Mozart in Vienna, 1781-1791 PDF Download

Author: Volkmar Braunbehrens
Publisher:
ISBN: 9780233985596
Category : Composers
Languages : en
Pages : 481

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Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 1107116716
Category : Music
Languages : en
Pages : 719

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Book Description
Comprehensive and engaging exploration of Mozart's greatest works, focussing on his dual roles as performer and composer in Vienna.

Author: Mary Kathleen Hunter
Publisher: Cambridge University Press
ISBN: 9780521572392
Category : Music
Languages : en
Pages : 476

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Book Description
This collection of essays, presented by an internationally known team of scholars, explores the world of Vienna and the development of opera buffa in the second half of the eighteenth century. Although today Mozart remains one of the most well-known figures of the period, the era was filled with composers, librettists, writers and performers who created and developed opera buffa. Among the topics examined are the relationship of Viennese opera buffa to French theatre; Mozart and eighteenth-century comedy; gender, nature and bourgeois society on Mozart's buffa stage; as well as close analyses of key works such as Don Giovanni and Le nozze di Figaro.

Author: Mary Hunter
Publisher: Princeton University Press
ISBN: 1400822750
Category : Music
Languages : en
Pages : 312

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Book Description
Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this richly detailed book, Mary Hunter offers a sweeping, synthetic view of opera buffa in the lively theatrical world of late-eighteenth-century Vienna. Opera buffa (Italian-language comic opera) persistently entertained audiences at a time when Joseph was striving for a German national theater. Hunter attributes opera buffa's success to its ability to provide "sheer" pleasure and hence explores how the genre functioned as entertainment. She argues that opera buffa, like mainstream film today, projects a social world both recognizable and distinct from reality. It raises important issues while containing them in the "merely entertaining" frame of the occasion, as well as presenting them as a series of easily identifiable dramatic and musical conventions. Exploring nearly eighty comic operas, Hunter shows how the arias and ensembles convey a multifaceted picture of the repertory's social values and habits. In a concluding chapter, she discusses Cos" fan tutte as a work profoundly concerned with the conventions of its repertory and with the larger idea of convention itself and reveals the ways Mozart and da Ponte pointedly converse with their immediate contemporaries.

Author: Daniel Heartz
Publisher: W. W. Norton & Company
ISBN: 9780393037128
Category : Music
Languages : en
Pages : 844

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Historians have long tried to place the music of Haydn and Mozart in the lineage of German Lutheran music. In this book, Daniel Heartz shows that the first Viennese school grew from a Catholic inheritance in Italian music and from local tradition, with an admixture of French currents. The generation of composers led by Haydn no longer trained in Italy. By the time young Mozart joined the ranks of the Viennese school, its accomplishments towered above all others of the time. The author's approach can be compared to viewing a majestic mountain range in its totality: the highest peaks take on even greater majesty when seen in their natural context of foothills and lesser peaks. This is how Haydn and Mozart were viewed by their contemporaries, whose world of perception Heartz recreates, using, among other things, the visual art of the period. His focus is on music as a part of cultural history at a particular time and place. Stylistic terms and a priori periods matter less to him than the common denominators of geography, culture, and political history. Book jacket.

Author: Matt Rees
Publisher: Harper Collins
ISBN: 006209937X
Category : Fiction
Languages : en
Pages : 246

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Award-winning author Matt Rees takes readers to 18th centuryAustria, where Mozart’s estranged sister Nannerl stumblesinto a world of ambition, conspiracy, and immortal music while attempting touncover the truth about her brother’s suspicious death. Did Mozart’s life endin murder? Nannerl must brave dire circumstances tofind out, running afoul of the secret police, the freemasons, and even theAustrian Emperor himself as she delves into a scandal greater than she had everimagined. With captivating historical details, compelling characters, and areal-life mystery upon which everything hinges, Rees—the award-winning authorof the internationally acclaimed Omar Yussefcrime series—writes in the tradition of Irvin Yalom’sWhen Nietzsche Wept, Louis Bayard’s The Pale Blue Eye, andPhillip Sington’s The Einstein Girl to achievethe very best in historical fiction with Mozart’s Last Aria.

Author: Martin Nedbal
Publisher: Taylor & Francis
ISBN: 1317094093
Category : Music
Languages : en
Pages : 244

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Book Description
This book explores how the Enlightenment aesthetics of theater as a moral institution influenced cultural politics and operatic developments in Vienna between the mid-eighteenth and early nineteenth centuries. Moralistic viewpoints were particularly important in eighteenth-century debates about German national theater. In Vienna, the idea that vernacular theater should cultivate the moral sensibilities of its German-speaking audiences became prominent during the reign of Empress Maria Theresa, when advocates of German plays and operas attempted to deflect the imperial government from supporting exclusively French and Italian theatrical performances. Morality continued to be a dominant aspect of Viennese operatic culture in the following decades, as critics, state officials, librettists, and composers (including Gluck, Mozart, and Beethoven) attempted to establish and define German national opera. Viennese concepts of operatic didacticism and national identity in theater further transformed in response to the crisis of Emperor Joseph II’s reform movement, the revolutionary ideas spreading from France, and the war efforts in facing Napoleonic aggression. The imperial government promoted good morals in theatrical performances through the institution of theater censorship, and German-opera authors cultivated intensely didactic works (such as Die Zauberflöte and Fidelio) that eventually became the cornerstones for later developments of German culture.

Author: Howard Chandler Robbins Landon
Publisher: Schirmer Trade Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 216

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Book Description
As 1991 is the bicentenary of the death of Wolfgang Amadeus Mozart, worldwide attention will be focused on the composer and his music. Author H.C. Robbins Landon presents a dazzling portrait of 18th-century Vienna and Mozart, with a unique look at the crucial years when Mozart struggled to transform himself from a precocious boy to the creative genius he was to become.

Author: Volkmar Braunbehrens
Publisher: Harper Perennial
ISBN:
Category : Composers
Languages : en
Pages : 518

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Book Description

Author: David Wyn Jones
Publisher: Boydell & Brewer
ISBN: 1783271078
Category : Music
Languages : en
Pages : 289

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Book Description
The image of Vienna as a musical city is a familiar one. This book explores the history of music in Vienna, focussing on three different epochs, 1700, 1800 and 1900.