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Author: Wesley Britton Publisher: Bloomsbury Publishing USA ISBN: 0313086508 Category : Performing Arts Languages : en Pages : 233
Book Description
Wes Britton's Spy Television (2004) was an overview of espionage on the small screen from 1951 to 2002. His Beyond Bond: Spies in Fiction and Film (2004) wove spy literature, movies, radio, comics, and other popular media together with what the public knew about actual espionage to show the interrelationships between genres and approaches in the past century. Onscreen and Undercover, the last book in Britton's Spy Trilogy, provides a history of spies on the large screen, with an emphasis on the stories these films present. Since the days of the silent documentary short, spying has been a staple of the movie business. It has been the subject of thrillers, melodramas, political films, romances, and endless parodies as well. But despite the developing mistrust of the spy as a figure of hope and good works, the variable relationship between real spying and screen spying over the past 100 years sheds light on how we live, what we fear, who we admire, and what we want our culture—and our world—to become. Onscreen and Undercover describes now forgotten trends, traces surprising themes, and spotlights the major contributions of directors, actors, and other American and English artists. The focus is on movies, on and off camera. In a 1989 National Public Radio interview, famed author John Le Carre said a spy must be entertaining. Spies have to interest potential sources, and be able to draw people in to succeed in recruiting informants. In that spirit, Wes Britton now offers Onscreen and Undercover.
Author: Wesley Britton Publisher: Bloomsbury Publishing USA ISBN: 0313086508 Category : Performing Arts Languages : en Pages : 233
Book Description
Wes Britton's Spy Television (2004) was an overview of espionage on the small screen from 1951 to 2002. His Beyond Bond: Spies in Fiction and Film (2004) wove spy literature, movies, radio, comics, and other popular media together with what the public knew about actual espionage to show the interrelationships between genres and approaches in the past century. Onscreen and Undercover, the last book in Britton's Spy Trilogy, provides a history of spies on the large screen, with an emphasis on the stories these films present. Since the days of the silent documentary short, spying has been a staple of the movie business. It has been the subject of thrillers, melodramas, political films, romances, and endless parodies as well. But despite the developing mistrust of the spy as a figure of hope and good works, the variable relationship between real spying and screen spying over the past 100 years sheds light on how we live, what we fear, who we admire, and what we want our culture—and our world—to become. Onscreen and Undercover describes now forgotten trends, traces surprising themes, and spotlights the major contributions of directors, actors, and other American and English artists. The focus is on movies, on and off camera. In a 1989 National Public Radio interview, famed author John Le Carre said a spy must be entertaining. Spies have to interest potential sources, and be able to draw people in to succeed in recruiting informants. In that spirit, Wes Britton now offers Onscreen and Undercover.
Author: Marilyn Yaquinto Publisher: Springer Nature ISBN: 3030248054 Category : Performing Arts Languages : en Pages : 320
Book Description
This book analyzes Hollywood storytelling that features an American crimefighter—whether cop, detective, or agent—who must safeguard society and the nation by any means necessary. That often means going “rogue” and breaking the rules, even deploying ugly violence, but excused as self-defense or to serve the greater good. This ends-justifies-means approach dates back to gunfighters taming the western frontier to urban cowboy cops battling urban savagery—first personified by “Dirty” Harry Callahan—and later dispatched in global interventions to vanquish threats to national security. America as the world’s “policeman often means controlling the Other at home and abroad, which also extends American hegemony from the Cold War through the War on Terror. This book also examines pioneering portrayals by males of color and female crimefighters to embody such a social or national defender, which are frustrated by their existence as threats the white knight exists to defeat.
