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Author: John Freedman Publisher: ISBN: 9780991504763 Category : Drama Languages : en Pages : 504
Book Description
The plays selected for this anthology reflect the issues and styles typical of the new wave of dramatic writing in Russia. New drama flourished (almost) exclusively in small spaces, often in dingy basements that employed and accommodated small numbers of people. The big theaters largely turned a blind eye to what was happening on small stages and in backrooms in playhouses, libraries and community centers in a few chosen hot spots around Russia - primarily Moscow, Yekaterinburg and Togliatti. In many cases, they took actively hostile stances toward it. This would change, however. And by the beginning of the century's second decade, new drama was threatening to become a mainstream phenomenon. Not every theater staged plays associated with new drama, but almost every one began staging plays influenced by the themes, methods and language of the new drama movement. "Few people know more about what is happening on the Moscow scene than John Freedman (including few Russians). As Moscow Times theater critic throughout the post-Soviet period John could well have seen more theatrical productions in Russia than anyone else. I can't imagine anyone who would do a better job." Blair A. Ruble, Director, Program on Global Sustainability & Resilience, Woodrow Wilson Center. "The relevance of this anthology is not limited to art or the Fine Arts. New Drama has an implicit politics that should be of interest to political scientists, social historians, and cultural anthropologists of the postSoviet period. As Freedman points out here and elsewhere, the plays provide a 'unique generational perspective' on Russia after the collapse of communism." Caryl Emerson, Professor of Slavic Languages and Literatures, Princeton University. "While other existing volumes focus on 18th, 19th, and early 20th century Russian drama, Freedman's edition would present the unique and important contributions of the new generation of Russian writers portraying the realities and experiences of a post-Soviet generation. John has carefully selected a representative cohort of ten of the most visible, productive, and influential of these writers for the volume." Thomas J. Garza, University Distinguished Teaching Associate Professor, University of Texas at Austin. "Real and Phantom Pains would be of great utility for American theater directors and departments and faculty and students of Russian literature and culture. The anthology is designed with both sets of reader/users in mind, the more so because Freedman is not only an excellent American-English translator of Russian drama, but also a theater professional, having overseen productions of new Russian dramas in the United States." Beth Holmgren, Professor and Chair, Slavic and Eurasian Studies, Duke University. "Freedman's anthology of New Russian drama will be a valuable addition to the marketplace, as so little of Russian drama is produced in the States. The English translations available are often only in British English, with enough strange idioms for American ears that make them less desirable to American theater producers. Having a collection of excellent New Russian drama available will be welcomed amongst the American theatrical community." Preston Whiteway, Executive Director, The Eugene O'Neill Theater Center.
Author: John Freedman Publisher: ISBN: 9780991504763 Category : Drama Languages : en Pages : 504
Book Description
The plays selected for this anthology reflect the issues and styles typical of the new wave of dramatic writing in Russia. New drama flourished (almost) exclusively in small spaces, often in dingy basements that employed and accommodated small numbers of people. The big theaters largely turned a blind eye to what was happening on small stages and in backrooms in playhouses, libraries and community centers in a few chosen hot spots around Russia - primarily Moscow, Yekaterinburg and Togliatti. In many cases, they took actively hostile stances toward it. This would change, however. And by the beginning of the century's second decade, new drama was threatening to become a mainstream phenomenon. Not every theater staged plays associated with new drama, but almost every one began staging plays influenced by the themes, methods and language of the new drama movement. "Few people know more about what is happening on the Moscow scene than John Freedman (including few Russians). As Moscow Times theater critic throughout the post-Soviet period John could well have seen more theatrical productions in Russia than anyone else. I can't imagine anyone who would do a better job." Blair A. Ruble, Director, Program on Global Sustainability & Resilience, Woodrow Wilson Center. "The relevance of this anthology is not limited to art or the Fine Arts. New Drama has an implicit politics that should be of interest to political scientists, social historians, and cultural anthropologists of the postSoviet period. As Freedman points out here and elsewhere, the plays provide a 'unique generational perspective' on Russia after the collapse of communism." Caryl Emerson, Professor of Slavic Languages and Literatures, Princeton University. "While other existing volumes focus on 18th, 19th, and early 20th century Russian drama, Freedman's edition would present the unique and important contributions of the new generation of Russian writers portraying the realities and experiences of a post-Soviet generation. John has carefully selected a representative cohort of ten of the most visible, productive, and influential of these writers for the volume." Thomas J. Garza, University Distinguished Teaching Associate Professor, University of Texas at Austin. "Real and Phantom Pains would be of great utility for American theater directors and departments and faculty and students of Russian literature and culture. The anthology is designed with both sets of reader/users in mind, the more so because Freedman is not only an excellent American-English translator of Russian drama, but also a theater professional, having overseen productions of new Russian dramas in the United States." Beth Holmgren, Professor and Chair, Slavic and Eurasian Studies, Duke University. "Freedman's anthology of New Russian drama will be a valuable addition to the marketplace, as so little of Russian drama is produced in the States. The English translations available are often only in British English, with enough strange idioms for American ears that make them less desirable to American theater producers. Having a collection of excellent New Russian drama available will be welcomed amongst the American theatrical community." Preston Whiteway, Executive Director, The Eugene O'Neill Theater Center.
