Songs from the Edge of Japan: Music-making in Yaeyama and Okinawa PDF Download
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Author: Matt Gillan Publisher: Routledge ISBN: 1317052633 Category : Music Languages : en Pages : 240
Book Description
Since the early 1990s, Okinawan music has experienced an extraordinary boom in popularity throughout Japan. Musicians from this island prefecture in the very south of Japan have found success as performers and recording artists, and have been featured in a number of hit films and television dramas. In particular, the Yaeyama region in the south of Okinawa has long been known as a region rich in performing arts, and Yaeyaman musicians such as BEGIN, Daiku Tetsuhiro, and Natsukawa Rimi have been at the forefront of the recent Okinawan music boom. This popularity of Okinawan music represents only the surface of a diverse and thriving musical culture within modern-day Yaeyama. Traditional music continues to be an important component of traditional ritual and social life in the islands, while Yaeyama's unique geographical and cultural position at the very edge of Japan have produced varied discourses surrounding issues such as tradition versus modernity, preservation, and cultural identity. Songs from the Edge of Japan explores some of the reasons for the high profile of Yaeyaman music in recent years, both inside and outside Yaeyama. Drawing on extensive ethnographic fieldwork carried out since 2000, the book uses interviews, articles from the popular media, musical and lyrical analysis of field and commercial recordings, as well as the author's experiences as a performer of Yaeyaman and Okinawan music, to paint a picture of what it means to perform Yaeyaman music in the 21st century.
Author: Matt Gillan Publisher: Routledge ISBN: 1317052633 Category : Music Languages : en Pages : 240
Book Description
Since the early 1990s, Okinawan music has experienced an extraordinary boom in popularity throughout Japan. Musicians from this island prefecture in the very south of Japan have found success as performers and recording artists, and have been featured in a number of hit films and television dramas. In particular, the Yaeyama region in the south of Okinawa has long been known as a region rich in performing arts, and Yaeyaman musicians such as BEGIN, Daiku Tetsuhiro, and Natsukawa Rimi have been at the forefront of the recent Okinawan music boom. This popularity of Okinawan music represents only the surface of a diverse and thriving musical culture within modern-day Yaeyama. Traditional music continues to be an important component of traditional ritual and social life in the islands, while Yaeyama's unique geographical and cultural position at the very edge of Japan have produced varied discourses surrounding issues such as tradition versus modernity, preservation, and cultural identity. Songs from the Edge of Japan explores some of the reasons for the high profile of Yaeyaman music in recent years, both inside and outside Yaeyama. Drawing on extensive ethnographic fieldwork carried out since 2000, the book uses interviews, articles from the popular media, musical and lyrical analysis of field and commercial recordings, as well as the author's experiences as a performer of Yaeyaman and Okinawan music, to paint a picture of what it means to perform Yaeyaman music in the 21st century.
Author: Matt Gillan Publisher: Routledge ISBN: 1317052625 Category : Music Languages : en Pages : 239
Book Description
Since the early 1990s, Okinawan music has experienced an extraordinary boom in popularity throughout Japan. Musicians from this island prefecture in the very south of Japan have found success as performers and recording artists, and have been featured in a number of hit films and television dramas. In particular, the Yaeyama region in the south of Okinawa has long been known as a region rich in performing arts, and Yaeyaman musicians such as BEGIN, Daiku Tetsuhiro, and Natsukawa Rimi have been at the forefront of the recent Okinawan music boom. This popularity of Okinawan music represents only the surface of a diverse and thriving musical culture within modern-day Yaeyama. Traditional music continues to be an important component of traditional ritual and social life in the islands, while Yaeyama's unique geographical and cultural position at the very edge of Japan have produced varied discourses surrounding issues such as tradition versus modernity, preservation, and cultural identity. Songs from the Edge of Japan explores some of the reasons for the high profile of Yaeyaman music in recent years, both inside and outside Yaeyama. Drawing on extensive ethnographic fieldwork carried out since 2000, the book uses interviews, articles from the popular media, musical and lyrical analysis of field and commercial recordings, as well as the author's experiences as a performer of Yaeyaman and Okinawan music, to paint a picture of what it means to perform Yaeyaman music in the 21st century.
Author: David Novak Publisher: Duke University Press Books ISBN: 9780822353799 Category : Music Languages : en Pages : 0
Book Description
Noise, an underground music made through an amalgam of feedback, distortion, and electronic effects, first emerged as a genre in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe, and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational audience. For its scattered listeners, Noise always seems to be new and to come from somewhere else: in North America, it was called "Japanoise." But does Noise really belong to Japan? Is it even music at all? And why has Noise become such a compelling metaphor for the complexities of globalization and participatory media at the turn of the millennium? In Japanoise, David Novak draws on more than a decade of research in Japan and the United States to trace the "cultural feedback" that generates and sustains Noise. He provides a rich ethnographic account of live performances, the circulation of recordings, and the lives and creative practices of musicians and listeners. He explores the technologies of Noise and the productive distortions of its networks. Capturing the textures of feedback—its sonic and cultural layers and vibrations—Novak describes musical circulation through sound and listening, recording and performance, international exchange, and the social interpretations of media.