Author: Gene D. Phillips Publisher: Rowman & Littlefield ISBN: 1442230762 Category : Performing Arts Languages : en Pages : 205
Book Description
While the gangster film may have enjoyed its heyday in the 1930s and ’40s, it has remained a movie staple for almost as long as cinema has existed. From the early films of Humphrey Bogart, James Cagney, and Edward G. Robinson to modern versions like Bugsy, Public Enemies, and Gangster Squad, such films capture the brutality of mobs and their leaders. In Gangsters and G-Men on Screen: Crime Cinema Then and Now, Gene D. Phillips revisits some of the most popular and iconic representations of the genre. While this volume offers new perspectives on some established classics—usual suspects like Little Caesar, Bonnie and Clyde, and The Godfather Part II—Phillips also calls attention to some of the unheralded but no less worthy films and filmmakers that represent the genre. Expanding the viewer’s notion of what constitutes a gangster film, Phillips offers such unusual choices as You Only Live Once, Key Largo, The Lady from Shanghai, and even the 1949 version of The Great Gatsby. Also included in this examination are more recent ventures, such as modern classics The Grifters and Martin Scorsese’s The Departed. In his analyses, Phillips draws on a number of sources, including personal interviews with directors and other artists and technicians associated with the films he discusses. Of interest to film historians and scholars, Gangsters and G-Men on Screen will also appeal to anyone who wants to better understand the films that represent an important contribution to crime cinema.
Author: Mia Mask Publisher: University of Illinois Press ISBN: 0252091825 Category : Performing Arts Languages : en Pages : 323
Book Description
This insightful study places African American women's stardom in historical and industrial contexts by examining the star personae of five African American women: Dorothy Dandridge, Pam Grier, Whoopi Goldberg, Oprah Winfrey, and Halle Berry. Interpreting each woman's celebrity as predicated on a brand of charismatic authority, Mia Mask shows how these female stars have ultimately complicated the conventional discursive practices through which blackness and womanhood have been represented in commercial cinema, independent film, and network television. Mask examines the function of these stars in seminal yet underanalyzed films. She considers Dandridge's status as a sexual commodity in films such as Tamango, revealing the contradictory discourses regarding race and sexuality in segregation-era American culture. Grier's feminist-camp performances in sexploitation pictures Women in Cages and The Big Doll House and her subsequent blaxploitation vehicles Coffy and Foxy Brown highlight a similar tension between representing African American women as both objectified stereotypes and powerful, self-defining icons. Mask reads Goldberg's transforming habits in Sister Act and The Associate as representative of her unruly comedic routines, while Winfrey's daily television performance as self-made, self-help guru echoes Horatio Alger narratives of success. Finally, Mask analyzes Berry's meteoric success by acknowledging the ways in which Dandridge's career made Berry's possible.
Author: Wayne Byrne Publisher: McFarland ISBN: 1476674981 Category : Performing Arts Languages : en Pages : 315
Book Description
In a prolific career spanning six decades, actor Burt Reynolds was one of the world's most famous stars of film and television. As much a folk hero as a Hollywood celebrity, he began as a stuntman and bit player in B Westerns and TV shows before landing a starring role on NBC's Riverboat (1959-1961). His breakthrough role in Deliverance (1972) made him famous and the sleeper hit Smokey and the Bandit (1977) made his name a household word. This first critical overview of Reynolds' work examines his complete filmography, featuring candid discussions with costars and collaborators, exclusive behind-the-scenes photos and a wealth of film stills.
Author: Ice-T Publisher: One World ISBN: 0345523296 Category : Biography & Autobiography Languages : en Pages : 274
Book Description
He’s a hip-hop icon credited with single-handedly creating gangsta rap. Television viewers know him as Detective Odafin “Fin” Tutuola on the top-rated drama Law & Order: SVU. But where the hype and the headlines end, the real story of Ice-T—the one few of his millions of fans have ever heard—truly begins. Ice is Ice-T in his own words—raw, uncensored, and unafraid to speak his mind. About his orphan upbringing on the gang-infested streets of South Central, his four-year stint in the U.S. Army, his successful career as a hustler and thief, and his fateful decision to turn away from a life of crime and forge his own path to international stardom. Along the way, Ice shares never-before-told stories about friends such as Tupac, Dick Wolf, Chris Rock, and Flavor Flav, among others. And he offers up candid observations on marriage and monogamy, the current state of hip-hop, and his latest passion: mentoring at-risk youths around the country. With insights into the cutthroat world of the street—and the cutthroat world of Hollywood—Ice is the unforgettable story of a true American original.
