New Theatre Quarterly 65: Volume 17, Part 1 PDF Download

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New Theatre Quarterly 65: Volume 17, Part 1

New Theatre Quarterly 65: Volume 17, Part 1 PDF Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521001458
Category : Drama
Languages : en
Pages : 100

Book Description
Provides an international forum where theatrical scholarship and practice can meet.

New Theatre Quarterly 65: Volume 17, Part 1

New Theatre Quarterly 65: Volume 17, Part 1 PDF Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521001458
Category : Drama
Languages : en
Pages : 100

Book Description
Provides an international forum where theatrical scholarship and practice can meet.

Continuum Companion to Twentieth Century Theatre

Continuum Companion to Twentieth Century Theatre PDF Author: Colin Chambers
Publisher: A&C Black
ISBN: 1847140017
Category : Social Science
Languages : en
Pages : 892

Book Description
International in scope, this book is designed to be the pre-eminent reference work on the English-speaking theatre in the twentieth century. Arranged alphabetically, it consists of some 2500 entries written by 280 contributors from 20 countries which include not only top-level experts, but, uniquely, leading professionals from the world of theatre. A fascinating resource for anyone interested in theatre, it includes: - Overviews of major concepts, topics and issues; - Surveys of theatre institutions, countries, and genres; - Biographical entries on key performers, playwrights, directors, designers, choreographers and composers; - Articles by leading professionals on crafts, skills and disciplines including acting, design, directing, lighting, sound and voice.

New Theatre Quarterly 49: Volume 13, Part 1

New Theatre Quarterly 49: Volume 13, Part 1 PDF Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521589024
Category : Drama
Languages : en
Pages : 100

Book Description
Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.

New Theatre Quarterly 66: Volume 17, Part 2

New Theatre Quarterly 66: Volume 17, Part 2 PDF Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521001472
Category : Drama
Languages : en
Pages : 108

Book Description
Provides an international forum where theatrical scholarship and practice can meet.

New Theatre Quarterly 68: Volume 17, Part 4

New Theatre Quarterly 68: Volume 17, Part 4 PDF Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521002844
Category : Drama
Languages : en
Pages : 108

Book Description
Provides an international forum where theatrical scholarship and practice can meet.

New Theatre Quarterly 67: Volume 17, Part 3

New Theatre Quarterly 67: Volume 17, Part 3 PDF Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521002806
Category : Drama
Languages : en
Pages : 100

Book Description
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theater history has a contemporary relevance, that theater studies need a methodology, and that theater criticism needs a language. The journal publishes news, analysis and debate within the field of theater studies.

New Theatre Quarterly 33: Volume 9, Part 1

New Theatre Quarterly 33: Volume 9, Part 1 PDF Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521448123
Category : Drama
Languages : en
Pages : 108

Book Description
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.

New Theatre Quarterly 73: Volume 19, Part 1

New Theatre Quarterly 73: Volume 19, Part 1 PDF Author: Simon Trussler
Publisher: Cambridge University Press
ISBN: 9780521535885
Category : Drama
Languages : en
Pages : 98

Book Description
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. Articles in volume 73 include: Performance, Embodiment, Voice: the Theatre/Dance Cross-overs of Dodin, Bausch, and Forsythe; The Performative Self: Improvisation for Self and Other; The Events of June 1848: the 'Monte Cristo' Riots and the Politics of Protest; Culture, Memory, and American Performer Training; 'The Maker and the Tool': Charles Parker, Documentary Performance, and the Search for a Popular Culture; Simple Pleasures: the Ten-Minute Play, Overnight Theatre, and the Decline of the Art of Storytelling; Archive or Memory? The Detritus of Live Performance; NTQ Reports and Announcements; NTQ Book Reviews.

New Theatre Quarterly 61: Volume 16, Part 1

New Theatre Quarterly 61: Volume 16, Part 1 PDF Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521789011
Category : Drama
Languages : en
Pages : 108

Book Description
Provides an international forum where theatrical scholarship and practice can meet.

Movement Training for the Modern Actor

Movement Training for the Modern Actor PDF Author: Mark Evans
Publisher: Routledge
ISBN: 1135892946
Category : Medical
Languages : en
Pages : 223

Book Description
This book is the first critical analysis of the key principles and practices informing the movement training of actors in the modern era. Focusing on the cultural history of modern movement training for actors, Evans traces the development of the ‘neutral’ body as a significant area of practice within drama school training and the relationship between movement pedagogy and the operation of discipline and power in shaping the professional identity of the actor. The volume looks in detail at the influence of the leading figures in movement training — Laban, Alexander, Copeau and Lecoq — on twentieth century professional actor training, and is informed by interviews with students and staff at leading English drama schools. Mark Evans re-evaluates the significance of movement training in the professional drama school, offering a new understanding of the body as a site for performative resistance to industrialization. Despite the publication of a number of ‘how to’ books on movement training for the professional acting student, this is the first text to look behind the curtain and write the unseen biography of the actor’s body.