Author: Publisher: New Acdemia+ORM ISBN: 0990447170 Category : Drama Languages : en Pages : 381
Book Description
An anthology of ten plays embodying the Russian literary movement that began in the late twentieth century. The plays selected for this anthology reflect the issues and styles typical of the new wave of dramatic writing in Russia. New drama flourished (almost) exclusively in small spaces, often in dingy basements that employed and accommodated small numbers of people. The big theaters largely turned a blind eye to what was happening on small stages and in backrooms in playhouses, libraries, and community centers in a few chosen hot spots around Russia: primarily Moscow, Yekaterinburg and Togliatti. In many cases, they took actively hostile stances toward it. This would change, however. And by the beginning of the century’s second decade, new drama was threatening to become a mainstream phenomenon. Not every theater staged plays associated with new drama, but almost every one began staging plays influenced by the themes, methods, and language of the new drama movement. Featuring work from Yury Klavdiev, Olga Mukhina, Pavel Pryazhko, Vasily Sigarev, Maksym Kurochkin, Mikhail Durnenkov, Vyacheslav Durnenkov, Yaroslava Pulinovich, Yelena Gremina, and Maxim Osipov. “Few people know more about what is happening on the Moscow scene than John Freedman (including few Russians). As Moscow Times theater critic throughout the post-Soviet period John could well have seen more theatrical productions in Russia than anyone else. I can’t imagine anyone who would do a better job.” —Blair A. Ruble, Director, Program on Global Sustainability & Resilience, Woodrow Wilson Center “While other existing volumes focus on 18th, 19th, and early 20th century Russian drama, Freedman’s edition would present the unique and important contributions of the new generation of Russian writers portraying the realities and experiences of a post-Soviet generation. John has carefully selected a representative cohort of ten of the most visible, productive, and influential of these writers for the volume.” —Thomas J. Garza, University Distinguished Teaching Associate Professor, University of Texas at Austin
Author: Richard A. Sherman Publisher: Springer Science & Business Media ISBN: 1475761694 Category : Medical Languages : en Pages : 264
Book Description
Phantom pain is an intriguing mystery that has captured the imagination of health care providers and the public alike. How is it possible to feel pain in a limb or some other body part that has been surgically removed? Phantom pain develops among people who have lost a limb or a breast or have had internal organs removed. It also occurs in people with totally transected spinal cords. Unfortunately, phantom pain is a medical night mare. Many of the people reporting phantom pain make dispropor tionately heavy use of the medical system because their severe pains are usually not treated successfully. The effect on quality of life can be devas tating. Phantom pain has been reported at least since 1545 (Weir Mitchell as related by Nathanson, 1988) and/ or experienced by such diverse people as Admiral Lord Nelson and Ambroise Pare (Melzack & Wall, 1982; Davis, 1993). The folklore surrounding phantom pain is fascinating and mirrors the concepts about how our bodies work that are in vogue at any particu lar time. Most of the stories relate to phantom limbs and date from the mid-1800s. The typical story goes like this: A man who had his leg ampu tated complained about terrible crawling, twitching feelings in his leg. His friends found out where the leg was buried, dug it up, and found maggots eating it. They burned it, and the pain stopped. Another man complained of a swollen feeling with frequent stinging or biting pains.
Author: Lucia Berlin Publisher: ISBN: Category : Languages : en Pages : 124
Book Description
Fiction. Lucia Berlin was born in Alaska, raised in Chili, and presently lives and works in California. Her stories have appeared in The Noble Savage, The Critic, The Atlantic, The London Strand, and Quilt, and many other magazines and journals. This is her second volume of short stories.
Author: Therese Estacion Publisher: ISBN: 9781039515543 Category : Amputation Languages : en Pages : 112
Book Description
"Therese Estacion survived a rare infection that nearly killed her, but not without losing both her legs below the knees, several fingers, and reproductive organs. Phantompains is a visceral, imaginative collection exploring disability, grief and life by interweaving stark memories with magic surrealism. Taking inspiration from Filipino horror and folk tales, Estacion incorporates some Visayan language into her work, telling stories of mermen, gnomes and ogres that haunt childhood stories of the Philippines and, then, imaginings in her hospital room, where she spent months after her operations, recovering. There is a dreamlike quality to these pieces, rivaled by depictions of pain, of amputation, of hysterectomy, of disability, and the realization of catastrophic change. Estacion says she wrote these poems out of necessity: an essential task to deal with the trauma of hospitalization and what followed. Now, they are demonstrations of the power of our imaginations to provide catharsis, preserve memory, rebel and even to find self-love."--
Author: Mishell Baker Publisher: Simon and Schuster ISBN: 1481480170 Category : Fiction Languages : en Pages : 416
Book Description
In this sequel to the Nebula Award–nominated and Tiptree Award Honor Book that New York Times bestselling author Seanan McGuire called “exciting, inventive, and brilliantly plotted,” Millie unwillingly returns to the Arcadia Project when an impossible and deadly situation pulls her back in. Four months ago, Millie left the Arcadia Project after losing her partner Teo to the lethal magic of an Unseelie fey countess. Now, in a final visit to the scene of the crime, Millie and her former boss Caryl encounter Teo’s tormented ghost. But there’s one problem: according to Caryl, ghosts don’t exist. Millie has a new life, a stressful job, and no time to get pulled back into the Project, but she agrees to tell her side of the ghost story to the agents from the Project’s National Headquarters. During her visit though, tragedy strikes when one of the agents is gruesomely murdered in a way only Caryl could have achieved. Millie knows Caryl is innocent, but the only way to save her from the Project’s severe, off-the-books justice is to find the mysterious culprits that can only be seen when they want to be seen. Millie must solve the mystery not only to save Caryl, but also to foil an insidious, arcane terrorist plot that would leave two worlds in ruins.
