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Sex and Gender in Pop/Rock Music

Sex and Gender in Pop/Rock Music PDF Author: Walter Everett
Publisher: Bloomsbury Publishing USA
ISBN: 1501345974
Category : Music
Languages : en
Pages : 185

Book Description
Following the 1960's sexual revolution, rock and pop have continued to map the societal understanding of sexuality, feminism, and gender studies. Although scholarship has well established how early rock and roll encouraged and affected issues of sex in the baby boomer generation, this book asks how subsequent pop music has maintained that tradition. The text discusses the gendered performances and biographical experiences of individual musicians, including Patti Smith, Rufus Wainwright, Etta James, and Frank Ocean, and how their invented personae contribute to musical representations of sexuality. It evaluates lyric structure and symbolic language of these artists, and overall emphasizes how pop music, while a commodity art form, reflects the diversity of human sex and gender.

Sex and Gender in Pop/Rock Music

Sex and Gender in Pop/Rock Music PDF Author: Walter Everett
Publisher: Bloomsbury Publishing USA
ISBN: 1501345974
Category : Music
Languages : en
Pages : 185

Book Description
Following the 1960's sexual revolution, rock and pop have continued to map the societal understanding of sexuality, feminism, and gender studies. Although scholarship has well established how early rock and roll encouraged and affected issues of sex in the baby boomer generation, this book asks how subsequent pop music has maintained that tradition. The text discusses the gendered performances and biographical experiences of individual musicians, including Patti Smith, Rufus Wainwright, Etta James, and Frank Ocean, and how their invented personae contribute to musical representations of sexuality. It evaluates lyric structure and symbolic language of these artists, and overall emphasizes how pop music, while a commodity art form, reflects the diversity of human sex and gender.

An Introduction to Sex, Gender, and Sexuality in Pop-rock Music

An Introduction to Sex, Gender, and Sexuality in Pop-rock Music PDF Author: Walter Everett
Publisher:
ISBN: 9781501345999
Category : Gender identity in music
Languages : en
Pages : 0

Book Description
"Focuses on the relationship between music, sex, and gender - with emphasis on contemporary pop music, which has been overlooked in previous related scholarship"--

The Sex Revolts

The Sex Revolts PDF Author: Simon Reynolds
Publisher: Harvard University Press
ISBN: 9780674802735
Category : Music
Languages : en
Pages : 434

Book Description
The first book to look at rock rebellion through the lens of gender, The Sex Revolts captures the paradox at rock's dark heart--the music is often most thrilling when it is most misogynistic and macho. And, looking at music made by female artists, the authors ask: must it always be this way?

Sexing the Groove

Sexing the Groove PDF Author: Sheila Whiteley
Publisher: Routledge
ISBN: 1135105197
Category : Art
Languages : en
Pages : 394

Book Description
Sexing the Groove discusses these issues and many more, bringing together leading music and cultural theorists to explore the relationships between popular music, gender and sexuality. The contributors, who include Mavis Beayton, Stella Bruzzi, Sara Cohen, Sean Cubitt, Keith Negus and Will Straw, debate how popular music performers, subcultures, fans and texts construct and deconstruct `masculine' and `feminine' identities. Using a wide range of case studies, from Mick Jagger to Riot Grrrls, they demonstrate that there is nothing `natural', permanent or immovable about the regime of sexual difference which governs society and culture. Sexing the Groove also includes a comprehensive annotated bibliography for further reading and research into gender and popular music.

The Beatles and Humour

The Beatles and Humour PDF Author: Katie Kapurch
Publisher: Bloomsbury Publishing USA
ISBN: 1501379372
Category : Music
Languages : en
Pages : 281

Book Description
The Beatles are known for cheeky punchlines, but understanding their humor goes beyond laughing at John Lennon's memorable “rattle your jewelry” dig at the Royal Variety Performance in 1963. From the beginning, the Beatles' music was full of wordplay and winks, guided by comedic influences ranging from rhythm and blues, British radio, and the Liverpool pub scene. Gifted with timing and deadpan wit, the band habitually relied on irony, sarcasm, and nonsense. Early jokes revealed an aptitude for improvisation and self-awareness, techniques honed throughout the 1960s and into solo careers. Experts in the art of play, including musical experimentation, the Beatles' shared sense of humor is a key ingredient to their appeal during the 1960s- and to their endurance. The Beatles and Humour offers innovative takes on the serious art of Beatle fun, an instrument of social, political, and economic critique. Chapters also situate the band alongside British and non-British predecessors and collaborators, such as Billy Preston and Yoko Ono, uncovering diverse components and unexpected effects of the Beatles' output.

