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Author: Kiene Brillenburg Wurth Publisher: Fordham Univ Press ISBN: 0823230651 Category : Philosophy Languages : en Pages : 234
Book Description
Musically Sublime rewrites musically the history and philosophy of the sublime. Music enables us to reconsider the traditional course of sublime feeling on a track from pain to pleasure. Resisting the notion that there is a single format for sublime feeling, Wurth shows how, from the mid eighteenth century onward, sublime feeling is, instead, constantly rearticulated in a complex interaction with musicality. Wurth takes as her point of departure Immanuel Kant's Critique of Judgment and Jean-François Lyotard's aesthetic writings of the 1980s and 1990s. Kant framed the sublime narratively as an epic of self-transcendence. By contrast, Lyotard sought to substitute open immanence for Kantian transcendence, yet he failed to deconstruct the Kantian epic. The book performs this deconstruction by juxtaposing eighteenth- and nineteenth-century conceptions of the infinite, Sehnsucht, the divided self, and unconscious drives with contemporary readings of instrumental music. Critically assessing Edmund Burke, James Usher, E.T.A. Hoffmann, Novalis, Friedrich Hölderlin, Arthur Schopenhauer, Richard Wagner, and Friedrich Nietzsche, this book re-presents the sublime as a feeling that defers resolution and hangs suspended between pain and pleasure. Musically Sublime rewrites the mathematical sublime as différance, while it redresses the dynamical sublime as trauma: unending, undetermined, unresolved. Whereas most musicological studies in this area have focused on traces of the Kantian sublime in Handel, Haydn, and Beethoven, this book calls on the nineteenth-century theorist Arthur Seidl to analyze the sublime of, rather than in, music. It does so by invoking Seidl's concept of formwidrigkeit ("form-contrariness") in juxtaposition with Romantic piano music, (post)modernist musical minimalisms, and Lyotard's postmodern sublime. It presents a sublime of matter, rather than form-performative rather than representational. In doing so, Musically Sublime shows that the binary distinction Lyotard posits between the postmodern and romantic sublime is finally untenable.
Author: Kiene Brillenburg Wurth Publisher: Fordham Univ Press ISBN: 0823230651 Category : Philosophy Languages : en Pages : 234
Book Description
Musically Sublime rewrites musically the history and philosophy of the sublime. Music enables us to reconsider the traditional course of sublime feeling on a track from pain to pleasure. Resisting the notion that there is a single format for sublime feeling, Wurth shows how, from the mid eighteenth century onward, sublime feeling is, instead, constantly rearticulated in a complex interaction with musicality. Wurth takes as her point of departure Immanuel Kant's Critique of Judgment and Jean-François Lyotard's aesthetic writings of the 1980s and 1990s. Kant framed the sublime narratively as an epic of self-transcendence. By contrast, Lyotard sought to substitute open immanence for Kantian transcendence, yet he failed to deconstruct the Kantian epic. The book performs this deconstruction by juxtaposing eighteenth- and nineteenth-century conceptions of the infinite, Sehnsucht, the divided self, and unconscious drives with contemporary readings of instrumental music. Critically assessing Edmund Burke, James Usher, E.T.A. Hoffmann, Novalis, Friedrich Hölderlin, Arthur Schopenhauer, Richard Wagner, and Friedrich Nietzsche, this book re-presents the sublime as a feeling that defers resolution and hangs suspended between pain and pleasure. Musically Sublime rewrites the mathematical sublime as différance, while it redresses the dynamical sublime as trauma: unending, undetermined, unresolved. Whereas most musicological studies in this area have focused on traces of the Kantian sublime in Handel, Haydn, and Beethoven, this book calls on the nineteenth-century theorist Arthur Seidl to analyze the sublime of, rather than in, music. It does so by invoking Seidl's concept of formwidrigkeit ("form-contrariness") in juxtaposition with Romantic piano music, (post)modernist musical minimalisms, and Lyotard's postmodern sublime. It presents a sublime of matter, rather than form-performative rather than representational. In doing so, Musically Sublime shows that the binary distinction Lyotard posits between the postmodern and romantic sublime is finally untenable.
Author: Darren Sheppard Publisher: Routledge ISBN: 1134754140 Category : Philosophy Languages : en Pages : 240
Book Description
This is the first book to consider the increasing importance of Jean-Luc Nancy's work, which has influenced key thinkers such as Jacques Derrida. All his major works have been translated into English, yet until now little has been made available on his place in contemporary philosophy. By showing how he situates his work in a contemporary context - the collapse of communism, the Gulf War, and the former Yugoslavia - this outstanding collection reveals how Nancy's engagement with Hegel, Marx, Nietzsche, Heidegger and Derrida makes him one of the key contemporary continental philosophers. Providing new perspectives on the issues of sense, art and community, these essays make it impossible to approach philosophy without reference to the work Jean-Luc Nancy.
Author: Nicholas Rescher Publisher: Walter de Gruyter ISBN: 3110319675 Category : Philosophy Languages : en Pages : 107
Book Description
Philosophizing is an activity—a process carries on by mind-endeavored creatures. But philosophy itself—the product of philosophy—is an abstraction which, as such, exists in its own way. Like chemistry or poetry, the things it deals with may be ever so real, but it itself exists in the realm of textuality. However the nature of philosophy’s textual domain is seldom studied as such. The present discussion will take one very small step towards filling this gap.
