Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Female Imagination PDF full book. Access full book title The Female Imagination by Patricia Meyer Spacks. Download full books in PDF and EPUB format.
Author: Patricia Meyer Spacks Publisher: Taylor & Francis ISBN: 1000653145 Category : Literary Criticism Languages : en Pages : 293
Book Description
Is there such a thing as a female literary imagination – a special brand of insight and intuition that characterises women’s writing? Is there something about a novel, whether by Jane Austen, Charlotte Brontë or Doris Lessing, that tells us that it could only have been written by a woman? Do the subject matter, form and style that women choose throw light on the way they think and feel? In this brilliant and highly readable book, originally published in 1976, Patricia Spacks analyses the female view of the world. Juxtaposing – sometimes in startlingly original combination some eighty books written between the seventeenth century and the present day she uses both literary and psychological analysis to explore patterns that recur again and again in the stories women tell – whether about their own lives or the lives of their fictional characters. She dissects female experience in the twentieth century as viewed by an array of writers ranging from Kate Millet to Virginia Woolf; examines the interplay of social passivity and psychic power that dominates characters such as Maggie Tulliver and Jane Eyre, the altruism that impels Jane Austen’s and Mrs Gaskell’s heroines, the ‘acceptance’ of Virginia Woolf’s Mrs Ramsey, the personal and social conflicts that beset so many of the adolescent girls that figure in both nineteenth-century and contemporary literature; reveals the complex motives that can be bound up in a women’s deliberate choice of the artist’s role, as appears in the writings of Isadora Duncan’s and Dora Carrington, Marie Bashkirtseff and Mary McCartney – and the surprising forms ‘freedom’ can take, as for Beatrice Webb in the East End of London or Isak Dinerson in the wilds of Africa... The voices echo and re-echo across the years in fascinating counter-point. Their range is enormous – rebels and reformers, actresses and painters, Society ladies and unknown girls in small towns, novels, poems, memoirs, diaries and letters, both English and American, and alongside classics such as Wuthering Heights and well-known modern works such as The Bell Jar, Patricia Spacks introduces an intriguing selection of relatively unknown writers, such as Napoleon’s psychoanalyst great-niece Marie Bonaparte, the Victorian arch-fantasist Mary MacLane and the autobiography of a seventeenth-century Duchess. The Female Imagination is much more than a study of women’s writing. It is an inquiry into the nature of female thought, self-expression and experience. As such it should appeal to every educated woman – and to many men too.
Author: Patricia Meyer Spacks Publisher: Taylor & Francis ISBN: 1000653145 Category : Literary Criticism Languages : en Pages : 293
Book Description
Is there such a thing as a female literary imagination – a special brand of insight and intuition that characterises women’s writing? Is there something about a novel, whether by Jane Austen, Charlotte Brontë or Doris Lessing, that tells us that it could only have been written by a woman? Do the subject matter, form and style that women choose throw light on the way they think and feel? In this brilliant and highly readable book, originally published in 1976, Patricia Spacks analyses the female view of the world. Juxtaposing – sometimes in startlingly original combination some eighty books written between the seventeenth century and the present day she uses both literary and psychological analysis to explore patterns that recur again and again in the stories women tell – whether about their own lives or the lives of their fictional characters. She dissects female experience in the twentieth century as viewed by an array of writers ranging from Kate Millet to Virginia Woolf; examines the interplay of social passivity and psychic power that dominates characters such as Maggie Tulliver and Jane Eyre, the altruism that impels Jane Austen’s and Mrs Gaskell’s heroines, the ‘acceptance’ of Virginia Woolf’s Mrs Ramsey, the personal and social conflicts that beset so many of the adolescent girls that figure in both nineteenth-century and contemporary literature; reveals the complex motives that can be bound up in a women’s deliberate choice of the artist’s role, as appears in the writings of Isadora Duncan’s and Dora Carrington, Marie Bashkirtseff and Mary McCartney – and the surprising forms ‘freedom’ can take, as for Beatrice Webb in the East End of London or Isak Dinerson in the wilds of Africa... The voices echo and re-echo across the years in fascinating counter-point. Their range is enormous – rebels and reformers, actresses and painters, Society ladies and unknown girls in small towns, novels, poems, memoirs, diaries and letters, both English and American, and alongside classics such as Wuthering Heights and well-known modern works such as The Bell Jar, Patricia Spacks introduces an intriguing selection of relatively unknown writers, such as Napoleon’s psychoanalyst great-niece Marie Bonaparte, the Victorian arch-fantasist Mary MacLane and the autobiography of a seventeenth-century Duchess. The Female Imagination is much more than a study of women’s writing. It is an inquiry into the nature of female thought, self-expression and experience. As such it should appeal to every educated woman – and to many men too.
