Author: Diane Railton Publisher: Edinburgh University Press ISBN: 0748633235 Category : Music Languages : en Pages : 186
Book Description
Sex, race and gender are often controversially represented in music videos. How does this influence culture? This text highlights the impact of this medium and relate the form to the wider context of popular culture.
Author: Diane Railton Publisher: Edinburgh University Press ISBN: 0748633243 Category : Music Languages : en Pages : 184
Book Description
How can we engage critically with music video and its role in popular culture? What do contemporary music videos have to tell us about patterns of cultural identity today? Based around an eclectic series of vivid case studies, this fresh and timely examination is an entertaining and enlightening analysis of the forms, pleasures, and politics that music videos offer. In rethinking some classic approaches from film studies and popular music studies and connecting them with new debates about the current 'state' of feminism and feminist theory, Railton and Watson show why and how we should be studying music videos in the twenty-first century. Through its thorough overview of the music video as a visual medium, this is an ideal textbook for Media Studies students and all those with an interest in popular music and cultural studies.
Author: Ian Shapiro Publisher: Cambridge University Press ISBN: 0521111277 Category : Philosophy Languages : en Pages : 381
Book Description
Draws from political science, history, political theory, economics, and anthropology to answer the most important questions about political representation.
Author: John Street Publisher: John Wiley & Sons ISBN: 0745636551 Category : Music Languages : en Pages : 256
Book Description
It is common to hear talk of how music can inspire crowds, move individuals and mobilise movements. We know too of how governments can live in fear of its effects, censor its sounds and imprison its creators. At the same time, there are other governments that use music for propaganda or for torture. All of these examples speak to the idea of music's political importance. But while we may share these assumptions about music's power, we rarely stop to analyse what it is about organised sound - about notes and rhythms - that has the effects attributed to it. This is the first book to examine systematically music's political power. It shows how music has been at the heart of accounts of political order, at how musicians from Bono to Lily Allen have claimed to speak for peoples and political causes. It looks too at the emergence of music as an object of public policy, whether in the classroom or in the copyright courts, whether as focus of national pride or employment opportunities. The book brings together a vast array of ideas about music's political significance (from Aristotle to Rousseau, from Adorno to Deleuze) and new empirical data to tell a story of the extraordinary potency of music across time and space. At the heart of the book lies the argument that music and politics are inseparably linked, and that each animates the other.
Author: Philip V. Bohlman Publisher: Cambridge University Press ISBN: 1316025667 Category : Music Languages : en Pages :
Book Description
Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.
Author: Adam Haupt Publisher: Human Sciences Research Council ISBN: 9780796923868 Category : Political Science Languages : en Pages : 240
Book Description
Analyzing postapartheid culture in South Africa, this book critically examines music, cinema, social media, and the politics of change after apartheid. It cuts across academic disciplines, the creative arts, and the media to pose two central questions: Is South Africa changing for the better, or are we static? Is there too much static for us to hear each other clearly? The various chapters provide key insights into recent media phenomena, such as Die Antwoord, a South African rap-rave group; the 2010 Soccer World ∪ Bok van Blerk, a South African musician; Tsotsi, a 2005 film; Kuli Roberts’ Sunday World newspaper column on “coloureds”; the revisionist film Afrikaaps; and the University of the Free State’s Reitz video scandal. The close readings of lyrics, videos, and films are loaded with keen insights explaining what the cultural issues are and why they matter.
Author: Anne Phillips Publisher: OUP Oxford ISBN: 0191037230 Category : Political Science Languages : en Pages : 220
Book Description
One of the most hotly-contested debates in contemporary democracy revolves around issues of political presence, and whether the fair representation of disadvantaged groups requires their presence in elected assemblies. Representation as currently understood derives its legitimacy from a politics of ideas, which considers accountability in relation to declared policies and programmes, and makes it a matter of relative indifference who articulates political preferences or beliefs. But what happens to the meaning of representation and accountability when we make the gender or ethnic composition of elected assemblies an additional area of concern? In this innovative contribution to the theory of representation - which draws on debates about gender quotas in Europe, minority voting rights in the USA, and the multi-layered politics of inclusion in Canada - Anne Phillips argues that the politics of ideas is an inadequate vehicle for dealing with political exclusion. But rejecting any essentialist grounding to group identity or group interest, she also argues against any either/or choice between ideas and political presence. The politics of presence then combines with contemporary explorations of deliberative democracy to establish a different balance between accountability and autonomy. Series description Oxford Political Theory presents the best new work in contemporary political theory. It is intended to be broad in scope, including original contributions to political philosophy, and also work in applied political theory. The series contains work of outstanding quality with no restriction as to approach or subject matter. The series editors are David Miller and Alan Ryan. `the latest, thoughtful contribution in Anne Phillip's ongoing enquiry into issues of equality, gender and democracy...an excellent contribution to democratic theory'. Political Studies
Author: Michael Pickering Publisher: Red Globe Press ISBN: 0333772105 Category : History Languages : en Pages : 0
Book Description
Stereotyping stands in need of serious re-appraisal. This book provides a critical assessment of the concept and its use in the social sciences, considering its theoretical basis and historical development and linking these closely to the concept of the Other. As the first sustained book-length treatment of stereotyping in either sociology or media and cultural studies, the text embraces such key topics as nationalism and national identity, gender, racism and imperialism, normality and social order, and the figure of the stranger in the modern city. It is genuinely interdisciplinary, moving between sociology, social psychology, cultural history, psychoanalysis and postcolonial theory, and offers an indispensable examination of the roots of prejudice and bigotry in modern societies.
Author: Simone Adams Publisher: Syracuse University Press ISBN: 0815654685 Category : Performing Arts Languages : en Pages : 422
Book Description
One of the most popular shows to come out of Shondaland, Shonda Rhimes’s production company, is ABC’s political drama Scandal (2012–18)—a series whose tremendous success and marketing savvy led LA Times critic Mary McNamara to hail it as “the show that Twitter built” and Time magazine to name its protagonist as one of the most influential fictional characters of 2013. The series portrays a fictional Washington, DC, and features a diverse group of characters, racially and otherwise, who gather around the show’s antiheroine, Olivia Pope, a powerful crisis manager who happens to have an extramarital affair with the president of the United States. For seven seasons, audiences learned a great deal about Olivia and those interwoven in her complex world of politics and drama, including her team of “gladiators in suits,” with whom she manages the crises of Washington’s political elite. This volume, named for both Olivia’s team and the show’s fans, analyzes the communication, politics, stereotypes, and genre techniques featured in the television series while raising key questions about the intersections of race, gender, sexuality, and viewing audiences. The essays range from critical looks at various members of Scandal’s ensemble, to in-depth analyses of the show’s central themes, to audience reception studies via interviews and social media analysis. Additionally, the volume contributes to research on femininity, masculinity, and representations of black womanhood on television. Ultimately, this collection offers original and timely perspectives on what was one of America’s most “scandalous” prime-time network television series.
Author: Diane Railton
Author: Diane Railton
Author: Ian Shapiro
Author: John Street
Author: Philip V. Bohlman
Author: Adam Haupt
Author: Anne Phillips
Author: Lawrence Hamilton
Author: Michael Pickering
Author: Simone Adams