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Author: Pindar Publisher: ISBN: Category : History Languages : en Pages : 392
Book Description
Pindar's victory odes, written in the fifth century B.C. to commemorate the heroes of the athletic games, are some of the most powerful and intricte works of ancient Greek poetry -- and perhaps the most difficult to translate well.
Author: James Bradley Wells Publisher: Harvard University Press ISBN: 9780674036277 Category : History Languages : en Pages : 280
Book Description
Wells argues that the victory song is a traditional art form that appealed to a popular audience and served exclusive elite interests through the inclusive appeal of entertainment, popular instruction, and laughter. Wells offers a new take on old Pindaric questions: genre, unity of the victory song, tradition, and epinician performance.
Author: Pindar Publisher: OUP Oxford ISBN: 0192805533 Category : Literary Criticism Languages : en Pages : 216
Book Description
The Greek poet Pindar (c. 518-428 BC) composed victory odes for winners in the ancient Games, including the Olympics. The Odes contain versions of some of the best known Greek myths and are also a valuable source for Greek religion and ethics. Verity's lucid translations are complemented by insights into competition, myth, and meaning. - ;'we can speak of no greater contest than Olympia' The Greek poet Pindar (c. 518-428 BC) composed victory odes for winners in the ancient Games, including the Olympics. He celebrated the victories of athletes competing in foot races, horse races, boxing, wrestling, all-in fighting and the pentathlon, and his Odes are fascinating not only for their poetic qualities, but for what they tell us about the Games. Pindar praises the victor by comparing him to mythical heroes and the gods, but also reminds the athlete of his human limitations. The Odes contain versions of some of the best known Greek myths, such as Jason and the Argonauts, and Perseus and Medusa, and are a valuable source for Greek religion and ethics. Pindar's startling use of language - striking metaphors, bold syntax, enigmatic expressions - makes reading his poetry a uniquely rewarding experience. Anthony Verity's lucid translations are complemented by an introduction and notes that provide insight into competition, myth, and meaning. -
Author: David Fearn Publisher: Oxford University Press ISBN: 0191065552 Category : Literary Collections Languages : en Pages : 352
Book Description
Pindar's Eyes is a ground-breaking interdisciplinary exploration of the interactions between Greek lyric poetry and visual and material culture in the early fifth century BCE. It draws on case studies of classical art and texts to open up analysis of the genre to the wider theme of aesthetic experience in early classical Greece, with particular focus on the poetic mechanisms through which Pindar's victory odes use visual and material culture to engage their audiences. Complete readings of Nemean 5, Nemean 8, and Pythian 1 reveal the poet's deep interest in the relations between lyric poetry and commemorative and religious sculpture, as well as other significant visual phenomena, while literary studies of his evocation of cultural attitudes through elaborate use of the lyric first person are combined with art-historical treatments of ecphrasis, of image and text, and of art's framing of ritual experience in ancient Greece. This specific aesthetic approach is expanded through fresh treatments of Simonides' and Bacchylides' own engagements with material culture, as well as an account of Pindaric themes in the Aeginetan logoi of Herodotus' Histories. These come together to offer not just a novel perspective on the relationship between art and text in Pindaric poetry, but to give rise to new claims about the nature of classical Greek visuality and ritual subjectivity, and to foster a richer understanding of the ways in which classical poetry and art shaped the lives and experiences of its ancient consumers.
Author: Charles Segal Publisher: Princeton University Press ISBN: 1400853109 Category : Literary Criticism Languages : en Pages : 224
Book Description
Combining historical and philological method with contemporary literary analysis, this study of Pindar's longest and most elaborate victory ode, the Fourth Pythian, traces the underlying mythical patterns, implicit poetics, and processes of mythopoesis that animate his poetry. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Almut Fries Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3111128369 Category : History Languages : en Pages : 266
Book Description
This is the first large-scale edition with introduction and commentary of Pindar’s First Pythian Ode. Composed for Hieron of Syracuse to mark his Delphic chariot victory of 470 BC and his recent foundation of the city of Aetna, the poem is not only a literary masterpiece, but also of central importance for our understanding of Greek history and culture in the early fifth century BC. As our only contemporary written source for the Sicilian Wars against the Carthaginians and Etruscans, it stands on a level with Simonides’ Plataea Elegy and Aeschylus’ Persians on the Persian Wars. This is a period where epoch-making Greek victories in the east and west were celebrated by the greatest poets in a way that reveals much about the atmosphere in which their works were created and received. The book offers a new edition of the text with a detailed introduction and commentary, which discuss textual problems, language, metre and transmission as well as a variety of literary questions, the historical background and the early performance and reception history of the ode. It will be of interest to scholars and students of archaic and classical Greek poetry and of Greek history of the early fifth century BC.