Author: Paula Ruth Gilbert Publisher: McGill-Queen's Press - MQUP ISBN: 0773577106 Category : Literary Criticism Languages : en Pages : 440
Book Description
In the past twenty years Quebec women writers, including Aline Chamberland, Claire Dé, Suzanne Jacob, and Hélène Rioux, have created female characters who are fascinated with bold sexual actions and language, cruelty, and violence, at times culminating in infanticide and serial killing. Paula Ruth Gilbert argues that these Quebec feminist writers are "re-framing" gender. Violence and the Female Imagination explores whether these imagined women are striking out at an external other or harming themselves through acts of self-destruction and depression. Gilbert examines the degree to which women are imitating men in the outward direction of their anger and hostility and suggests that such "tough" women may be mocking men in their "macho" exploits of sexuality and violence. She illustrates the ways in which Quebec female authors are "feminizing" violence or re-envisioning gender in North American culture. Gilbert bridges methodological gaps and integrates history, sociology, literary theory, feminist theory, and other disciplinary approaches to provide a framework for the discussion of important ethical and aesthetic questions.
Author: Rebecca M. Wilkin Publisher: Routledge ISBN: 1351871609 Category : Literary Criticism Languages : en Pages : 279
Book Description
Grounded in medical, juridical, and philosophical texts of sixteenth- and seventeenth-century France, this innovative study tells the story of how the idea of woman contributed to the emergence of modern science. Rebecca Wilkin focuses on the contradictory representations of women from roughly the middle of the sixteenth century to the middle of the seventeenth, and depicts this period as one filled with epistemological anxiety and experimentation. She shows how skeptics, including Montaigne, Marie de Gournay, and Agrippa von Nettesheim, subverted gender hierarchies and/or blurred gender difference as a means of questioning the human capacity to find truth; while "positivists" who strove to establish new standards of truth, for example Johann Weyer, Jean Bodin, and Guillaume du Vair, excluded women from the search for truth. The book constitutes a reevaluation of the legacy of Cartesianism for women, as Wilkin argues that Descartes' opening of the search for truth "even to women" was part of his appropriation of skeptical arguments. This book challenges scholars to revise deeply held notions regarding the place of women in the early modern search for truth, their role in the development of rational thought, and the way in which intellectuals of the period dealt with the emergence of an influential female public.
Author: Kristen Lillvis Publisher: University of Georgia Press ISBN: 0820351237 Category : Literary Criticism Languages : en Pages : 148
Book Description
Posthuman Blackness and the Black Female Imagination examines the future-oriented visions of black subjectivity in works by contemporary black women writers, filmmakers, and musicians, including Toni Morrison, Octavia Butler, Julie Dash, and Janelle Monáe. In this innovative study, Kristen Lillvis supplements historically situated conceptions of blackness with imaginative projections of black futures. This theoretical approach allows her to acknowledge the importance of history without positing a purely historical origin for black identities. The authors considered in this book set their stories in the past yet use their characters, particularly women characters, to show how the potential inherent in the future can inspire black authority and resistance. Lillvis introduces the term “posthuman blackness” to describe the empowered subjectivities black women and men develop through their simultaneous existence within past, present, and future temporalities. This project draws on posthuman theory—an area of study that examines the disrupted unities between biology and technology, the self and the outer world, and, most important for this project, history and potentiality—in its readings of a variety of imaginative works, including works of historical fiction such as Gayl Jones’s Corregidora and Morrison’s Beloved. Reading neo–slave narratives through posthuman theory reveals black identity and culture as temporally flexible, based in the potential of what is to come and the history of what has occurred.
Author: Mary Suzanne Schriber Publisher: University Press of Kentucky ISBN: 0813164184 Category : Literary Criticism Languages : en Pages : 224
Book Description
The concept of woman as having a distinctive nature and requiring a separate sphere of activity from that of man was pervasive in the thinking of nineteenth- century Americans. So dominant was this "horizon of expectations" for woman that the imaginations of our finest novelists were often subverted, even as they attempted to expand the possibilities for women through their fiction. Selecting five American writers -- James Fenimore Cooper, Nathaniel Hawthorne, William Dean Howells, Henry James, and Edith Wharton -- Schriber traces the impact of cultural expectations for woman on the art of the novel from the early nineteenth century through the advent of Modernism. The novels of Cooper and Hawthorne exemplify the male imagination at work before the concept of woman's nature and sphere became burning issues, as they did later in the century. Howells, while attempting to expand woman's sphere in his fiction in response to feminist challenges, in fact demonstrates the recalcitrance of a priori ideas. James, provoked rather than subverted by the ideology of gender, was able to bend the culture's myopia to his own artistic purposes. Wharton's novels, in contrast, document the female imagination seeking aesthetic solutions to the problems of women rather than to woman as problem. Wharton constructs versions of female experience that were either invisible or anathema to her male counterparts. Schriber's discussion centers on those points in each text at which the culture's horizon of expectations drives the decisions and choices of the artist, sometimes to the benefit and sometimes at the expense of craft. Making full use of gender as a category of literary analysis, she recovers the meanings intended by the texts for audiences of their own time, and distinguishes those meanings from their significance for modern readers.Original in its methodology and insights, Gender and the Writer's Imagination provides a model for future literary studies.
Author: Patricia Meyer Spacks
Author: Patricia Meyer Spacks
Author: Sandra M. Gilbert
Author: Patricia Ann Meyer Spacks
Author: Paula Ruth Gilbert
Author: Patricia Meyer Spacks
Author: Janice M. Alberghene
Author: Rebecca M. Wilkin
Author: Kristen Lillvis
Author: Mary Suzanne Schriber
Author: Raoul Granqvist