Solos for Flute, Collection 7: Melodies by Women Composers PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Solos for Flute, Collection 7: Melodies by Women Composers PDF full book. Access full book title Solos for Flute, Collection 7: Melodies by Women Composers by CLARK KIMBERLING. Download full books in PDF and EPUB format.
Author: CLARK KIMBERLING Publisher: Mel Bay Publications ISBN: 1619111578 Category : Music Languages : en Pages : 52
Book Description
The solos in this book are all based on melodies composed by women. They are especially well suited to performance on the flute, and they provide excellent material for developing skills in rapid tonguing, extended breath-control, and phrasing. Three of the world's most famous melodies are here: Mildred Hill's Happy Birthday (originally Good Morning to You), Euphemia Allens' Chopsticks (originally the Celebrated Chop Waltz), and Effie Corckett's Rock-a-Bye, Baby. Less well known delights include Faustina Hodges' Because I'm Twenty-Five and Florence Percy's Fly Away, as well as Amanda Aldridge's Dance of the Warriors and the list goes on and on. A separate recorder edition is available.
Author: CLARK KIMBERLING Publisher: Mel Bay Publications ISBN: 1619111578 Category : Music Languages : en Pages : 52
Book Description
The solos in this book are all based on melodies composed by women. They are especially well suited to performance on the flute, and they provide excellent material for developing skills in rapid tonguing, extended breath-control, and phrasing. Three of the world's most famous melodies are here: Mildred Hill's Happy Birthday (originally Good Morning to You), Euphemia Allens' Chopsticks (originally the Celebrated Chop Waltz), and Effie Corckett's Rock-a-Bye, Baby. Less well known delights include Faustina Hodges' Because I'm Twenty-Five and Florence Percy's Fly Away, as well as Amanda Aldridge's Dance of the Warriors and the list goes on and on. A separate recorder edition is available.
Author: CLARK KIMBERLING Publisher: Mel Bay Publications ISBN: 1619111004 Category : Music Languages : en Pages : 52
Book Description
The solos in this book are all based on melodies composed by women. They are especially well suited to performance on the soprano recorder, and they provide excellent material for developing skills in rapid tonguing, extended breath-control, phrasing, and the playing of high notes. Although arranged primarily for soprano recorder, most of these solos can be played on tenor or alto recorder. (On the alto, use "C" fingerings.) Three of the world's most famous melodies are here: Mildred Hill's "Happy Birthday" (originally "Good Morning to You"), Euphemia Allens' "Chopsticks" (originally "The Celebrated Chop Waltz"), and Effie Corckett's "Rock-a-Bye, Baby." Less well known delights include Faustina Hodges' "Because I'm Twenty-Five" and Florence Percy's "Fly Away," as well as Amanda Aldridge's "Dance of the Warriors"-and the list goes on and on. A separate flute edition is available.
Author: H Alais Boenke Publisher: Bloomsbury Publishing USA ISBN: 0313368317 Category : Music Languages : en Pages : 217
Book Description
For the flutist wishing to perform music composed by women, this annotated catalog will come as a most welcome addition to the numerous flute bibliographies now available. Boenke has spent four years gleaning all possible sources to come up with several hundred listings of composers from three centuries and 40 different countries. When the information is available, she lists publisher and the OCLC system record number after the routinely listed title and instrumentation. In addition to the alphabetical listing are indexes for instrumentation, title, publisher, and composer. A short list of sources is heavy on LC and NUC catalogs as well as the several standard sources on women in music. This volume could serve as an example for instrument-specific music bibliographies. For flutists it is priceless. Choice This book, an alphabetical listing of flute music by women composers, provides ready access to flute music that is published or available in manuscript form. Unlike any previous handbook of the flute repertoire, it is devoted entirely to the works of women, the vast majority of whom are not mentioned in the standard catalogs of flute literature. A carefully compiled study, the volume examines the quantity, variety, and scope of women's work in this genre and includes composers from more than forty countries, spanning three centuries. It contains works for solo flute, duets, flute and piano, concertos, woodwind quintets, other chamber ensembles, or any work that employs soloistic use of the flute. It also provides biographical information on the composers, publishers, availability of works, and annotations on the works themselves. All compositions are indexed by title and by instrumentation, and publishers and contemporary composers are listed with current addresses, to facilitate the ordering of music. The first published volume of its kind, this unusual work will draw attention to valuable and unknown repertoire in this genre and provide the opportunity for women's works to be heard more often. It will be useful in all university music libraries and conservatories, and it will be a valuable resource for professional flutists, teachers of flute, and researcher in women's studies.
