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The Catholic Imaginary and the Cults of Elizabeth, 1558–1582

The Catholic Imaginary and the Cults of Elizabeth, 1558–1582 PDF Author: Stephen Hamrick
Publisher: Routledge
ISBN: 1351893327
Category : Literary Criticism
Languages : en
Pages : 354

Book Description
Stephen Hamrick demonstrates how poets writing in the first part of Elizabeth I's reign proved instrumental in transferring Catholic worldviews and paradigms to the cults and early anti-cults of Elizabeth. Stephen Hamrick provides a detailed analysis of poets who used Petrarchan poetry to transform many forms of Catholic piety, ranging from confession and transubstantiation to sacred scriptures and liturgical singing, into a multivocal discourse used to fashion, refashion, and contest strategic political, religious, and courtly identities for the Queen and for other Court patrons. These poets, writers previously overlooked in many studies of Tudor culture, include Barnabe Googe, George Gascoigne, and Thomas Watson. Stephen Hamrick here shows that the nature of the religious reformations in Tudor England provided the necessary contexts required for Petrarchanism to achieve its cultural centrality and artistic complexity. This study makes a strong contribution to our understanding of the complex interaction among Catholicism, Petrachanism, and the second English Reformation.

The Catholic Imaginary and the Cults of Elizabeth, 1558–1582

The Catholic Imaginary and the Cults of Elizabeth, 1558–1582 PDF Author: Stephen Hamrick
Publisher: Routledge
ISBN: 1351893327
Category : Literary Criticism
Languages : en
Pages : 354

Book Description
Stephen Hamrick demonstrates how poets writing in the first part of Elizabeth I's reign proved instrumental in transferring Catholic worldviews and paradigms to the cults and early anti-cults of Elizabeth. Stephen Hamrick provides a detailed analysis of poets who used Petrarchan poetry to transform many forms of Catholic piety, ranging from confession and transubstantiation to sacred scriptures and liturgical singing, into a multivocal discourse used to fashion, refashion, and contest strategic political, religious, and courtly identities for the Queen and for other Court patrons. These poets, writers previously overlooked in many studies of Tudor culture, include Barnabe Googe, George Gascoigne, and Thomas Watson. Stephen Hamrick here shows that the nature of the religious reformations in Tudor England provided the necessary contexts required for Petrarchanism to achieve its cultural centrality and artistic complexity. This study makes a strong contribution to our understanding of the complex interaction among Catholicism, Petrachanism, and the second English Reformation.

Verse and Voice in Byrd's Song Collections of 1588 and 1589

Verse and Voice in Byrd's Song Collections of 1588 and 1589 PDF Author: Jeremy L. Smith
Publisher: Boydell & Brewer
ISBN: 1783270829
Category : Music
Languages : en
Pages : 339

Book Description
First full monograph to focus entirely on the English-language songs set to music by Byrd.

Beyond the Cloister

Beyond the Cloister PDF Author: Jenna Lay
Publisher: University of Pennsylvania Press
ISBN: 0812248384
Category : Literary Criticism
Languages : en
Pages : 256

Book Description
Beyond the Cloister reveals the literary significance of manuscripts and printed books written by and about post-Reformation Catholic Englishwomen, offering a reassessment of crucial decades in the development of English literary history.

Selected Essays on George Gascoigne

Selected Essays on George Gascoigne PDF Author: Gillian Austen
Publisher: Taylor & Francis
ISBN: 1000642097
Category : History
Languages : en
Pages : 268

Book Description
This collection of essays situates George Gascoigne in context as the pre-eminent writer of the early part of Queen Elizabeth’s reign. His ceaseless experimentation was hugely influential on those later Elizabethans - including Spenser, Sidney and Shakespeare - who represent the great flowering of the English literary renaissance. Gascoigne rarely returned to a genre, writing prose fiction, blank verse, plays, sonnets, narrative verse, courtly entertainments, satire and many other literary forms, and the later Elizabethans were fully aware of his significance. These essays are organised into three main sections: influences upon Gascoigne, such as Skelton; Gascoigne’s influence on others, including Spenser; and finally a reassessment of his critical neglect and the story behind his marginalised status in the English literary canon. As only the second multi-authored essay collection on Gascoigne, this book makes a valuable contribution to our understanding of this important and often misunderstood writer.

Tallis and Byrd's Cantiones Sacrae (1575)

Tallis and Byrd's Cantiones Sacrae (1575) PDF Author: Jeremy L. Smith
Publisher: Boydell & Brewer
ISBN: 1837650454
Category : History
Languages : en
Pages : 285

Book Description
What did Tallis and Byrd mean to convey by their use of the word "argument" in their title, Cantiones, quae ab argumento sacrae vocantur? Thomas Tallis's and William Byrd's Cantiones, quae ab argumento sacrae vocantur (songs, which by their argument are called sacred) of 1575 is one of the first sets of sacred music printed in England. It is widely recognized as a landmark achievement in English music history. Dedicated to Queen Elizabeth I to mark the seventeenth year of her reign, each composer contributed seventeen motets to the collection, which proved to be greatly influential among the era's composers. But what did Tallis and Byrd mean to convey by their use of the word "argument" in their title? The current view is that they treated their project as an opportunity to pull together a grand compendium of musical accomplishment that drew on the past, but looked to the future, and that the texts functioned as mere vehicles for musical display. In contrast, this book claims that these very texts were chosen by the composers to develop a theme, or argument, on the topic of sacred judgment. In offering a new interpretation of the song collection Smith employs a carefully constructed musical, literary, theological, and political argumentation. The book will encourage new ways of approaching and interpreting Tudor and Elizabethan sacred music.

