy Kirkeby
Publisher: Global Academic Publishing
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 1088

Book Description
Not only is this the most comprehensive English-Swahili dictionary to date (about 60,000 entries) - it is also the first one to include phonetic transcription. It covers all major fields of interest. American pronunciation is shown in cases differing from standard British pronunciation. In addition the dictionary abounds in synonyms and suggested alternative translations. In other words, this is a book not only for looking up in, but also for learning from. Willy Kirkeby has taught at secondary schools in Norway, Germany and Tanzania, and has been compiling a comprehensive selection of dictionaries. These include English-Norewegian and Norwegian-English dictionaries in both comprehensive and smaller editions.

The Legacy of Tanzanian Musicians Muhidin Gurumo and Hassan Bitchuka

The Legacy of Tanzanian Musicians Muhidin Gurumo and Hassan Bitchuka PDF Author: Frank Gunderson
Publisher: Rowman & Littlefield
ISBN: 1498564402
Category : Music
Languages : en
Pages : 357

Book Description
Muhidin Maalim Gurumo and Hassan Rehani Bitchuka are two of Tanzania’s most well-known singers in the popular music genre known as muziki wa dansi (literally, 'music for dancing'), a variation of the Cuban-based rhumba idiom that has been enormously impactful throughout central, eastern, and western Africa in the contemporary era. This interview-based dual biography investigates the lives and careers of these two men from an ethnomusicological and historical perspective. Gurumo had a career spanning fifty years before his death in 2014. Bitchuka has been singing professionally for forty-five years. The two singers, affectionately called mapacha (“the twins”) by their colleagues, worked together as partners for thirty years from 1973-2003. This study situates these exemplary individuals as creative agents in a local cultural context, showcasing interviews, narratives, and nostalgic reminiscences about musical life lived under Colonialism, state Socialism, and current politics in the global neoliberal democratic milieu. The book adds to a growing body of work about popular music in Dar es Salaam and shines a light on these artists’ creative processes, the choices they have made regarding rare resources, their styles and efficacy in conflict resolution, and their own memories regarding the musical art they have created.

Innovation Ecosystems in Africa

Innovation Ecosystems in Africa PDF Author: Olugbenga Adesida
Publisher: Amalion Publishing
ISBN: 2359261169
Category : Social Science
Languages : en
Pages : 254

Book Description
Innovation Ecosystems in Africa aims to deepen and broaden the visibility and interrogation of African innovation systems in practice by offering unique analysis of the emergence, growth and future prospects of endogenous innovation practices and lessons across the continent. The stories depict systemic innovations in a range of critical development areas from health and education to leadership and entrepreneurialism, and span from North to South, and East to West, covering more than a dozen different African cities and countries. In addition to sharing knowledge about exciting but rarely acknowledged cases of innovation in Africa, the book serves also as a work to inform policymakers and practitioners throughout Africa on how to learn from experiences towards developing more enabling innovation ecosystems to nurture creativity and solve the problems that we have. This book provides policymakers, business and opinion leaders both inspiration and useful policy takeaways that can guide strategies and support concrete measures to foster and speed up the pace of developmentally impactful innovation on the continent. Innovation Ecosystems in Africa builds upon the work of the African Innovation Summit (AIS), by further examining how the innovation systems environments in Africa function (or not) to address the most basic conditions of socio-economic and institutional development required on the continent. In this volume, learning case studies identified alongside the second Africa Innovation Summit (Kigali, June 2018) examine various sectoral exemplars and transversal dimensions to help inform insights about how policymakers and practitioners might develop more effective and impactful innovation-driven strategies, ecosystems and enterprises. This edited collection uses multi-country, cross-sectoral case studies to advance an empirically grounded, appreciative investigation of how innovation is being used to address fundamental development challenges on the continent, and how the African innovation ecosystems could be made more enabling into the future.

Kenya National Assembly Official Record (Hansard)

Kenya National Assembly Official Record (Hansard) PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 995

Book Description
The official records of the proceedings of the Legislative Council of the Colony and Protectorate of Kenya, the House of Representatives of the Government of Kenya and the National Assembly of the Republic of Kenya.

Kenya National Assembly Official Record (Hansard)

Kenya National Assembly Official Record (Hansard) PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 995

Book Description
The official records of the proceedings of the Legislative Council of the Colony and Protectorate of Kenya, the House of Representatives of the Government of Kenya and the National Assembly of the Republic of Kenya.

Majeshi Yetu

Majeshi Yetu PDF Author: Kenya Ministry of Defence
Publisher:
ISBN:
Category :
Languages : en
Pages : 144

Book Description


Live from Dar es Salaam

Live from Dar es Salaam PDF Author: Alex Perullo
Publisher: Indiana University Press
ISBN: 0253001501
Category : Music
Languages : en
Pages : 496

Book Description
A study of Dar es Salaam’s music business, from production and broadcasting to live performances in clubs. When socialism collapsed in Tanzania, the government-controlled music industry gave way to a vibrant independent music scene. Alex Perullo explores the world of the bands, music distributors, managers, and clubs that attest to the lively and creative music industry in Dar es Salaam. Perullo examines the formation of the city’s music economy, considering the means of musical production, distribution, protection, broadcasting, and performance. He exposes both legal and illegal strategies for creating business opportunities employed by entrepreneurs who battle government restrictions and give flight to their musical aspirations. This is a singular look at the complex music landscape in one of Africa’s most dynamic cities. “This isn’t just a book about Tanzanian popular music. It’s a compendium of everything one could wish to know and more about Dar es Salaam’s performance life, and an ethnographic tour de force that offers an insider’s trip to the sweaty heart of an African capital’s music scene, without having to go there. The social economy of post-independence Dar es Salaam is painstakingly interwoven into an account of every style, trend, and movement in the city’s imaginative life from every angle. Perullo’s achievement will set the standard for studies of popular culture in urban East Africa for decades to come.” —David B. Coplan, University of the Witwatersrand “The extensive research for this book provides valuable insight into Tanzanian culture. Live from Dar es Salaam discusses our history and examines current radio stations, performances, recording studios, and music education. In reading this book, young people will learn about what their elders did in the past, and elders will remember those things they took part in. In addition, this book will become a road map for the next generation to use in order to learn about Tanzanian popular music. It is a very important book that illustrates the past, present, and future of Tanzanian music.” —Remmy Ongala