Author: Liza Crihfield Publisher: Tuttle Publishing ISBN: 1462918107 Category : Poetry Languages : en Pages : 110
Book Description
This book of Japanese poetry and lyrics explores a little-known style of Japanese song called Ko-Uta. A Ko-Uta is translated as "little song" in Japanese. Unfamiliar to most Westerners, ko-uta are particularly in tune with the tradition of Japan's Edo-era merchants. Some ko-uta are aesthetic, many are earthy. Ko-uta are sung to the accompaniment of the shamisen—a traditional, three-stringed Japanese lute. Ko-uta come to life when they are sung, and the best example of where they live is in the geisha world. To help give some idea of the geisha world, this Japanese music book has provided a complete score of one song. Readers with some experience with haiku and other forms of Japanese poetry will find that ko-uta share many things with those forms. Yet, ko-uta retain their own unique interest, making this book a fascinating addition to any collection of Japanese literature or art.
Author: Soeda Azembo Publisher: Routledge ISBN: 1135784647 Category : Political Science Languages : en Pages : 336
Book Description
A Life Adrift, the memoir of balladeer-political activist Soeda Azembo (1872-1944), chronicles his life as one of Japan’s first modern mass entertainers and imparts an understanding of how ordinary people experienced and accommodated the tumult of life in prewar Japan. Azembo created enka songs sung by tenant farmers in rural hinterlands and factory hands in Tokyo and Osaka. Although his work is still largely unknown outside Japan, his poems and lyrics were so well known at his career’s peak that a single verse served as shorthand expressing popular attitudes about political corruption, sex scandals, spiralling prices, war, and love of motherland. As these categories attest, he embedded in his songs contemporary views on class conflict, gender relations, and racial attitudes toward international rivals. Ordinary people valued Azembo’s music because it was of them and for them. They also appreciated it for being distinctively modern and home-grown, qualities rare among the cultural innovations that flooded into Japan from the mid-nineteenth century. A Life Adrift stands out as the only memoir of its kind, one written first-hand by a leader in the world of enka singing.
Author: Christine Yano Publisher: BRILL ISBN: 1684173620 Category : Music Languages : en Pages : 277
Book Description
Enka, a sentimental ballad genre, epitomizes for many the nihonjin no kokoro (heart/soul of Japanese). To older members of the Japanese public, who constitute enka’s primary audience, this music—of parted lovers, long unseen rural hometowns, and self-sacrificing mothers—evokes a direct connection to the traditional roots of “Japaneseness.” Overlooked in this emotional invocation of the past, however, are the powerful commercial forces that, since the 1970s, have shaped the consumption of enka and its version of national identity. Informed by theories of nostalgia, collective memory, cultural nationalism, and gender, this book draws on the author’s extensive fieldwork in probing the practice of identity-making and the processes at work when Japan becomes “Japan.”
Author: Tom Coffman Publisher: University of Hawaii Press ISBN: Category : History Languages : en Pages : 446
Book Description
In his most challenging work to date, journalist and author Tom Coffman offers readers a new and much-needed political narrative of twentieth-century Hawai'i. The Island Edge of America reinterprets the major events leading up to and following statehood in 1959: U.S. annexation of the Hawaiian kingdom, the wartime crisis of the Japanese-American community, post-war labor organization, the Cold War, the development of Hawai'i's legendary Democratic Party, the rise of native Hawaiian nationalism. His account weaves together the threads of multicultural and transnational forces that have shaped the Islands for more than a century, looking beyond the Hawai'i carefully packaged for the tourist to the Hawai'i of complex and conflicting identities - independent kingdom, overseas colony, U.S. state, indigenous nation - a wonderfully rich, diverse, and at times troubled place. With a sure grasp of political history and culture based on decades of firsthand archival research, Tom Coffman takes Hawai'i's story into the twentieth century and in the process sheds new light on America's island edge.
Author: Toru Mitsui Publisher: Bloomsbury Publishing USA ISBN: 1501363875 Category : Music Languages : en Pages : 227
Book Description
Popular music in Japan has been under the overwhelming influence of American, Latin American and European popular music remarkably since 1945, when Japan was defeated in World War II. Beginning with gunka and enka at the turn of the century, tracing the birth of hit songs in the record industry in the years preceding the War, and ranging to the adoption of Western genres after the War--the rise of Japanese folk and rock, domestic exoticism as a new trend and J-Pop--Popular Music in Japan is a comprehensive discussion of the evolution of popular music in Japan. In eight revised and updated essays written in English by renowned Japanese scholar Toru Mitsui, this book tells the story of popular music in Japan since the late 19th century when Japan began positively embracing the West.
Author: Matt Gillan
Author: Matt Gillan
Author: Matt Gillan
Author: David Novak
Author: Liza Crihfield
Author: Soeda Azembo
Author: 
Author: Christine Yano
Author: Tom Coffman
Author: 
Author: Toru Mitsui