Paul's Visual Piety PDF Download

Author: J. M. F. Heath
Publisher: Oxford University Press
ISBN: 0199664145
Category : History
Languages : en
Pages : 327

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Book Description
This book is at the interface between Visual Studies and Biblical Studies, and is the only monograph to date on St Paul's visual piety. Heath argues that biblical scholarship has downplayed this-worldly visuality in Christian culture, and that the exegesis of Paul is both a partial cause and a symptom of this 'disciplinary blind-spot'.

Author: J. M. F. Heath
Publisher: OUP Oxford
ISBN: 0191641081
Category : Religion
Languages : en
Pages : 328

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Book Description
This book is at the interface between Visual Studies and Biblical Studies. For several decades, scholars of visuality have been uncovering the significance of everyday visual practices, in the sense of learnt habits of viewing and the assumptions that underpin them. They have shown that these play a key role in forming and maintaining relationships in religious devotion and in social life. The 'Visual Studies' movement brought issues such as these to the attention of most humanities disciplines by the end of the twentieth century, but until very recently made little impact on Biblical Studies. The explanation for this 'disciplinary blind-spot' lies partly in the reception of St Paul, who became Augustine's inspiration for platonising denigration of the material world, and Luther's for faith through 'scripture alone'. In the hands of more radical Reformers, the Word was soon vehemently opposed to the Image, an emphasis that was further fostered in the philologically-inclined university faculties where Biblical Studies developed. Yet Paul's piety is visual as well as verbal, even aside from his mystical visions. He envisages a contemplative focus on certain this-worldly sights as an integral part of believers' metamorphosis into Christ-likeness. This theme runs through Romans, but finds its most concise expression in his correspondence with the Corinthians: 'We all, with unveiled face, beholding in a mirror the glory of the Lord, are being metamorphosed into the same image, from glory to glory, as from the Lord, the Spirit' (2 Cor 3:18). Richly ambiguous and allegorical as this is, Paul shortly afterward defines an earthly site where this transformative, sacred gaze occurs. He insists that not mere death, but the death of Jesus is 'made manifest' in his suffering apostolic flesh. Rightly perceived, this becomes a holy spectacle for the sacred gaze, working life in those who behold in faith, but undoing those who see but do not perceive.

Author: Emily R. Cain
Publisher: Oxford University Press
ISBN: 0197663397
Category : Religion
Languages : en
Pages : 225

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Book Description
Mirrors of the Divine brings into focus how four influential authors of the late ancient world--Tertullian of Carthage, Clement of Alexandria, Gregory of Nyssa, and Augustine of Hippo--employ language of vision and of mirrors in their discursive struggles to construct Christian agency, identity, and epistemology. Early Christian authors described the vision of God through the Pauline verse 1 Corinthians 13:12: "For now we see in a mirror, dimly, but then we will see face to face." Yet each author interpreted this verse differently, based on a diverse set of assumptions about how they understood seeing and mirrors to function: does vision occur by something leaving or entering the eye? Is one impacted by seeing or by being seen? Do mirrors offer trustworthy knowledge? Spanning the second through fourth centuries CE in both Eastern and Western Christianity, Mirrors of the Divine analyzes these four authors' theological writings on vision and knowledge of God to explore how contradictory theories of sight shaped their cosmologies, theologies, subjectivities, genders, and discursive worlds. As Emily R. Cain demonstrates, how the authors portray eyes reveals how they envisioned one's relationship to the world, while how they portray mirrors reveals how they imagined the unknown. Both have dramatic impacts on how one interprets what it means to see God through a mirror dimly. She shows that arguments about the phenomenon of visual perception are deeply intertwined with broader debates about identity, agency, and epistemology, and uncovers some of the most self-conscious ways that late ancient Christians thought of themselves, their worlds, and their God.

Author: Bonifatia Gesche
Publisher: SBL Press
ISBN: 0884144240
Category : Religion
Languages : en
Pages : 334

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Book Description
New research on Sirach for scholars and students The present volume of English and German essays includes the proceedings of an international conference held in Eichstaett, Germany, in 2017. Themes of creation, emotions, life, death, wisdom, knowledge, the individual and society, family, gender, mercy, justice, and freedom are but a few of the topics that contributors explore in this new collection. Essays explore the rich intertextual connections between Sirach and other biblical texts. Features: Attention to theological distinctions presented in the Hebrew, Greek, Syriac, and Latin versions of the book of Sirach Examination of the reception of Sirach in the New Testament and the early modern era English abstracts for German-language essays and German abstracts for English-language essays

Author: Anthony R. Cross
Publisher: Wipf and Stock Publishers
ISBN: 1532677057
Category : Religion
Languages : en
Pages : 332

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Book Description
This volume celebrates the ministry and theological contribution of Dr. Ruth Gouldbourne, one of the foremost Baptist and Free Church women ministers and scholars in Britain and Europe. Following studies at St Andrews University, and King’s College London, and ministerial training at Spurgeon’s College, she served at Bloomsbury Central Baptist Church, the Free Church Bunyan Meeting, Bedford, and had been a Tutor, after which she returned to the local pastorate at Bloomsbury then Grove Lane Baptist Church, Cheadle. Her doctorate explores gender and theology in the writings of the radical reformer, Caspar Schwenckfeld, and she has recently earned her MA in Shakespearean Studies. She has served the Baptist Union on the Baptist Women in Ministry and Training group, the Covenant 2000 Committee, the Working Groups on Membership, and Superintendency, as well as the Baptist Historical Society. Internationally, she chaired the Academic Board of the International Baptist Theological Seminary (IBTSC), and its the Board of Trustees, and her ecumenical commitment has included sitting on the World Council of Churches’ Faith and Order Commission, and serving Churches Together in Britain and Ireland. An Associate Fellow of Spurgeon’s College, she is also Senior Research Fellow of IBTSC Amsterdam, and a Research Fellow of Bristol Baptist College.