Author: Arnon Grunberg Publisher: Other Press (NY) ISBN: Category : Novelists, American Languages : en Pages : 334
Book Description
A one-time literary novelist of some respectability, now brought low by the double insult of obscurity and crippling debt, Robert G. Mehlman is a man in need of money and recognition, fast. But Mehlman's publisher is only interested in his long overdue novel, since the people don't want short stories, and his portfolio was liquidated months ago. So, it is to culinary writing that he turns. A practiced decadent, a habitual spendthrift, and a serial womanizer, he has, ostensibly, all the right qualities. But the path to fame is never a smooth one. Phantom Pain is the bitterly funny but unpublished manuscript of Mehlman's autobiography. In it, he tells the parallel stories of his decaying marriage and his puzzling affair with a woman he meets by chance and who accompanies him on the road. York City to Atlantic City where they gamble away most of Mehlman's remaining funds and then North, to Albany, where he finds unlikely salvation and the inspiration for his book, Polish-Jewish Cuisine in 69 Recipes. Framed by Mehlman's son's account of his famous father, this novel-within-a-novel is a darkly hilarious tale of a writer's fall and his subsequent rise. Phantom Pain has all the characteristic mixture of slapstick and stark despair that has made Arnon Grunberg one of the most interesting, certainly the funniest, and arguably the best Dutch writer working today.
Author: Paula Garner Publisher: Candlewick Press ISBN: 0763691887 Category : Juvenile Fiction Languages : en Pages : 368
Book Description
How do you move on from an irreplaceable loss? In a poignant debut, a sixteen-year-old boy must learn to swim against an undercurrent of grief—or be swept away by it. Otis and Meg were inseparable until her family abruptly moved away after the terrible accident that left Otis’s little brother dead and both of their families changed forever. Since then, it’s been three years of radio silence, during which time Otis has become the unlikely protégé of eighteen-year-old Dara—part drill sergeant, part friend—who’s hell-bent on transforming Otis into the Olympic swimmer she can no longer be. But when Otis learns that Meg is coming back to town, he must face some difficult truths about the girl he’s never forgotten and the brother he’s never stopped grieving. As it becomes achingly clear that he and Meg are not the same people they were, Otis must decide what to hold on to and what to leave behind. Quietly affecting, this compulsively readable debut novel captures all the confusion, heartbreak, and fragile hope of three teens struggling to accept profound absences in their lives.
Author: Cassandra S. Crawford Publisher: NYU Press ISBN: 0814760872 Category : Social Science Languages : en Pages : 314
Book Description
Phantom limb pain is one of the most intractable and merciless pains ever known—a pain that haunts appendages that do not physically exist, often persisting with uncanny realness long after fleshy limbs have been traumatically, surgically, or congenitally lost. The very existence and “naturalness” of this pain has been instrumental in modern science’s ability to create prosthetic technologies that many feel have transformative, self-actualizing, and even transcendent power. In Phantom Limb, Cassandra S. Crawford critically examines phantom limb pain and its relationship to prosthetic innovation, tracing the major shifts in knowledge of the causes and characteristics of the phenomenon. Crawford exposes how the meanings of phantom limb pain have been influenced by developments in prosthetic science and ideas about the extraordinary power of these technologies to liberate and fundamentally alter the human body, mind, and spirit. Through intensive observation at a prosthetic clinic, interviews with key researchers and clinicians, and an analysis of historical and contemporary psychological and medical literature, she examines the modernization of amputation and exposes how medical understanding about phantom limbs has changed from the late-19th to the early-21st century. Crawford interrogates the impact of advances in technology, medicine, psychology and neuroscience, as well as changes in the meaning of limb loss, popular representations of amputees, and corporeal ideology. Phantom Limb questions our most deeply held ideas of what is normal, natural, and even moral about the physical human body.
Author: John Freedman
Author: John Freedman
Author: 
Author: Richard A. Sherman
Author: Lucia Berlin
Author: Noelle Kocot
Author: Therese Estacion
Author: Mishell Baker
Author: Arnon Grunberg
Author: Paula Garner
Author: Cassandra S. Crawford