Author: Wilko van Holten Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften ISBN: 9783631508121 Category : Philosophy Languages : en Pages : 564
Book Description
This book deals with the question of whether religious worldviews fulfil an explanatory function in the lives of believers. After rebutting some common objections to this claim, the author proposes to understand the explanatory nature of religious belief along the lines of inference to the best explanation. This proposal is qualified in view of the peculiar nature of religious belief: It is stressed that the type of explanation concerned occurs within the bounds of religion alone, and loses its sense apart from the religious form of life. In unfolding his argument, the author draws heavily on ideas of explanation developed in the philosophy of science, pointing to differences and comparisons between religious and scientific explanations. The author concludes by considering some specific things that theism explains.
Author: Publisher: University of Toronto Press ISBN: 1487508204 Category : History Languages : en Pages : 735
Book Description
The Reception of Northrup Frye takes a thorough accounting of the presence of Frye in existing works and argues against Frye's diminishing status as an important critical voice.
Author: Elizabeth Berglund Hall Publisher: BRILL ISBN: 9004354409 Category : Literary Criticism Languages : en Pages : 230
Book Description
The essays in Cixous after/depuis 2000, edited by Hall, Chevillot, Hoft-March, and Peñalver Vicea, focus on Hélène Cixous’s work of the 21st-century, exploring her treatment of mourning, suffering and death in the wake of events that mark her life from 2000-2015. Les essais réunis dans Cixous après/depuis 2000, sous la direction de Hall, Chevillot, Hoft-March et Peñalver Vicea, considèrent les textes d’Hélène Cixous publiés au 21e siècle ; ils explorent également les questionnements de l’écrivaine sur le deuil, la souffrance et la mort dans le sillage des événements qui ont marqué sa vie entre 2000 et 2015.
Author: Silvia Bermúdez Publisher: University of Toronto Press ISBN: 1487520085 Category : History Languages : en Pages : 541
Book Description
A New History of Iberian Feminisms is both a chronological history and an analytical discussion of feminist thought in the Iberian Peninsula, including Portugal, and the territories of Spain - the Basque Provinces, Catalonia, and Galicia - from the eighteenth century to the present day. The Iberian Peninsula encompasses a dynamic and fraught history of feminism that had to contend with entrenched tradition and a dominant Catholic Church. Editors Silvia Bermúdez and Roberta Johnson and their contributors reveal the long and historical struggles of women living within various parts of the Iberian Peninsula to achieve full citizenship. A New History of Iberian Feminisms comprises a great deal of new scholarship, including nineteenth-century essays written by women on the topic of equality. By addressing these lost texts of feminist thought, Bermúdez, Johnson, and their contributors reveal that female equality, considered a dormant topic in the early nineteenth century, was very much part of the political conversation, and helped to launch the new feminist wave in the second half of the century.
Author: Joana Sabadell-Nieto Publisher: Rodopi ISBN: 9401210802 Category : Philosophy Languages : en Pages : 250
Book Description
Differences in Common engages in the ongoing debate on ‘community’ focusing on its philosophical and political aspects through a gendered perspective. It explores the subversive and enriching potential of the concept of community, as seen from the perspective of heterogeneity and distance, and not from homogeneity and fused adhesions. This theoretical reflection is, in most of the essays included here, based on the analysis of literary and filmic texts, which, due to their irreducible singularity, teach us to think without being tied, or needing to resort, to commonplaces. Philosophers such as Arendt, Blanchot, Foucault, Agamben or Derrida have made seminal reflections on community, often inspired by contemporary historical events and sometimes questioning the term itself. More recently, thinkers like Judith Butler, Gayatri Spivak or Rada Ivekovic—included in this volume are essays by all three—have emphasized the gender bias in the debate, also problematizing the notion of community. Most of the essays gathered in Differences in Common conceive community not as the affirmation of several properties which would unite us to other similar individuals, but as the “expropriation” of ourselves (Esposito), in an intimate diaspora. Community does not fill the gap between subjects but places itself in this gap or void. This conception stresses the subject’s vulnerability, a topic which is also central to this volume. The body of community is thus opened by a “wound” (Cixous) which exposes us to the contagion of otherness. The essays collected here reflect on different topics related to these issues, such as: gender and nation; nationalism, internationalism, transnationalism; nationalism’s naturalization of citizenship and the exclusion of women from citizenship; the violent consequences of a gendered nation on women’s bodies; gendering community; preservation of difference(s) within the community; bodily vulnerability and new politics; community and mourning; community and the politics of memory; fiction, historical truth and (fake) documentary; love, relationality and community; interpretive communities and virtual communities on the Web, among others. Joana Sabadell-Nieto is Professor of Contemporary Spanish Literature (Gender and Feminist Studies) at Hamilton College (USA) and Researcher at the Center for Women and Literature at the University of Barcelona. Marta Segarra is Professor of French and Francophone literature and Gender Studies at the University of Barcelona (Spain), Director of the UNESCO Chair Women, Development and Cultures and co-founder and director of the Center for Women and Literature (2003-2012).
Author: Kiene Brillenburg Wurth
Author: Kiene Brillenburg Wurth
Author: Darren Sheppard
Author: Hugh J. Silverman
Author: Harald Schmid
Author: Nicholas Rescher
Author: Wilko van Holten
Author: 
Author: Elizabeth Berglund Hall
Author: Silvia Bermúdez
Author: Joana Sabadell-Nieto