Author: Ellen E. Jones Publisher: Faber & Faber ISBN: 057136943X Category : Performing Arts Languages : en Pages : 287
Book Description
Screen Deep is a book about the immense potential of screen storytelling to defeat an evil both historic and urgently topical: racism. Everyone watches TV and movies. Everyone has an interest in building a more just and equitable world. Screen Deep goes beyond the many film books and anti-racist manuals by demonstrating the connection between these two aspects of modern life. In Screen Deep Ellen E. Jones combines her personal experience as a mixed-race woman who cares about racism with her professional expertise as a film and TV journalist of twenty years standing, to ask - and answer - several questions: Is there such a thing as an Indigenous western? Is race comedy 'cancelled'? Where are all the films for white people? And most importantly: Can you still fight the good fight with a mouthful of popcorn?
Author: Sebastien Lefait Publisher: Rowman & Littlefield ISBN: 0810885905 Category : Performing Arts Languages : en Pages : 253
Book Description
The theme of surveillance has become an increasingly common element in movies and television shows, perhaps as a response to the sense that the world is now virtually under watch. But the recent surge of this filmic device calls for an explanation that transcends the basic assumption that media illustrates the changes of society. The persistent and growing presence of surveillance in cinematic productions is not merely a reflection of the advent of surveillance societies, but rather an aesthetic adaptation to the evolution of watching patterns. In Surveillance on Screen: Monitoring Contemporary Films and Television Programs, S bastien Lefait examines this ever-increasing phenomenon. Drawing on the rapidly developing field of surveillance studies, Lefait offers an in-depth analysis of television shows and films, which complement current theoretical approaches to those subjects. This unique combination of surveillance theories with the latest concepts of film, television, and Internet studies is based on a large and diversified range of popular series and films, including the shows 24, Lost, and Survivor as well as such films as Minority Report, Paranormal Activity, The Truman Show, and the on-screen version of George Orwell's Nineteen Eighty-Four. Written from a perspective that does not limit itself to a "reflection-of-society" approach, this book explores both how cinema shapes our experience of surveillance and how surveillance influences our viewing of cinema. Lefait follows the various identifiable stages in cinema's experimental use of surveillance, studying the impact of technology on both the watcher and the watched. In addition to film and media studies, this book will be of interest to those engaged in information technology, sociology, and, of course, surveillance studies.
Author: J. Michael Dlugos Publisher: Trafford Publishing ISBN: 1552123162 Category : Performing Arts Languages : en Pages : 234
Book Description
Mr. Mikey's Video Views started as a response to the three-line reviews found in most review guides, and the "self-serving" and exceedingly picky reviews written by most "popular critics." Mr. Mikey is a movie lover, and has fun and enjoys virtually every movie he sees. His reviews reflect this love of movies.
Author: Mark Aldridge Publisher: Springer ISBN: 1137372923 Category : Literary Criticism Languages : en Pages : 363
Book Description
This book is a comprehensive exploration of 90 years of film and television adaptations of the world’s best-selling novelist’s work. Drawing on extensive archival material, it offers new information regarding both the well-known and forgotten screen adaptations of Agatha Christie’s stories, including unmade and rare adaptations, some of which have been unseen for more than half a century. This history offers intriguing insights into the discussions and debates that surrounded many of these screen projects – something that is brought to life through previously unpublished correspondence from Christie herself and a new wide-ranging interview with her grandson, Mathew Prichard. Agatha Christie on Screen takes the reader on a journey from little known silent film adaptations, through to famous screen productions including 1974’s Murder on the Orient Express, as well as the television series of the Poirot and Miss Marple stories and, most recently, the BBC’s acclaimed version of And Then There Were None.
Author: Wesley Britton
Author: Wesley Britton
Author: Marilyn Yaquinto
Author: Gene D. Phillips
Author: Mia Mask
Author: Wayne Byrne
Author: Ice-T
Author: Ellen E. Jones
Author: Sebastien Lefait
Author: J. Michael Dlugos
Author: Mark Aldridge