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Author: Rebecca Beasley Publisher: ISBN: 9780191757761 Category : LITERARY CRITICISM Languages : en Pages : 309
Book Description
This title explores the extent of British fascination with Russian and Soviet culture from the 1880s up to the Soviet Union's entry into the Second World War.
Author: Rebecca Beasley Publisher: ISBN: 9780191757761 Category : LITERARY CRITICISM Languages : en Pages : 309
Book Description
This title explores the extent of British fascination with Russian and Soviet culture from the 1880s up to the Soviet Union's entry into the Second World War.
Author: Rebecca Beasley Publisher: Oxford University Press ISBN: 0199660867 Category : Art Languages : en Pages : 326
Book Description
Russia in Britain explores the extent of British fascination with Russian and Soviet culture from the 1880s up to the Soviet Union's entry into the Second World War.
Author: Cynthia Marsh Publisher: Springer Nature ISBN: 3030443337 Category : Performing Arts Languages : en Pages : 399
Book Description
This book tackles questions about the reception and production of translated and untranslated Russian theatre in post-WW2 Britain: why in British minds is Russia viewed almost as a run-of-the-mill production of a Chekhov play. Is it because Chekhov is so dominant in British theatre culture? What about all those other Russian writers? Many of them are very different from Chekhov. A key question was formulated, thanks to a review by Susannah Clapp of Turgenev’s A Month in the Country: have the British staged a ‘Russia of the theatrical mind’?
Author: David Burke Publisher: Bloomsbury Publishing ISBN: 1786733242 Category : History Languages : en Pages : 336
Book Description
The study of Marxism in Britain throws light on what many historians have referred to as `the enemy within'. In this book, David Burke looks at the activities of Russian political emigres in Britain, and in particular the role of one family: the Rothsteins. He looks at the contributions of Theodore and Andrew Rothstein to British Marxism and the response of the intelligence services to what they regarded as a serious threat to security. With access to recently released documents, this book analyses the activities of early-twentieth century British Marxists and brings to life the story of a remarkable family.
Author: Matthew Taunton Publisher: Oxford University Press ISBN: 0192549928 Category : Literary Criticism Languages : en Pages : 304
Book Description
Red Britain sets out a provocative rethinking of the cultural politics of mid-century Britain by drawing attention to the extent, diversity, and longevity of the cultural effects of the Russian Revolution. Drawing on new archival research and historical scholarship, this book explores the conceptual, discursive, and formal reverberations of the Bolshevik Revolution in British literature and culture. It provides new insight into canonical writers including Doris Lessing, George Orwell, Dorothy Richardson, H.G Wells, and Raymond Williams, as well bringing to attention a cast of less-studied writers, intellectuals, journalists, and visitors to the Soviet Union. Red Britain shows that the cultural resonances of the Russian Revolution are more far-reaching and various than has previously been acknowledged. Each of the five chapters takes as its subject one particular problem or debate, and investigates the ways in which it was politicised as a result of the Russian Revolution and the subsequent development of the Soviet state. The chapters focus on the idea of the future; numbers and arithmetic; law and justice; debates around agriculture and landowning; and finally orality, literacy, and religion. In all of these spheres, Red Britain shows how the medievalist, romantic, oral, pastoral, anarchic, and ethical emphases of English socialism clashed with, and were sometimes overwritten by, futurist, utilitarian, literate, urban, statist, and economistic ideas associated with the Bolshevik Revolution.
Author: Andrew Maunder Publisher: Springer ISBN: 1137402008 Category : Performing Arts Languages : en Pages : 303
Book Description
British Theatre and the Great War examines how theatre in its various forms adapted itself to the new conditions of 1914-1918. Contributors discuss the roles played by the theatre industry. They draw on a range of source materials to show the different kinds of theatrical provision and performance cultures in operation not only in London but across parts of Britain and also in Australia and at the Front. As well as recovering lost works and highlighting new areas for investigation (regional theatre, prison camp theatre, troop entertainment, the threat from film, suburban theatre) the book offers revisionist analysis of how the conflict and its challenges were represented on stage at the time and the controversies it provoked. The volume offers new models for exploring the topic in an accessible, jargon-free way, and it shows how theatrical entertainment of the time can be seen as the `missing link’ in the study of First World War writing.
Author: Caroline Maclean Publisher: Edinburgh University Press ISBN: 1474403506 Category : History Languages : en Pages : 240
Book Description
Explores the influence of Russian aesthetics on British modernistsIn what ways was the British fascination with Russian arts, politics and people linked to a renewed interest in the unseen? How did ideas of Russianness and the Russian soul - prompted by the arrival of the Ballets Russes and the rise of revolutionary ideals - attach themselves to the existing British fashion for theosophy, vitalism and occultism? In answering these questions, this study is the first to explore the overlap between Slavophilia and mysticism between 1900 and 1930 in Britain. The main Russian characters that emerge are Fedor Dostoevsky, Boris Anrep, Vasily Kandinsky, Petr Ouspensky and Sergei Eisenstein. The British modernists include Roger Fry, Virginia Woolf, Mary Butts, John Middleton Murry, Michael Sadleir and Katherine Mansfield. Key Features: Draws on unpublished archive material as well as on periodicals, exhibition catalogues, reviews, diaries, fiction and the visual artsAddresses the omission in modernist studies of the importance of Russian aesthetics and Russian discourses of the occult to British modernismChallenges the dominant Western European and transatlantic focus in modernist studies and provides an original contribution to our understanding of new global modernismsCombines literary studies with aesthetics, modernist history, the history of modern esotericism, film history, periodical studies and science studies
Author: Rebecca Beasley
Author: Rebecca Beasley
Author: Rebecca Beasley
Author: Elisaveta Fen
Author: Cynthia Marsh
Author: Olʹga Alekseevna Novikova
Author: David Burke
Author: Josephine M. Guy
Author: Matthew Taunton
Author: Andrew Maunder
Author: Caroline Maclean