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Author: Julian Perlmutter Publisher: Bloomsbury Publishing ISBN: 1350114979 Category : Philosophy Languages : en Pages : 208
Book Description
Many people find sacred choral music profound and deeply evocative, even in societies that seem to be turning away from religious belief. In this book, Julian Perlmutter examines how, in light of its wide appeal, sacred music can have religious significance for people regardless of their religious convictions. By differentiating between doctrinal belief and the desire for God, Perlmutter explores a longing for the spiritual that is compatible with both belief and 'interested non-belief'. He describes how sacred music can elicit this kind of longing, thereby helping the listener to grow in religious openness. The work of Thomas Merton is also analyzed in order to show that musically-elicited desire for God can be incorporated into the Christian practice of contemplative prayer, aimed ultimately at a union of love with God. By exploring connections between desire, knowledge and religious practice, this engaging account illustrates how sacred music can have a transformative effect on one's wider spiritual life. Of particular interest to philosophers and theologians, the book makes a novel contribution to several topics including religious epistemology, the philosophy of emotion and aesthetics.
Author: Julian Perlmutter Publisher: Bloomsbury Publishing ISBN: 1350114979 Category : Philosophy Languages : en Pages : 208
Book Description
Many people find sacred choral music profound and deeply evocative, even in societies that seem to be turning away from religious belief. In this book, Julian Perlmutter examines how, in light of its wide appeal, sacred music can have religious significance for people regardless of their religious convictions. By differentiating between doctrinal belief and the desire for God, Perlmutter explores a longing for the spiritual that is compatible with both belief and 'interested non-belief'. He describes how sacred music can elicit this kind of longing, thereby helping the listener to grow in religious openness. The work of Thomas Merton is also analyzed in order to show that musically-elicited desire for God can be incorporated into the Christian practice of contemplative prayer, aimed ultimately at a union of love with God. By exploring connections between desire, knowledge and religious practice, this engaging account illustrates how sacred music can have a transformative effect on one's wider spiritual life. Of particular interest to philosophers and theologians, the book makes a novel contribution to several topics including religious epistemology, the philosophy of emotion and aesthetics.
Author: Kelly James Clark Publisher: Bloomsbury Publishing ISBN: 1350262188 Category : Religion Languages : en Pages : 233
Book Description
It is widely claimed that notions of gods and religious beliefs are irrelevant or inconsequential to early Chinese (“Confucian”) moral and political thought. Rejecting the claim that religious practice plays a minimal philosophical role, Kelly James Clark and Justin Winslett offer a textual study that maps the religious terrain of early Chinese texts. They analyze the pantheon of extrahumans, from high gods to ancestor spirits, discussing their various representations, as well as examining conceptions of the afterlife and religious ritual. Demonstrating that religious beliefs in early China are both textually endorsed and ritually embodied, this book goes on to show how gods, ancestors and afterlife are philosophically salient. The summative chapter on the role of religious ritual in moral formation shows how religion forms a complex philosophical system capable of informing moral, social, and political conditions.
Author: Brenda A. McGee Publisher: WestBow Press ISBN: 1490847049 Category : Music Languages : en Pages : 64
Book Description
This piano book, for beginners from children to adults, is the first in a series of piano study books. This series is to teach the student hymns and African-American spirituals. It will cover sight-reading and later will help to incorporate the musical knowledge for playing chordally, or by ear. This book is for Christians and non-Christians alike. Those who are not yet Christians may hopefully be led to the knowledge or further knowledge of Jesus Christ through the teachings of Sacred Music. Brenda A. McGee has over forty-five years of teaching piano as well as music composition experience. She graduated from Fiorello LaGuardia High School of Music and Art and the school of Performing Arts in New York City; Mercy College/Westchester Conservatory of Music in Dobbs Ferry, New York; and the California Institute of the Arts (CalArts) in Valencia, California. While a graduate student at CalArts, Ms. McGee created the piano program at the Watts Towers Arts Center, which is still functioning today with one of her former students as one of the piano instructors. Ms. McGee states, "I pray that this book, and all the other piano books in this series be a launching pad for those piano students whom God may purpose for future church musicians and worship leaders in the Christian Church worldwide, part of the body of Christ. This first book is a small beginning, but an extremely important beginning for a young child. "For the adults that are starting with this first book, you may not have started early in childhood, but it is never too late to start learning hymns for piano, as it is never too late to come to Christ." "O God, thou art my God; early will I seek thee." Psalm 63:1a KJV
Author: George Corbett Publisher: Open Book Publishers ISBN: 1783747293 Category : Music Languages : en Pages : 356
Book Description
Our contemporary culture is communicating ever-increasingly through the visual, through film, and through music. This makes it ever more urgent for theologians to explore the resources of art for enriching our understanding and experience of the Judeo-Christian tradition. Annunciations: Sacred Music for the twenty-First Century, edited by George Corbett, answers this need, evaluating the relationship between the sacred and the composition, performance, and appreciation of music. Through the theme of ‘annunciations’, this volume interrogates how, when, why, through and to whom God communicates in the Old and New Testaments. In doing so, it tackles the intimate relationship between Scriptural reflection and musical practice in the past, its present condition, and what the future might hold. Annunciations comprises three parts. Part I sets out flexible theological and compositional frameworks for a constructive relationship between the sacred and music. Part II presents the reflections of theologians and composers involved in collaborating on new pieces of sacred choral music, alongside the six new scores and links to the recordings. Part III considers the reality of programming and performing sacred works today. This volume provides an indispensable resource for scholars and artists working at the interface between theology and the arts, and for those involved in sacred music. However, it will also be of interest to anyone concerned with the ways in which the Divine communicates through word and artistry to humanity.