Author: D. A. Carson
Publisher: Wipf and Stock Publishers
ISBN: 1498207065
Category : Religion
Languages : en
Pages : 192

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Book Description
Themelios is an international, evangelical, peer-reviewed theological journal that expounds and defends the historic Christian faith. Themelios is published three times a year online at The Gospel Coalition (http://thegospelcoalition.org/themelios/) and in print by Wipf and Stock. Its primary audience is theological students and pastors, though scholars read it as well. Themelios began in 1975 and was operated by RTSF/UCCF in the UK, and it became a digital journal operated by The Gospel Coalition in 2008. The editorial team draws participants from across the globe as editors, essayists, and reviewers. General Editor: D. A. Carson, Trinity Evangelical Divinity School Managing Editor: Brian Tabb, Bethlehem College and Seminary Consulting Editor: Michael J. Ovey, Oak Hill Theological College Administrator: Andrew David Naselli, Bethlehem College and Seminary Book Review Editors: Jerry Hwang, Singapore Bible College; Alan Thompson, Sydney Missionary & Bible College; Nathan A. Finn, Southeastern Baptist Theological Seminary; Hans Madueme, Covenant College; Dane Ortlund, Crossway; Jason Sexton, Golden Gate Baptist Seminary Editorial Board: Gerald Bray, Beeson Divinity School Lee Gatiss, Wales Evangelical School of Theology Paul Helseth, University of Northwestern, St. Paul Paul House, Beeson Divinity School Ken Magnuson, The Southern Baptist Theological Seminary Jonathan Pennington, The Southern Baptist Theological Seminary James Robson, Wycliffe Hall Mark D. Thompson, Moore Theological College Paul Williamson, Moore Theological College Stephen Witmer, Pepperell Christian Fellowship Robert Yarbrough, Covenant Seminary

Author: Andrew J. Byers
Publisher: Wipf and Stock Publishers
ISBN: 1610979885
Category : Religion
Languages : en
Pages : 252

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Book Description
The church is unsure of itself in the twenty-first century's media culture. Some Christians denounce digital media while others embrace the latest gadgets and apps as soon as they appear. Many of us are stumbling along amidst the tweets, status updates, podcasts, and blog posts, wondering if we have ventured into a realm beyond the scope of biblical wisdom. Though there is such a thing as "new media," Andrew Byers reminds us that the actual concept of media is ancient, theological, and even biblical. In fact, there is such a thing as the media of God. "TheoMedia" are means by which God communicates and reveals himself--creation, divine speech, inspired writings, the visual symbol of the cross, and more. Christians are actually called to media saturation. But the media that are to most prominently saturate our lives are the media of God. If God creates and uses media, then Scripture provides a theological logic by which we can create and use media in the digital age. This book is not an unqualified endorsement of the latest media products or a tirade against media technology. Instead, Byers calls us to rethink our understanding of media in terms of the media of God in the biblical story of redemption.

Author: Joel Baden
Publisher: BRILL
ISBN: 9004324747
Category : Religion
Languages : en
Pages : 1538

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Book Description
This volume, a tribute to John J. Collins by his friends, colleagues, and students, includes essays on the wide range of interests that have occupied John Collins’s distinguished career.

Author: David Morgan
Publisher: Univ of California Press
ISBN: 0520219325
Category : Religion
Languages : en
Pages : 284

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Book Description
This superb collection of essays challenges the growing tension about religion and the arts by dissecting the intriguing ways religion and the arts have inte frsected in a long, vivid, necessary, and largely positive relationship from the early nineteenth century to the end of the twentieth century. The essays here are unusually strong, sophisticated, mature, and insightful. They are remarkably readable, not merely for art historians but for a broadly interested and intelligent audience. The result is a truly fascinating collection whose essays touch on a wide range of important and fascinating topics in the two-hundred year experience of both American art and American religion. —Jon Butler, Yale University, author of Awash in a Sea of Faith: Christianizing the American People and Religion in American History: A Reader.

Author: David Morgan
Publisher: Univ of California Press
ISBN: 0520938305
Category : Religion
Languages : en
Pages : 336

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Book Description
"Sacred gaze" denotes any way of seeing that invests its object—an image, a person, a time, a place—with spiritual significance. Drawing from many different fields, David Morgan investigates key aspects of vision and imagery in a variety of religious traditions. His lively, innovative book explores how viewers absorb and process religious imagery and how their experience contributes to the social, intellectual, and perceptual construction of reality. Ranging widely from thirteenth-century Japan and eighteenth-century Tibet to contemporary America, Thailand, and Africa, The Sacred Gaze discusses the religious functions of images and the tools viewers use to interpret them. Morgan questions how fear and disgust of images relate to one another and explains how scholars study the long and evolving histories of images as they pass from culture to culture. An intriguing strand of the narrative details how images have helped to shape popular conceptions of gender and masculinity. The opening chapter considers definitions of "visual culture" and how these relate to the traditional practice of art history. Amply illustrated with more than seventy images from diverse religious traditions, this masterful interdisciplinary study provides a comprehensive and accessible resource for everyone interested in how religious images and visual practice order space and time, communicate with the transcendent, and embody forms of communion with the divine. The Sacred Gaze is a vital introduction to the study of the visual culture of religions.