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Author: Mary Kelley Publisher: UNC Press Books ISBN: 1469617382 Category : Literary Criticism Languages : en Pages : 432
Book Description
In the decades spanning the nineteenth century, thousands of women entered the literary marketplace. Twelve of the century's most successful women writers provide the focus for Mary Kelley's landmark study: Maria Cummins, Caroline Howard Gilman, Caroline Lee Hentz, Mary Jane Holmes, Maria McIntosh, Sara Parton, Catharine Maria Sedgwick, E.D.E.N. Southworth, Harriet Beecher Stowe, Mary Virginia Terhune, Susan Warner, and Augusta Evans Wilson. These women shared more than commercial success. Collectively they created fictions that Kelley terms "literary domesticity," books that both embraced and called into question the complicated expectations shaping the lives of so many nineteenth-century women. Matured in a culture of domesticity and dismissed by a male writing establishment, they struggled to reconcile public recognition with the traditional roles of wife and mother. Drawing on the 200 volumes of published prose and on the letters, diaries, and journals of these writers, Kelley explores the tensions that accompanied their unprecedented literary success. In a new preface, she discusses the explosion in the scholarship on writing women since the original 1984 publication of Private Woman, Public Stage and reflects on the book's ongoing relevance.
Author: Mary Kelley Publisher: UNC Press Books ISBN: 1469617382 Category : Literary Criticism Languages : en Pages : 432
Book Description
In the decades spanning the nineteenth century, thousands of women entered the literary marketplace. Twelve of the century's most successful women writers provide the focus for Mary Kelley's landmark study: Maria Cummins, Caroline Howard Gilman, Caroline Lee Hentz, Mary Jane Holmes, Maria McIntosh, Sara Parton, Catharine Maria Sedgwick, E.D.E.N. Southworth, Harriet Beecher Stowe, Mary Virginia Terhune, Susan Warner, and Augusta Evans Wilson. These women shared more than commercial success. Collectively they created fictions that Kelley terms "literary domesticity," books that both embraced and called into question the complicated expectations shaping the lives of so many nineteenth-century women. Matured in a culture of domesticity and dismissed by a male writing establishment, they struggled to reconcile public recognition with the traditional roles of wife and mother. Drawing on the 200 volumes of published prose and on the letters, diaries, and journals of these writers, Kelley explores the tensions that accompanied their unprecedented literary success. In a new preface, she discusses the explosion in the scholarship on writing women since the original 1984 publication of Private Woman, Public Stage and reflects on the book's ongoing relevance.
Author: Graziella Parati Publisher: U of Minnesota Press ISBN: 0816626065 Category : Literary Criticism Languages : en Pages : 207
Book Description
In this important volume, Graziella Parati examines the ways in which Italian women writers articulate their identities through autobiography - a public act that is also the creation of a private life. Considering autobiographical writings by five women writers from the seventeenth century to the present, Parati draws important connections between self-writing and the debate over women's roles, both traditional and transgressive. Parati considers the first prose autobiography written by an Italian woman - Camilla Faa Gonzaga's 1622 memoir - as her beginning point, citing it as a central "pre-text". Parati then examines the autobiographies of Enif Robert, Fausta Cialente, Rita Levi Montalcini, and Luisa Passerini. Through her discussion of these women's writings, she demonstrates the complex negotiations over identity contained within them, negotiations that challenge dichotomies between male and female, maternal and paternal, and private and public. Public History, Private Stories is a compelling exploration of the disparate identities created by these women through the act of writing autobiography.
Author: Linda M. Grasso Publisher: Univ of North Carolina Press ISBN: 9780807853481 Category : Literary Criticism Languages : en Pages : 268
Book Description
Grasso explores the ways in which black and white 19th-century women writers define, express, and dramatize anger. Offering close readings of works by Lydia Maria Child, Maria W. Stewart, Fanny Fern, and Harriet Wilson, she shows how women used an aesthetic of discontent to address such complex social and political issues as slavery, industrialization, imperialism, and race relations.
Author: Paul Fryer Publisher: McFarland ISBN: 147660102X Category : Performing Arts Languages : en Pages : 239
Book Description
This collection of new essays explores the role played by women practitioners in the arts during the period often referred to as the Belle Epoque, a turn of the century period in which the modern media (audio and film recording, broadcasting, etc.) began to become a reality. Exploring the careers and creative lives of both the famous (Sarah Bernhardt) and the less so (Pauline Townsend) across a remarkable range of artistic activity from composition through oratory to fine art and film directing, these essays attempt to reveal, in some cases for the first time, women's true impact on the arts at the turn of the 19th century.
