Author: Sarah Cohen Publisher: Bloomsbury Publishing ISBN: 1350203602 Category : Art Languages : en Pages : 273
Book Description
How do our senses help us to understand the world? This question, which preoccupied Enlightenment thinkers, also emerged as a key theme in depictions of animals in eighteenth-century art. This book examines the ways in which painters such as Chardin, as well as sculptors, porcelain modelers, and other decorative designers portrayed animals as sensing subjects who physically confirmed the value of material experience. The sensual style known today as the Rococo encouraged the proliferation of animals as exemplars of empirical inquiry, ranging from the popular subject of the monkey artist to the alchemical wonders of the life-sized porcelain animals created for the Saxon court. Examining writings on sensory knowledge by La Mettrie, Condillac, Diderot and other philosophers side by side with depictions of the animal in art, Cohen argues that artists promoted the animal as a sensory subject while also validating the material basis of their own professional practice.
Author: Sarah R. Cohen Publisher: ISBN: 9781350203617 Category : Animals Languages : en Pages : 256
Book Description
"How do our senses help us to understand the world? This question, which preoccupied Enlightenment thinkers, also emerged as a key theme in depictions of animals in eighteenth-century art. This book examines the ways in which painters such as Chardin, as well as sculptors, porcelain modelers, and other decorative designers portrayed animals as sensing subjects who physically confirmed the value of material experience. The sensual style known today as the Rococo encouraged the proliferation of animals as exemplars of empirical inquiry, ranging from the popular subject of the monkey artist to the alchemical wonders of the life-sized porcelain animals created for the Saxon court. Examining writings on sensory knowledge by La Mettre, Condillac, Diderot and other philosophers side by side with depictions of the animal in art, Cohen argues that artists promoted the animal as a sensory subject while also validating the material basis of their own professional practice"--
Author: Nathaniel Wolloch Publisher: ISBN: 9789462987623 Category : Animals and civilization Languages : en Pages : 0
Book Description
This book gives an overview of attitudes toward animals in the long eighteenth century from an interdisciplinary perspective combining intellectual history and art history, and presents a new interpretation of changing attitudes toward animals during this period.
Author: Publisher: BRILL ISBN: 9004495398 Category : History Languages : en Pages : 209
Book Description
How did humans respond to the eighteenth-century discovery of countless new species of animals? This book explores the gamut of human-animal interactions: from love to cultural identifications, moral reflections, philosophical debates, classification systems, mechanical copies, insults and literary creativity.
Author: Lynn Festa Publisher: University of Pennsylvania Press ISBN: 0812251318 Category : Literary Criticism Languages : en Pages : 364
Book Description
Although the Enlightenment is often associated with the emergence of human rights and humanitarian sensibility, "humanity" is an elusive category in the literary, philosophical, scientific, and political writings of the period. Fiction Without Humanity offers a literary history of late seventeenth- and early eighteenth-century efforts to define the human. Focusing on the shifting terms in which human difference from animals, things, and machines was expressed, Lynn Festa argues that writers and artists treated humanity as an indefinite class, which needed to be called into being through literature and the arts. Drawing on an array of literary, scientific, artistic, and philosophical devices— the riddle, the fable, the microscope, the novel, and trompe l'oeil and still-life painting— Fiction Without Humanity focuses on experiments with the perspectives of nonhuman creatures and inanimate things. Rather than deriving species membership from sympathetic identification or likeness to a fixed template, early Enlightenment writers and artists grounded humanity in the enactment of capacities (reason, speech, educability) that distinguish humans from other creatures, generating a performative model of humanity capacious enough to accommodate broader claims to human rights. In addressing genres typically excluded from canonical literary histories, Fiction Without Humanity offers an alternative account of the rise of the novel, showing how these early experiments with nonhuman perspectives helped generate novelistic techniques for the representation of consciousness. By placing the novel in a genealogy that embraces paintings, riddles, scientific plates, and fables, Festa shows realism to issue less from mimetic exactitude than from the tailoring of the represented world to a distinctively human point of view.
