Stunting in the Cinema PDF Download

Author: Arthur Wise
Publisher: London : Constable
ISBN:
Category : Performing Arts
Languages : en
Pages : 274

View

Book Description

Author: James Kendrick
Publisher: John Wiley & Sons
ISBN: 1119100496
Category : Performing Arts
Languages : en
Pages : 508

View

Book Description
An authoritative guide to the action-packed film genre With 24 incisive, cutting-edge contributions from esteemed scholars and critics, A Companion to the Action Filmprovides an authoritative and in-depth guide to this internationally popular and wide-ranging genre. As the first major anthology on the action film in more than a decade, the volume offers insights into the genre’s historical development, explores its production techniques and visual poetics, and provides reflections on the numerous social, cultural, and political issues it has and continues to embody. A Companion to the Action Film offers original research and critical analysis that examines the iconic characteristics of the genre, its visual aesthetics, and its narrative traits; considers the impact of major directors and stars on the genre’s evolution; puts the action film in dialogue with various technologies and other forms of media such as graphic novels and television; and maps out new avenues of critical study for the future. This important resource: Offers a definitive guide to the action film Contains insightful contributions from a wide range of international film experts and scholars Reviews the evolution of the genre from the silent era to today’s age of digital blockbusters Offers nuanced commentary and analysis of socio-cultural issues such as race, nationality, and gender in action films Written for scholars, teachers and students in film studies, film theory, film history, genre studies, and popular culture, A Companion to the Action Film is an essential guide to one of international cinema’s most important, popular, and influential genres.

Author: Gene Scott Freese
Publisher: McFarland
ISBN: 0786476435
Category : Performing Arts
Languages : en
Pages : 355

View

Book Description
This biographical dictionary shines the spotlight on several hundred unheralded stunt performers who created some of the cinema's greatest action scenes without credit or recognition. The time period covered encompasses the silent comedy days of Buster Keaton and Harold Lloyd, the early westerns of Tom Mix and John Wayne, the swashbucklers of Douglas Fairbanks, Errol Flynn, and Burt Lancaster, the costume epics of Charlton Heston and Kirk Douglas, and the action films of Steve McQueen, Clint Eastwood, and Charles Bronson. Without stuntmen and women working behind the scenes the films of these action superstars would not have been as successful. Now fantastic athletes and leading stunt creators such as Yakima Canutt, Richard Talmadge, Harvey Parry, Allen Pomeroy, Dave Sharpe, Jock Mahoney, Chuck Roberson, Polly Burson, Bob Morgan, Loren Janes, Dean Smith, Hal Needham, Martha Crawford, Ronnie Rondell, Terry Leonard, and Bob Minor are given their proper due. Each entry covers the performer's athletic background, military service, actors doubled, noteworthy stunts, and a rundown of his or her best known screen credits.

Author: John Baxter
Publisher: Doubleday Books
ISBN: 9780385065207
Category : Juvenile Nonfiction
Languages : en
Pages : 326

View

Book Description
The story of the men and women whose daring stunts have thrilled Hollywood's audiences - from the slapstick of the Keystone Kops to the present.

Author: Rosie Thomas
Publisher: SUNY Press
ISBN: 143845676X
Category : Performing Arts
Languages : en
Pages : 347

View

Book Description
Traces the development of Indian cinema from the 1920s to the mid-1990s, before “Bollywood” erupted onto the world stage. Bombay before Bollywood offers a fresh, alternative look at the history of Indian cinema. Avoiding the conventional focus on India’s social and mythological films, Rosie Thomas examines the subaltern genres of the “magic and fighting films”—the fantasy, costume, and stunt films popular in the decades before and immediately after independence. She explores the influence of this other cinema on the big-budget masala films of the 1970s and 1980s, before “Bollywood” erupted onto the world stage in the mid-1990s. Thomas focuses on key moments in this hidden history, including the 1924 fairy fantasy Gul-e-Bakavali; the 1933 talkie Lal-e-Yaman; the exploits of stunt queen Fearless Nadia; the magical neverlands of Hatimtai and Aladdin and the Wonderful Lamp; and the 1960s stunt capers Zimbo and Khilari. She includes a detailed ethnographic account of the Bombay film industry of the early 1980s, centering on the beliefs and fantasies of filmmakers themselves with regard to filmmaking and film audiences, and on-the-ground operations of the industry. A welcome addition to the fields of film studies and cultural studies, the book will also appeal to general readers with an interest in Indian cinema. “In this powerful account, Rosie Thomas opens out filmic artifacts to an array of dazzling reflections shedding new light on the movement and circulation of popular culture in India. With a remarkable body of research conducted over a period of time, Bombay before Bollywood decisively challenges certain assumptions about India, its cinemas, and its audiences.” — Ranjani Mazumdar, author of Bombay Cinema: An Archive of the City “This is the archaeology of media performed with intellect, wit, and passion. Rosie Thomas pioneered this field and she remains its most brilliantly iridescent critic and advocate. If only all film studies were this revelatory and this enjoyable!” — Christopher Pinney, author of Camera Indica: The Social Life of Indian Photographs “Rosie Thomas’s body of research over the last twenty-five years has set up key discourses in the study of Indian popular cinema. This book brings together her pioneering fieldwork into film industry categories and practices, and her more recent bid to resurrect a history made well-nigh clandestine by official narratives: the significance of Arabian Nights fantasies, stunt films, and visceral attractions in Bombay cinema. Pleasurably crafted and provocatively argued, Bombay before Bollywood is an important intervention in Indian and world cinema studies.” — Ravi Vasudevan, author of The Melodramatic Public: Film Form and Spectatorship in Indian Cinema

