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Memoirs of Charles Macklin, Comedian

Memoirs of Charles Macklin, Comedian PDF Author: William Cook
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 542

Book Description


Memoirs of Charles Macklin, Comedian

Memoirs of Charles Macklin, Comedian PDF Author: William Cook
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 542

Book Description


Memoirs of Charles Macklin, Comedian

Memoirs of Charles Macklin, Comedian PDF Author: William Cooke
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 472

Book Description


Memoirs of Charles Macklin, Comedian

Memoirs of Charles Macklin, Comedian PDF Author: Charles Macklin
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 470

Book Description


Memoirs of Charles Macklin, Comedian ... The second edition. [With a portrait.]

Memoirs of Charles Macklin, Comedian ... The second edition. [With a portrait.] PDF Author: William COOKE (Barrister-at-Law, of the Middle Temple.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 488

Book Description


Memoirs of Charles Macklin, Comedian; with the Dramatic Characters, Manners, Anecdotes, &c. of the Age in which He Lived ... and a Chronological List of All the Parts Played by Him

Memoirs of Charles Macklin, Comedian; with the Dramatic Characters, Manners, Anecdotes, &c. of the Age in which He Lived ... and a Chronological List of All the Parts Played by Him PDF Author: Charles Macklin
Publisher:
ISBN:
Category :
Languages : en
Pages : 472

Book Description


Authentic Memoirs of the late Mr. Charles Macklin, comedian, etc. [With a portrait.]

Authentic Memoirs of the late Mr. Charles Macklin, comedian, etc. [With a portrait.] PDF Author: Francis Aspry CONGREVE
Publisher:
ISBN:
Category :
Languages : en
Pages : 56

Book Description


Charles Macklin and the Theatres of London

Charles Macklin and the Theatres of London PDF Author: Ian Newman
Publisher: Liverpool University Press
ISBN: 1800855605
Category : Performing Arts
Languages : en
Pages : 352

Book Description
Charles Macklin (1699?–1797) was one of the most important figures in the eighteenth-century theatre. Born in Ireland, he began acting in London in around 1725 and gave his final performance in 1789 – no other actor can claim to have acted across seven decades of the century, from the reign of George I to the Regency Crisis of 1788. He is credited alongside Garrick with the development of the natural school of acting and gave a famous performance of Shylock that gave George II nightmares. As a dramatist, he wrote one of the great comic pieces of the mid-century (Love à la Mode, 1759), as well as the only play of the century to be twice refused a performance licence (The Man of the World, 1781). He opened an experimental coffeehouse in Covent Garden, he advocated energetically for actors’ rights and copyright reform for dramatists, and he successfully sued theatre rioters. In short, he had an astonishingly varied career. With essays by leading experts on eighteenth-century culture, this volume provides a sustained critical examination of his career, illuminating many aspects of eighteenth-century theatrical culture and of the European Enlightenment, and explores the scholarly benefit – and thrill – of restaging Macklin’s work in the twenty-first century.

The Birth of Modern Theatre

The Birth of Modern Theatre PDF Author: Norman S. Poser
Publisher: Routledge
ISBN: 0429820038
Category : Performing Arts
Languages : en
Pages : 305

Book Description
The Birth of Modern Theatre: Rivalry, Riots, and Romance in the Age of Garrick is a vivid description of the eighteenth-century London theatre scene—a time when the theatre took on many of the features of our modern stage. A natural and psychologically based acting style replaced the declamatory style of an earlier age. The theatres were mainly supported by paying audiences, no longer by royal or noble patrons. The press determined the success or failure of a play or a performance. Actors were no longer shunned by polite society, some becoming celebrities in the modern sense. The dominant figure for thirty years was David Garrick, actor, theatre manager and playwright, who, off the stage, charmed London with his energy, playfulness, and social graces. No less important in defining eighteenth-century theatre were its audiences, who considered themselves full-scale participants in theatrical performances; if they did not care for a play, an actor, or ticket prices, they would loudly make their wishes known, sometimes starting a riot. This book recounts the lives—and occasionally the scandals—of the actors and theatre managers and weaves them into the larger story of the theatre in this exuberant age, setting the London stage and its leading personalities against the background of the important social, cultural, and economic changes that shaped eighteenth-century Britain. The Birth of Modern Theatre brings all of this together to describe a moment in history that sowed the seeds of today’s stage.

Lives of Shakespearian Actors, Part I, Volume 2

Lives of Shakespearian Actors, Part I, Volume 2 PDF Author: Gail Marshall
Publisher: Taylor & Francis
ISBN: 1040249183
Category : Literary Criticism
Languages : en
Pages : 331

Book Description
Focuses on David Garrick and the leading actors of his company at Drury Lane. This book tells how, in their time, Garrick, Macklin and Woffington were as famous for their achievements on the stage as they were infamous for their activities off it. It draws a selection of the actors' own words with those of their contemporaries and critics.

Staging Memory and Materiality in Eighteenth-Century Theatrical Biography

Staging Memory and Materiality in Eighteenth-Century Theatrical Biography PDF Author: Amanda Weldy Boyd
Publisher: Anthem Press
ISBN: 1783086688
Category : Performing Arts
Languages : en
Pages : 287

Book Description
“Staging Memory and Materiality in Eighteenth-Century Theatrical Biography” examines theatrical biography as a nascent genre in eighteenth-century England. This study specifically focuses on Thomas Davies’ 1780 memoir of David Garrick as the first moment of mastery in the genre’s history, the three-way war for the right to tell Charles Macklin’s story at the turn of the century and James Boaden’s theatrical biography spree in the 1820s and 1830s, including the lives of John Philip Kemble, Sarah Siddons, Dorothy Jordan and Elizabeth Inchbald. This project investigates the extent to which biographers envisioned themselves as artists, inheriting the anxiety of impermanence and correlating fear of competition that plagued their thespian subjects. It traces a suggestive, but not determinative, outline of generic development, noting the shifting generic features that emerge in context of a given work’s predecessors. Drawing heavily on primary sources, then-contemporary reviews and archival material in the form of extra-illustrated or “scrapbooked” editions of the biographies, this text is invested in the ways that the increasing emphasis on materiality was designed to consolidate, but often challenged, the biographer’s authority. This turn to materiality also authorized readerly participation, allowing readers to “co-author” biographies through the use of material insertions, asserting their own presence in the texts about beloved thespians.