Author: Barbara A. White Publisher: Routledge ISBN: 1136290931 Category : Literary Criticism Languages : en Pages : 316
Book Description
An annotated bibliography on women who wrote fiction in the US during the period 1790-1870. The first part is an annotated list of sources that discuss women's fiction in the period and women authors born before 1840 who published before 1870. The second part is an alphabetical list of the approximately 325 19th century writers who meet those criteria. There are indexes by pseudonym, editor, and subject. The sources provide information not only about the individual authors but also about the history of criticism and literary politics, especially women's place in the American literary canon.
Author: Andrew Lawson Publisher: Oxford University Press ISBN: 0199828067 Category : Literary Criticism Languages : en Pages : 208
Book Description
In the unstable economy of the nineteenth-century, few Americans could feel secure. Paper money made values less tangible, while a series of financial manias, panics, and depressions clouded everyday life with uncertainty and risk. In this groundbreaking study, Andrew Lawson traces the origins of American realism to a new structure of feeling: the desire of embattled and aspiring middle class for a more solid and durable reality. The story begins with New England authors Susan Warner and Rose Terry Cooke, whose gentry-class families became insolvent in the wake of the 1837 Panic, and moves to the western frontier, where the early careers of Rebecca Harding Davis and William Dean Howells were shaped by a constant struggle for social position and financial security. We see how the pull of downward social mobility affected even the outwardly successful, bourgeois family of Henry James in New York, while the drought-stricken wheat fields of Iowa and South Dakota produced the most militant American realist, Hamlin Garland. For these writers, realism offered to stabilize an uncertain world by capturing it with a new sharpness and accuracy. It also revealed a new cast of social actors-factory workers, slaves, farm laborers, the disabled, and the homeless, all victims of an unregulated market. Combining economic history and literary analysis to powerful effect, Downwardly Mobile shows how the fluctuating fortunes of the American middle class forced the emergence of a new kind of literature, while posing difficult political choices about how the middle class might remedy its precarious condition.
Author: Mark K. Christ Publisher: University of Arkansas Press ISBN: 1935106155 Category : History Languages : en Pages : 160
Book Description
Five writers examine the political and social forces in Arkansas that led to secession and transformed farmers, clerks, and shopkeepers into soldiers. Retired longtime Arkansas State University professor Michael Dougan delves into the 1861 Arkansas Secession Convention and the delegates’ internal divisions on whether to leave the Union. Lisa Tendrich Frank, who teaches at Florida Atlantic University, discusses the role Southern women played in moving the state toward secession. Carl Moneyhon of the University of Arkansas at Little Rock looks at the factors that led peaceful civilians to join the army. Thomas A. DeBlack of Arkansas Tech University tells of the thousands of Arkansans who chose not to follow the Confederate banner in 1861, and William Garret Piston of Missouri State University chronicles the first combat experience of the green Arkansas troops at Wilson’s Creek.
Author: Hsin Ying Chi Publisher: University Press of America ISBN: 9780761812890 Category : Literary Criticism Languages : en Pages : 188
Book Description
Artists and Attic sees the relationship between architecture and literature as a concrete reflection of nineteenth century ideology creating an iconic picture of women's position in society and literature during that period. In the Victorian house, the attic is hidden and neglected, yet to a woman artist, it is a space of her own to produce a text of her own. The author presents the neglected attic as related to the neglected woman and the limited space symbolizes the confinement of woman and the woman writer, yet obtaining this space of her own becomes the central concern to women and women writers. This book explores the function of the attic in nineteenth century British and American women's writing, as it is given meaning and life by the writers. To many of the women, the attic created a paradoxical image of their seclusion, but also of their own poetic space for freedom in creation. Many of the writers see the attic as a retreat to escape from patriarchal oppression and a place to seek social identity.
Author: Mary Martha Thomas Publisher: University of Alabama Press ISBN: 0817307567 Category : History Languages : en Pages : 246
Book Description
This text explores the place of women from the perspective of race, class and gender. It disscusses the lives of women in antebellum Alabama and the roles of both black and white women as missionaries during Reconstruction, as reformers and suffrage leaders and as members of the state legislature.
Author: Faye E. Dudden Publisher: Yale University Press ISBN: 9780300070583 Category : History Languages : en Pages : 278
Book Description
Through a series of biographical sketches of female performers and managers, Dudden provides a discussion of the conflicted messages conveyed by the early theatre about what it meant to be a woman. It both showed women as sex objects and provided opportunities for careers.
Author: Mary Kelley
Author: Mary Kelley
Author: Graziella Parati
Author: Linda M. Grasso
Author: Paul Fryer
Author: Barbara A. White
Author: Andrew Lawson
Author: Mark K. Christ
Author: Hsin Ying Chi
Author: Mary Martha Thomas
Author: Faye E. Dudden