Author: Cary D. WintzPublisher: Taylor & Francis
ISBN: 9780815322160
Category : History
Languages : en
Pages : 756
Book Description
First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Remembering the Harlem Renaissance
Author: Cary D. WintzPublisher: Taylor & Francis
ISBN: 9780815322160
Category : History
Languages : en
Pages : 756
Book Description
First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Remembering the Harlem Renaissance
Author: Cary D. WintzPublisher: Routledge
ISBN: 1136520007
Category : Literary Criticism
Languages : en
Pages : 477
Book Description
This volume tracks the many surveys of black literature created during the Harlem Renaissance. Noted works by such authors as Sterling Brown, Benjamin Brawley, and Langston Hughes are covered. Retrospectives also appeared in the journal Phylon , and many of those also appear in this collection.
Carl Van Vechten and the Harlem Renaissance
Author: Emily BernardPublisher: Yale University Press
ISBN: 0300183291
Category : Biography & Autobiography
Languages : en
Pages : 300
Book Description
By the time of his death in 1964, Carl Van Vechten had been a far-sighted journalist, a best-selling novelist, a consummate host, an exhaustive archivist, a prescient photographer, and a Negrophile bar non. A white man with an abiding passion for blackness.
The Harlem Renaissance Remembered
Author: Arna BontempsPublisher:
ISBN:
Category : African American arts
Languages : en
Pages : 0
Book Description
The Harlem Renaissance
Author: Jeffrey Brown FergusonPublisher: Bedford/St. Martin's
ISBN: 9780312410759
Category : History
Languages : en
Pages : 224
Book Description
The Harlem Renaissance — the unprecedented artistic outpouring centered in 1920s and 1930s Harlem — comes down to us today, says Jeffrey B. Ferguson, as a braiding of history, memory, and myth. To analyze the movement’s contents and meaning, Ferguson presents its signature works and lesser known pieces in a framework that allows students to examine the issues its writers and artists faced. Political theorists and civil rights activists, as well as poets, artists, musicians, and novelists, explore the character of the so-called New Negro, the influence of African and Southern heritage, the implications of skin color and race and gender, and the question of whether black artistic expression should be directed toward the black freedom struggle. Ferguson’s thought-provoking introduction provides the broad background for the Harlem Renaissance and a frank assessment of its significance. A glossary of key individuals and journals, document headnotes and annotations, a chronology, questions for consideration, and a selected bibliography help students understand the context of this artistic outpouring and investigate its themes.
Remember Me to Harlem
Author: Langston HughesPublisher: Vintage
ISBN: 0307427447
Category : Biography & Autobiography
Languages : en
Pages : 402
Book Description
Langston Hughes is widely remembered as a celebrated star of the Harlem Renaissance -- a writer whose bluesy, lyrical poems and novels still have broad appeal. What's less well known about Hughes is that for much of his life he maintained a friendship with Carl Van Vechten, a flamboyant white critic, writer, and photographer whose ardent support of black artists was peerless. Despite their differences — Van Vechten was forty-four to Hughes twenty-two when they met–Hughes’ and Van Vechten’s shared interest in black culture lead to a deeply-felt, if unconventional friendship that would span some forty years. Between them they knew everyone — from Zora Neale Hurston to Richard Wright, and their letters, lovingly and expertly collected here for the first time, are filled with gossip about the antics of the great and the forgotten, as well as with talk that ranged from race relations to blues lyrics to the nightspots of Harlem, which they both loved to prowl. It’s a correspondence that, as Emily Bernard notes in her introduction, provides “an unusual record of entertainment, politics, and culture as seen through the eyes of two fascinating and irreverent men.
Spectres of 1919
Author: Barbara FoleyPublisher: University of Illinois Press
ISBN: 0252091248
Category : History
Languages : en
Pages : 330
Book Description
A look at the violent “Red Summer of 1919” and its intersection with the highly politicized New Negro movement and the Harlem Renaissance With the New Negro movement and the Harlem Renaissance, the 1920s was a landmark decade in African American political and cultural history, characterized by an upsurge in racial awareness and artistic creativity. In Spectres of 1919 Barbara Foley traces the origins of this revolutionary era to the turbulent year 1919, identifying the events and trends in American society that spurred the black community to action and examining the forms that action took as it evolved. Unlike prior studies of the Harlem Renaissance, which see 1919 as significant mostly because of the geographic migrations of blacks to the North, Spectres of 1919 looks at that year as the political crucible from which the radicalism of the 1920s emerged. Foley draws from a wealth of primary sources, taking a bold new approach to the origins of African American radicalism and adding nuance and complexity to the understanding of a fascinating and vibrant era.
The New Negro
Author: Alain LockePublisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 508
Book Description
Regina Anderson Andrews, Harlem Renaissance Librarian
Author: Ethelene WhitmirePublisher: University of Illinois Press
ISBN: 025209641X
Category : Social Science
Languages : en
Pages : 176
Book Description
The first African American to head a branch of the New York Public Library (NYPL), Regina Andrews led an extraordinary life. Allied with W. E. B. Du Bois, Andrews fought for promotion and equal pay against entrenched sexism and racism and battled institutional restrictions confining African American librarians to only a few neighborhoods within New York City. Andrews also played a key role in the Harlem Renaissance, supporting writers and intellectuals with dedicated workspace at her 135th Street Branch Library. After hours she cohosted a legendary salon that drew the likes of Langston Hughes and Zora Neale Hurston. Her work as an actress and playwright helped establish the Harlem Experimental Theater, where she wrote plays about lynching, passing, and the Underground Railroad. Ethelene Whitmire's new biography offers the first full-length study of Andrews's activism and pioneering work with the NYPL. Whitmire's portrait of her sustained efforts to break down barriers reveals Andrews's legacy and places her within the NYPL's larger history.
Temples for Tomorrow
Author: Genevià ̈ve FabrePublisher: Indiana University Press
ISBN: 0253109108
Category : Social Science
Languages : en
Pages : 405
Book Description
The Harlem Renaissance is rightly considered to be a moment of creative exuberance and unprecedented explosion. Today, there is a renewed interest in this movement, calling for a re-evaluation and a closer scrutiny of the era and of documents that have only recently become available. Temples for Tomorrow reconsiders the period -- between two world wars -- which confirmed the intuitions of W. E. B. DuBois on the "color line" and gave birth to the "American dilemma," later evoked by Gunnar Myrdal. Issuing from a generation bearing new hopes and aspirations, a new vision takes form and develops around the concept of the New Negro, with a goal: to recreate an African American identity and claim its legitimate place in the heart of the nation. In reality, this movement organized into a remarkable institutional network, which was to remain the vision of an elite, but which gave birth to tensions and differences. This collection attempts to assess Harlem's role as a "Black Mecca", as "site of intimate performance" of African American life, and as focal point in the creation of a diasporic identity in dialogue with the Caribbean and French-speaking areas. Essays treat the complex interweaving of Primitivism and Modernism, of folk culture and elitist aspirations in different artistic media, with a view to defining the interaction between music, visual arts, and literature. Also included are known Renaissance intellectuals and writers. Even though they had different conceptions of the role of the African American artist in a racially segregated society, most participants in the New Negro movement shared a desire to express a new assertiveness in terms of literary creation and indentity-building.