Author: Leslie Anne Harrison Publisher: Mel Bay Publications ISBN: 1513477455 Category : Music Languages : en Pages : 141
Book Description
Volume III of Playing Outside the Lines is the third of a comprehensive four-part Irish flute method book series offering beginning to advanced Irish traditional flute instruction for Boehm and simple system flutists in graduated books, chapters, and exercises. Building on the foundation provided in the first two books of the series, Volume III dives into more complicated Irish traditional flute ornamentation such as rolls, short rolls, crans, and breath-ornament techniques. Volume III contains ornamentation fingering charts; advanced ornamentation options, explanations, and placement guidelines; 62 accompanying audio tracks; and more than 170 exercises. Playing Outside the Lines is the first Irish flute method book series of its kind, containing more than 600 technical exercises, rich and nuanced discussions of Irish flute style and cultural context, previously undocumented techniques, side-by-side explanations for Boehm and simple system flutists (as well as information for musicians transitioning between the two instruments), audio excerpts, simple system flute care and purchasing information, and resources for further study. By the end of the four-part series, Boehm and simple system flutists of any background will have the tools necessary to play Irish music with a deep understanding of the tradition as well as with individual creativity. “A fantastic bible of Irish flute playing. Harrison is a very meticulous and thorough author.” —Viviana Guzman, The Flute View Magazine “An invaluable resource for any flutist.” —Brook Ferguson, Principal Flutist of the Colorado Symphony Orchestra “Leslie Anne Harrison’s Playing Outside the Lines is a marvelous gift to all interested in Irish music. Her clear and detailed writing is a huge boon to those embracing the traditional Irish flute and is truly enlightening to those (like me) who want to delve into this music while playing the Boehm flute. From tiniest detail to largest form, Leslie Anne Harrison is there every step of the way. Playing Outside the Lines is a major contribution to flute pedagogy.” —Robert Dick, Performer and Author of The Other Flute
Author: Publisher: ABC-CLIO ISBN: 0313260192 Category : Music Languages : en Pages : 217
Book Description
For the flutist wishing to perform music composed by women, this annotated catalog will come as a most welcome addition to the numerous flute bibliographies now available. Boenke has spent four years gleaning all possible sources to come up with several hundred listings of composers from three centuries and 40 different countries. When the information is available, she lists publisher and the OCLC system record number after the routinely listed title and instrumentation. In addition to the alphabetical listing are indexes for instrumentation, title, publisher, and composer. A short list of sources is heavy on LC and NUC catalogs as well as the several standard sources on women in music. This volume could serve as an example for instrument-specific music bibliographies. For flutists it is priceless. Choice This book, an alphabetical listing of flute music by women composers, provides ready access to flute music that is published or available in manuscript form. Unlike any previous handbook of the flute repertoire, it is devoted entirely to the works of women, the vast majority of whom are not mentioned in the standard catalogs of flute literature. A carefully compiled study, the volume examines the quantity, variety, and scope of women's work in this genre and includes composers from more than forty countries, spanning three centuries. It contains works for solo flute, duets, flute and piano, concertos, woodwind quintets, other chamber ensembles, or any work that employs soloistic use of the flute. It also provides biographical information on the composers, publishers, availability of works, and annotations on the works themselves. All compositions are indexed by title and by instrumentation, and publishers and contemporary composers are listed with current addresses, to facilitate the ordering of music. The first published volume of its kind, this unusual work will draw attention to valuable and unknown repertoire in this genre and provide the opportunity for women's works to be heard more often. It will be useful in all university music libraries and conservatories, and it will be a valuable resource for professional flutists, teachers of flute, and researcher in women's studies.