Author: Andrew Shenton Publisher: Rowman & Littlefield ISBN: 1538148749 Category : Music Languages : en Pages : 373
Book Description
Christian Sacred Music in the Americas explores the richness of Christian musical traditions and reflects the distinctive critical perspectives of the Society for Christian Scholarship in Music. This volume, edited by Andrew Shenton and Joanna Smolko, is a follow-up to SCSM’s Exploring Christian Song and offers a cross-section of the most current and outstanding scholarship from an international array of writers. The essays survey a broad geographical area and demonstrate the enormous diversity of music-making and scholarship within that area. Contributors utilize interdisciplinary methodologies including media studies, cultural studies, theological studies, and different analytical and ethnographical approaches to music. While there are some studies that focus on a single country, musical figure, or region, this is the first collection to represent the vast range of sacred music in the Americas and the different approaches to studying them in context.
Author: Garen L. Wolf Publisher: ISBN: 9780880196086 Category : Church music Languages : en Pages : 396
Book Description
How to determine what music is acceptable to use in worshiping God. Since God created all things, including the formal properties of music (the nuts and bolts of music that make it what it is capable of being), what a musician does with these properties of music makes him responsible to the Creator. The author engages his extensive knowledge of the original meanings of ancient Hebrew, Aramaic and Greek musical terms to address the modern day "worship wars." He examines artistic underpinnings to modern music movements and consider multiple hot topics: -Is all music equal? -Does being "seeker sensitive" trump all other considerations? -Does God have an opinion on what music is used to worship Him? -Is it enough for music to be beautiful? -What makes for acceptable and unacceptable worship music? -Is all modern music to be rejected, or endorsed? -What is the proper priority for hymns, gospel songs, praise choruses and other sacred music? This is not a simple judgment of what is right or wrong, but rather a finely-honed tool to assess how one chooses music, and why.
Author: Lawrence Feingold Publisher: Sapientia Press Ave Maria Univ ISBN: 9781932589542 Category : Religion Languages : en Pages : 0
Book Description
What kind of natural desire is this? How can there be a natural desire for what can only be supernaturally obtained? How can such a desire be reconciled with the gratuitousness of grace and glory? What are its implications for apologetics? These and similar questions have caused a debate to rage for centuries over the proper interpretation of the natural desire to see God. This work seeks to determine the nature of this desire and its relationship with the supernatural order through an examination of the thought of St. Thomas and some of his most prominent interpreters, including Scotus, Cajetan, Suárez, and Henri de Lubac.
Author: Michael Kurek Publisher: Ignatius Press ISBN: 1642290939 Category : Music Languages : en Pages : 231
Book Description
Music remains something of a mystery to many people—ephemeral sounds floating invisibly through the air—here, and then gone. This book begins with the basic question of what music actually is, scientifically, employing simple, clear explanations of wave theory and the acoustics of sound as part of God's natural creation. It presents accessible and fascinating explanations of some theories of the psychology of perception of music, how music speaks to the mind, emotions, and spirit. Some of these concepts have rarely been addressed outside the ivory tower and even more rarely been seen through the lens of Catholic theology. Moving from music and the individual to music in the culture and the Church, the author addresses numerous issues in the context of Catholic thought, including: immanence and transcendence in music the Real Presence and music Moral Theology, Natural Law and music ordered and disordered understandings of music as it relates to the emotions understanding the authentic meanings of "beauty" and "creativity" the real function of music in Catholic liturgy the role of music in evangelization This is a kind of "layman's handbook," a comprehensive theology of all things music, which anyone can understand, written by an internationally respected classical composer and music professor at a top secular university who is also a faithful Catholic. It sheds light on the mysteries of music and furthers the spiritual formation regarding music for Catholics of many ages and walks of life. It is groundbreaking in its comprehensive and holistic treatment of music from a Catholic perspective, and particularly timely in advocating for the renewal of the norms for music in liturgy found in the documents of Vatican II. It also presents one of the most penetrating critical examinations to be found of contemporary classical music, from an insider.
Author: James Hawkey Publisher: Routledge ISBN: 1317126394 Category : Religion Languages : en Pages : 314
Book Description
Taking seriously the practice and not just the theory of music, this ground-breaking collection of essays establishes a new standard for the interdisciplinary conversation between theology, musicology, and liturgical studies. The public making of music in our society happens more often in the context of chapels, churches, and cathedrals than anywhere else. The command to sing and make music to God makes music an essential part of the DNA of Christian worship. The book’s three main parts address questions about the history, the performative contexts, and the nature of music. Its opening four chapters traces how accounts of music and its relation to God, the cosmos, and the human person have changed dramatically through Western history, from the patristic period through medieval, Reformation and modern times. A second section examines the role of music in worship, and asks what—if anything—makes a piece of music suitable for religious use. The final part of the book shows how the serious discussion of music opens onto considerations of time, tradition, ontology, anthropology, providence, and the nature of God. A pioneering set of explorations by a distinguished group of international scholars, this book will be of interest to anyone interested in Christianity’s long relationship with music, including those working in the fields of theology, musicology, and liturgical studies.
Author: Julian Perlmutter
Author: Julian Perlmutter
Author: Kelly James Clark
Author: Brenda A. McGee
Author: George Corbett
Author: Jean Leclercq
Author: Andrew Shenton
Author: Garen L. Wolf
Author: Lawrence Feingold
Author: Michael Kurek
Author: James Hawkey