Author: Frank Palmeri Publisher: Routledge ISBN: 1351929410 Category : Literary Criticism Languages : en Pages : 395
Book Description
Combining historical and interpretive work, this collection examines changing perceptions of and relations between human and nonhuman animals in Britain over the long eighteenth century. Persistent questions concern modes of representing animals and animal-human hybrids, as well as the ethical issues raised by the human uses of other animals. From the animal men of Thomas Rowlandson to the part animal-part human creature of Victor Frankenstein, hybridity serves less as a metaphor than as a metonym for the intersections of humans and other animals. The contributors address such recurring questions as the implications of the Enlightenment project of naming and classifying animals, the equating of non-European races and nonhuman animals in early ethnographic texts, and the desire to distinguish the purely human from the entirely nonhuman animal. Gulliver's Travels and works by Mary and Percy Shelley emerge as key texts for this study. The volume will be of interest to scholars and students who work in animal, colonial, gender, and cultural studies; and will appeal to general readers concerned with the representation of animals and their treatment by humans.
Author: Andrew Billing Publisher: Taylor & Francis ISBN: 1003812481 Category : Literary Criticism Languages : en Pages : 273
Book Description
Our tendency to read French Enlightenment political writing from a narrow disciplinary perspective has obscured the hybrid character of political philosophy, rhetoric, and natural science in the period. As Michèle Duchet and others have shown, French Enlightenment thinkers developed a philosophical anthropology to support new political norms and models. This book explores how five important eighteenth-century French political authors—Rousseau, Diderot, La Mettrie, Quesnay, and Rétif de La Bretonne—also constructed a "political zoology" in their philosophical and literary writings informed by animal references drawn from Enlightenment natural history, science, and physiology. Drawing on theoretical work by Derrida, Latour, de Fontenay, and others, it shows how these five authors signed on to the old rhetorical tradition of animal comparisons in political philosophy, which they renewed via the findings and speculations of contemporary science. Engaging with recent scholarship on Enlightenment political thought, it also explores the links between their political zoologies and their family resemblance as "liberal" political thinkers.
Author: Ingrid H. Tague Publisher: Penn State University Press ISBN: 9780271065885 Category : Human-animal relationships Languages : en Pages : 0
Book Description
The material conditions of pet keeping -- Domesticating the exotic -- Fashioning the pet -- A privilege or a right? -- Pets and their people.
Author: Susannah Gibson Publisher: Oxford University Press, USA ISBN: 0198705131 Category : Science Languages : en Pages : 238
Book Description
Since the time of Aristotle, there had been a clear divide between the three kingdoms of animal, vegetable, and mineral. But by the eighteenth century, biological experiments, and the wide range of new creatures coming to Europe from across the world, challenged these neat divisions. Abraham Trembley found that freshwater polyps grew into complete individuals when cut. This shocking discovery raised deep questions: was it a plant or an animal? And this was not the only conundrum. What of coral? Was it a rock or a living form? Did plants have sexes, like animals? The boundaries appeared to blur. And what did all this say about the nature of life itself? Were animals and plants soul-less, mechanical forms, as Descartes suggested? The debates raging across science played into some of the biggest and most controversial issues of Enlightenment Europe. In this book, Susannah Gibson explains how a study of pond slime could cause people to question the existence of the soul; observation of eggs could make a man doubt that God had created the world; how the discovery of the Venus fly-trap was linked to the French Revolution; and how interpretations of fossils could change our understanding of the Earth's history. Using rigorous historical research, and a lively and readable style, this book vividly captures the big concerns of eighteenth-century science. And the debates concerning the divisions of life did not end there; they continue to have resonances in modern biology.
Author: Stephen F. Eisenman Publisher: Reaktion Books ISBN: 1780232128 Category : Art Languages : en Pages : 311
Book Description
The eighteenth century saw the rise of new and more sympathetic understanding of animals as philosophy, literature, and art argued that animals could feel and therefore possess inalienable rights. This idea gave birth to a diverse movement that affects how we understand our relationship to the natural world. The Cry of Nature details a crucial period in the history of this movement, revealing the significant role art played in the growth of animal rights. Stephen F. Eisenman shows how artists from William Hogarth to Pablo Picasso and Sue Coe have represented the suffering, chastisement, and execution of animals. These artists, he demonstrates, illustrate the lessons of Montaigne, Rousseau, Darwin, Freud, and others—that humans and animals share an evolutionary heritage of sentience, intelligence, and empathy, and thus animals deserve equal access to the domain of moral right. Eisenman also traces the roots of speciesism to the classical world and describes the social role of animals in the demand for emancipation. Instructive, challenging, and always engaging, The Cry of Nature is a book for anyone interested in animal rights, art history, and the history of ideas.
Author: Sarah Cohen
Author: Sarah R. Cohen
Author: Nathaniel Wolloch
Author: 
Author: Lynn Festa
Author: Frank Palmeri
Author: Andrew Billing
Author: Ingrid H. Tague
Author: Susannah Gibson
Author: Stephen F. Eisenman