Author: Publisher: Greenwood ISBN: 0313260192 Category : Music Languages : en Pages : 0
Book Description
For the flutist wishing to perform music composed by women, this annotated catalog will come as a most welcome addition to the numerous flute bibliographies now available. Boenke has spent four years gleaning all possible sources to come up with several hundred listings of composers from three centuries and 40 different countries. When the information is available, she lists publisher and the OCLC system record number after the routinely listed title and instrumentation. In addition to the alphabetical listing are indexes for instrumentation, title, publisher, and composer. A short list of sources is heavy on LC and NUC catalogs as well as the several standard sources on women in music. This volume could serve as an example for instrument-specific music bibliographies. For flutists it is priceless. Choice This book, an alphabetical listing of flute music by women composers, provides ready access to flute music that is published or available in manuscript form. Unlike any previous handbook of the flute repertoire, it is devoted entirely to the works of women, the vast majority of whom are not mentioned in the standard catalogs of flute literature. A carefully compiled study, the volume examines the quantity, variety, and scope of women's work in this genre and includes composers from more than forty countries, spanning three centuries. It contains works for solo flute, duets, flute and piano, concertos, woodwind quintets, other chamber ensembles, or any work that employs soloistic use of the flute. It also provides biographical information on the composers, publishers, availability of works, and annotations on the works themselves. All compositions are indexed by title and by instrumentation, and publishers and contemporary composers are listed with current addresses, to facilitate the ordering of music. The first published volume of its kind, this unusual work will draw attention to valuable and unknown repertoire in this genre and provide the opportunity for women's works to be heard more often. It will be useful in all university music libraries and conservatories, and it will be a valuable resource for professional flutists, teachers of flute, and researcher in women's studies.
Author: Clark Kimberling Publisher: Mel Bay Publications ISBN: 1609744136 Category : Music Languages : en Pages : 49
Book Description
For advanced soprano recorder or intermediate flute: 41 arrangements based on spirituals, folk songs, dance tunes, and melodies by African-American composers, plus five solos composed for this collection. Composers include Basile Barès, A. J. R. Conner, Henry Hart, Francis Johnson, and J. W. Postlewaite. Old favorites include Banyan Tree, Carry Me Back to Old Virginny, Doctor Bird, Down by the Riverside, and Ev'ry Time I Feel the Spirit. Includes fingering chart for high notes, performance notes, and suggestions for use with sound system and/or percussion. Supported by Internet-accessible melody-specific Historical Notes for all the solos.
Author: CLARK KIMBERLING Publisher: Mel Bay Publications ISBN: 1609745108 Category : Music Languages : en Pages : 48
Book Description
A unique collection for the flute: 46 full-page solos, including arrangements of spirituals, folk songs, dance tunes, and melodies by African-American composers, plus five solos composed for this collection. Includes melodies by Basile Barès, A. J. R. Conner, Henry Hart, J. W. Postlewaite. Features previously unpublished solo by renowned Philadpelphia musician Francis Johnson, the earliest known composition by an African-American, dating from 1815. Favorites include Amen, Banyan Tree, Doctor Bird, and Ev'ry Time I Feel the Spirit. Supported by Internet-accessible melody-specific Historical Notes.Forty-six full-page solos for flute Arrangements of melodies by America's best known composers of African descent, as well as traditional melodies Internet-based melody-specific Historical Notes
Author: Helen Walker-Hill Publisher: Center for Black Music Rsrch ISBN: 9780929911045 Category : African American women composers Languages : en Pages : 128
Author: Laurel Parsons Publisher: Oxford University Press ISBN: 0190236868 Category : Music Languages : en Pages : 257
Book Description
This volume is the first to appear in a four-volume series devoted to the work of women composers across Western art music. Each chapter opens with a brief biographical sketch of the composer before presenting an in-depth exploration of a single representative composition, linking analytical observations with questions of meaning and content. Chapters are grouped thematically into three sections, each of which places the analytical methods used in the essays into the context of late twentieth-century ideas and trends.
Author: CLARK KIMBERLING
Author: CLARK KIMBERLING
Author: CLARK KIMBERLING
Author: H Alais Boenke
Author: Leslie Anne Harrison
Author: 
Author: 
Author: Clark Kimberling
Author: CLARK KIMBERLING
Author: Helen Walker-Hill
Author: Laurel Parsons