Author: Jennifer M. Bean
Publisher: Duke University Press
ISBN: 0822383845
Category : Performing Arts
Languages : en
Pages : 593

View

Book Description
A Feminist Reader in Early Cinema marks a new era of feminist film scholarship. The twenty essays collected here demonstrate how feminist historiographies at once alter and enrich ongoing debates over visuality and identification, authorship, stardom, and nationalist ideologies in cinema and media studies. Drawing extensively on archival research, the collection yields startling accounts of women's multiple roles as early producers, directors, writers, stars, and viewers. It also engages urgent questions about cinema's capacity for presenting a stable visual field, often at the expense of racially, sexually, or class-marked bodies. While fostering new ways of thinking about film history, A Feminist Reader in Early Cinema illuminates the many questions that the concept of "early cinema" itself raises about the relation of gender to modernism, representation, and technologies of the body. The contributors bring a number of disciplinary frameworks to bear, including not only film studies but also postcolonial studies, dance scholarship, literary analysis, philosophies of the body, and theories regarding modernism and postmodernism. Reflecting the stimulating diversity of early cinematic styles, technologies, and narrative forms, essays address a range of topics—from the dangerous sexuality of the urban flâneuse to the childlike femininity exemplified by Mary Pickford, from the Shanghai film industry to Italian diva films—looking along the way at birth-control sensation films, French crime serials, "war actualities," and the stylistic influence of art deco. Recurring throughout the volume is the protean figure of the New Woman, alternately garbed as childish tomboy, athletic star, enigmatic vamp, languid diva, working girl, kinetic flapper, and primitive exotic. Contributors. Constance Balides, Jennifer M. Bean, Kristine Butler, Mary Ann Doane, Lucy Fischer, Jane Gaines, Amelie Hastie, Sumiko Higashi, Lori Landay, Anne Morey, Diane Negra, Catherine Russell, Siobhan B. Somerville, Shelley Stamp, Gaylyn Studlar, Angela Dalle Vacche, Radha Vatsal, Kristen Whissel, Patricia White, Zhang Zhen

Author: George Rehrauer
Publisher: New York : Macmillan
ISBN:
Category : Performing Arts
Languages : en
Pages : 1000

View

Book Description

Author: Robert Armour
Publisher: Greenwood
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 286

View

Book Description
Product information not available.

Author: Chris Watson
Publisher: BearManor Media
ISBN:
Category : Performing Arts
Languages : en
Pages : 244

View

Book Description
Martial arts actresses, cult Heroes, and stuntwomen—badass women both on and off screen—discuss with author Chris Watson the challenges they’ve faced in their different career paths as cinema’s toughest ladies. This eclectic group of international actresses includes Cheng Pei Pei (Come Drink with Me), Yukari Oshima (Outlaw Brothers), Marrie Lee (They Call Her…Cleopatra Wong), Cynthia Rothrock (Yes, Madam), Catherine Mary Stewart (Night of the Comet), Betsy Russell (Avenging Angel), stuntwoman Sophia Crawford (Buffy The Vampire Slayer), stuntwoman Diana Lee Inosanto (The Sensei), Patricia Tallman (Night of the Living Dead), Rebekah Brandes (Bellflower), Laurene Landon (Maniac Cop, Hundra), Bridgett “Baby Doll” Riley (stuntwoman), and Chris Yen (Give ‘em Hell Malone). Introduction by Steve Carver (director of The Arena and Lone Wolf McQuade). 233 pages. Illustrated. About the author: Chris Watson is an award-winning filmmaker of several internationally distributed films. He has also written for Black Belt Magazine, Inside Kung-Fu Magazine, Classic Images, Paracinema Magazine, B-Independent, Strictly Splatter, East Side Boxing, and numerous other magazines and websites. He has also co-written or contributed to several other books, including Reflections on Blaxploitation, Dwarfsploitation, Joe Estevez: Wiping Off the Sheen, Dirty Talk: Conversations with Porn Stars, and Gods of Grindhouse. "An engaging read that provides an intimate look into the lives, careers, triumphs, and heartbreaks of some of cinema's toughest ladies." -- Jordan Garren, The B Movie Vault

Author: George Rehrauer
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 496

View

Book Description