Historical Dictionary of the Reformation and Counter-Reformation

Historical Dictionary of the Reformation and Counter-Reformation PDF Author: Michael Mullett
Publisher: Scarecrow Press
ISBN: 9780810873933
Category : Religion
Languages : en
Pages : 594

Book Description
Historical Dictionary of the Reformation and Counter-Reformation provides a comprehensive account of two chains of events_the Protestant Reformation and the Catholic Counter-Reformation_that have left an enduring imprint on Europe, America, and the world at large. This is done through a chronology, a introductory essay, a bibliography, and over 300 cross-referenced dictionary entries on persons, places, countries, institutions, doctrines, ideas, and events.

Region, Religion and English Renaissance Literature

Region, Religion and English Renaissance Literature PDF Author: David Coleman
Publisher: Routledge
ISBN: 1317069196
Category : Literary Criticism
Languages : en
Pages : 210

Book Description
Region, Religion and English Renaissance Literature brings together leading scholars of early modern literature and culture to explicate the ways in which both regional and religious contexts inform the production, circulation and interpretation of Renaissance literary texts. Examining texts by a wide variety of early modern writers - including Edmund Spenser, Lodowick Lloyd, Richard Nugent, Thomas Middleton and John Webster, Richard Montagu, and John Milton - the contributors to this volume enhance our understanding of the complex cultural contexts of early modern Anglophone writing.

Patrons and Patron Saints in Early Modern English Literature

Patrons and Patron Saints in Early Modern English Literature PDF Author: Alison Chapman
Publisher: Routledge
ISBN: 1135132313
Category : Literary Criticism
Languages : en
Pages : 251

Book Description
This book visits the fact that, in the pre-modern world, saints and lords served structurally similar roles, acting as patrons to those beneath them on the spiritual or social ladder with the word "patron" used to designate both types of elite sponsor. Chapman argues that this elision of patron saints and patron lords remained a distinctive feature of the early modern English imagination and that it is central to some of the key works of literature in the period. Writers like Jonson, Shakespeare, Spenser, Drayton, Donne and, Milton all use medieval patron saints in order to represent and to challenge early modern ideas of patronage -- not just patronage in the narrow sense of the immediate economic relations obtaining between client and sponsor, but also patronage as a society-wide system of obligation and reward that itself crystallized a whole culture’s assumptions about order and degree. The works studied in this book -- ranging from Shakespeare’s 2 Henry VI, written early in the 1590s, to Milton’s Masque Performed at Ludlow Castle, written in 1634 -- are patronage works, either aimed at a specific patron or showing a keen awareness of the larger patronage system. This volume challenges the idea that the early modern world had shrugged off its own medieval past, instead arguing that Protestant writers in the period were actively using the medieval Catholic ideal of the saint as a means to represent contemporary systems of hierarchy and dependence. Saints had been the ideal -- and idealized -- patrons of the medieval world and remained so for early modern English recusants. As a result, their legends and iconographies provided early modern Protestant authors with the perfect tool for thinking about the urgent and complex question of who owed allegiance to whom in a rapidly changing world.

Redrawing the Map of Early Modern English Catholicism

Redrawing the Map of Early Modern English Catholicism PDF Author: Lowell Gallagher
Publisher: University of Toronto Press
ISBN: 1442695498
Category : Religion
Languages : en
Pages : 496

Book Description
The tumultuous climate of early modern England had a profound effect on its Catholic population's domestic life, social customs, literary inventions, and political arguments. Redrawing the Map of Early Modern English Catholicism explores the broad spectrum of the early modern English Catholic experience, presenting fresh and often startling assessments of the most problematic topics in post-Reformation English Catholicism. The contributors to this volume – all leading or rising scholars of early modern studies – conceptualize English Catholicism as a hazardous series of contested territories divided by shifting boundaries, requiring Catholics to navigate with vigilance and diplomacy their status as 'insiders' or 'outsiders.' This collection also presents new ways to understand the connections between reformist and Catholic inflections in the emerging canon of English poetry, despite the eventual marginalization of Catholic poets in English literary history. Redrawing the Map of Early Modern English Catholicism ably demonstrates the profoundly experimental as well as recuperative character of early modern English Catholicism.

Tottel's Songes and Sonettes in Context

Tottel's Songes and Sonettes in Context PDF Author: Stephen Hamrick
Publisher: Routledge
ISBN: 131700972X
Category : Literary Criticism
Languages : en
Pages : 372

Book Description
Though printer Richard Tottel’s Songes and Sonettes (1557) remains the most influential poetic collection printed in the sixteenth century, the compiliation has long been ignored or misundertood by scholars of early modern English culture. Embracing a broad range of critical and historical perspectives, the eight essays within this volume offer the first sustained analysis of the many ways that consumers read and understood Songes and Sonettes as an anthology over the course of the early modern period. Copied by a monarch, set to music, sung, carried overseas, studied, appropriated, rejected, edited by consumers, transferred to manuscript, and gifted by Shakespeare, this muti-author verse anthology of 280 poems transformed sixteenth-century English language and culture. With at least eleven printings before the end of Elizabeth I’s reign, Tottel’s ground-breaking text greatly influenced the poetic publications that followed, including individual and multi-author miscellanies. Contributors to this essay collection explore how, in addition to offering a radically new kind of English verse, ’Tottel’s Miscellany’ engaged politics, friendship, religion, sexuality, gender, morality and commerce in complex-and at times, contradictory-ways.