Dudes Look like Ladies. Analyzing Sex and Gender Issues in Glam Rock

Dudes Look like Ladies. Analyzing Sex and Gender Issues in Glam Rock PDF Author: Lilyana Sharlandzhieva
Publisher: GRIN Verlag
ISBN: 3668458707
Category : Social Science
Languages : en
Pages : 60

Book Description
Heavy music and its subcultures have always been closely related to sex, decadence, and rebellion. Starting with pioneers as The Rolling Stones, Jimmy Hendrix and The Doors in the 1960s, Led Zeppelin, Aerosmith, AC/DC and KISS in the 1970s, they all have had the unifying pursuit of unattached love, musical success, and drugs, thus coining the timeless slogan “sex, drugs and rock ’n’ roll”. Nevertheless, while proclaiming values as personal freedom, sexual liberation, and open-mindedness, the heavy music stays to a greater extent conservative, when it comes to sex and gender issues. Hard rock and all of its forms are considered as “essentially a male form of expression”: there are hardly few women as Patti Smith and Janis Joplin who managed to become “one of the boys” and to reach a cult status in time. In fact, the male connotation in the genre is present over all: starting from the macho look, through the lyrics, actually, the whole rock star attitude. A deviation from this norm embodies glam rock and later glam metal subgenres which beginnings in the 1970s are marked by David Bowie with his high theatricality, the glittering Marc Bolan from T. Rex in the UK and by the controversial Jobriath and New York Dolls, who appeared almost at the same time in the USA. This book analyses various questions, concerning sex, gender and performance in glam rock music using theories from the fields of gender studies, media studies, feminism, and psychoanalysis. The book also discusses the socio-cultural context in which glam rock was born and the colossal shift in sexual politics, which it has brought with itself. Furthermore, the relationship to historical events, postmodern values and consumerism are taken into consideration. From the text: - Glam Rock; - Glam Trouble; - Female and Male Objectification; - Gender Studies; - David Bowie

Gender in the Music Industry

Gender in the Music Industry PDF Author: Marion Leonard
Publisher: Routledge
ISBN: 1351218247
Category : Music
Languages : en
Pages : 258

Book Description
Why, despite the number of high profile female rock musicians, does rock continue to be understood as masculine? Why is rock generally assumed to be created and performed by men? Marion Leonard explores different representations of masculinity offered by, and performed through, rock music, and examines how female rock performers negotiate this gendering of rock as masculine. A major concern of the book is not specifically with men or with women performing rock, but with how notions of gender affect the everyday experiences of all rock musicians within the context of the music industry. Leonard addresses core issues relating to gender, rock and the music industry through a case study of 'female-centred' bands from the UK and US performing so called 'indie rock' from the 1990s to the present day. Using original interview material with both amateur and internationally renowned musicians, the book further addresses the fact that the voices of musicians have often been absent from music industry studies. Leonard's central aim is to progress from feminist scholarship that has documented and explored the experience of female musicians, to presenting an analytic discussion of gender and the music industry. In this way, the book engages directly with a number of under-researched areas: the impact of gender on the everyday life of performing musicians; gendered attitudes in music journalism, promotion and production; the responses and strategies developed by female performers; the feminist network riot grrrl and the succession of international festivals it inspired under the name of Ladyfest.

Popular Musicology and Identity

Popular Musicology and Identity PDF Author: Kai Arne Hansen
Publisher: Routledge
ISBN: 042983764X
Category : Music
Languages : en
Pages : 214

Book Description
Popular Musicology and Identity paves new paths for studying popular music’s entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. The book consists of original essays in honour of Stan Hawkins, whose work has been a major influence on the musicological study of gender and identity since the early 1990s. In the new millennium, musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. Reflecting this plurality, the book reaches into a range of musical contexts, eras, and idioms to critically investigate the discursive structures that govern the processes through which music is mobilised as a focal point for negotiating and assessing identity. With contributions from leading scholars in the field, Popular Musicology and Identity accounts for the state of popular musicology at the onset of the 2020s while also offering a platform for the further advancement of the critical study of popular music and identity. This collection of essays thus provides an up-to-date resource for scholars across fields such as popular music studies, musicology, gender studies, and media studies.

Reader's Guide to Lesbian and Gay Studies

Reader's Guide to Lesbian and Gay Studies PDF Author: Timothy Murphy
Publisher: Routledge
ISBN: 1135942412
Category : Reference
Languages : en
Pages : 762

Book Description
The Reader's Guide to Lesbian and Gay Studies surveys the field in some 470 entries on individuals (Adrienne Rich); arts and cultural studies (Dance); ethics, religion, and philosophical issues (Monastic Traditions); historical figures, periods, and ideas (Germany between the World Wars); language, literature, and communication (British Drama); law and politics (Child Custody); medicine and biological sciences (Health and Illness); and psychology, social sciences, and education (Kinsey Report).

Heavy Metal, Gender and Sexuality

Heavy Metal, Gender and Sexuality PDF Author: Florian Heesch
Publisher: Routledge
ISBN: 1317122984
Category : Music
Languages : en
Pages : 306

Book Description
Heavy Metal, Gender and Sexuality brings together a collection of original, interdisciplinary, critical essays exploring the negotiated place of gender and sexuality in heavy metal music and its culture. Scholars debate the current state of play concerning masculinities, femininities, queerness, identity aesthetics and monstrosities in an area of music that is sometimes mistakenly treated as exclusively sustaining a masculinist hegemony. The book combines a broad variety of perspectives on the main topic, regarding gender in connection to: the history of the genre; the range of metal subgenres; heavy metal's multidimensional scope (music, lyrics, performance, style, illustrations); men and women; sexualities and various local and global perspectives. Heavy Metal, Gender and Sexuality is a text that opens up the world of heavy metal to reveal that it is a very diverse and ground-breaking stage where gender play is at the centre of its theatricality and sustains its mass appeal.