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Author: Gerald Horne Publisher: Univ of California Press ISBN: 052093993X Category : Performing Arts Languages : en Pages : 385
Book Description
Before he attained notoriety as Dean of the Hollywood Ten—the blacklisted screenwriters and directors persecuted because of their varying ties to the Communist Party—John Howard Lawson had become one of the most brilliant, successful, and intellectual screenwriters on the Hollywood scene in the 1930s and 1940s, with several hits to his credit including Blockade, Sahara, and Action in the North Atlantic. After his infamous, almost violent, 1947 hearing before the House Un-American Activities Committee, Lawson spent time in prison and his lucrative career was effectively over. Studded with anecdotes and based on previously untapped archives, this first biography of Lawson brings alive his era and features many of his prominent friends and associates, including John Dos Passos, Theodore Dreiser, F. Scott Fitzgerald, Charles Chaplin, Gene Kelly, Edmund Wilson, Ernest Hemingway, Humphrey Bogart, Dalton Trumbo, Ring Lardner, Jr., and many others. Lawson's life becomes a prism through which we gain a clearer perspective on the evolution and machinations of McCarthyism and anti-Semitism in the United States, on the influence of the left on Hollywood, and on a fascinating man whose radicalism served as a foil for launching the political careers of two Presidents: Richard Nixon and Ronald Reagan. In vivid, marvelously detailed prose, Final Victim of the Blacklist restores this major figure to his rightful place in history as it recounts one of the most captivating episodes in twentieth century cinema and politics.
Author: Gerald Horne Publisher: Univ of California Press ISBN: 052093993X Category : Performing Arts Languages : en Pages : 385
Book Description
Before he attained notoriety as Dean of the Hollywood Ten—the blacklisted screenwriters and directors persecuted because of their varying ties to the Communist Party—John Howard Lawson had become one of the most brilliant, successful, and intellectual screenwriters on the Hollywood scene in the 1930s and 1940s, with several hits to his credit including Blockade, Sahara, and Action in the North Atlantic. After his infamous, almost violent, 1947 hearing before the House Un-American Activities Committee, Lawson spent time in prison and his lucrative career was effectively over. Studded with anecdotes and based on previously untapped archives, this first biography of Lawson brings alive his era and features many of his prominent friends and associates, including John Dos Passos, Theodore Dreiser, F. Scott Fitzgerald, Charles Chaplin, Gene Kelly, Edmund Wilson, Ernest Hemingway, Humphrey Bogart, Dalton Trumbo, Ring Lardner, Jr., and many others. Lawson's life becomes a prism through which we gain a clearer perspective on the evolution and machinations of McCarthyism and anti-Semitism in the United States, on the influence of the left on Hollywood, and on a fascinating man whose radicalism served as a foil for launching the political careers of two Presidents: Richard Nixon and Ronald Reagan. In vivid, marvelously detailed prose, Final Victim of the Blacklist restores this major figure to his rightful place in history as it recounts one of the most captivating episodes in twentieth century cinema and politics.
Author: Gerald Horne Publisher: Univ of California Press ISBN: 0520248600 Category : History Languages : en Pages : 384
Book Description
John Howard Lawson was one of the most brilliant, successful, and intellectual screenwriters on the Hollywood scene in the 1930s and 1940s. This biography of Lawson features many of his prominent friends and associates, including John Dos Passos, Theodore Dreiser, F Scott Fitzgerald, Charles Chaplin, Gene Kelly, Edmund Wilson, and others.
Author: Jeff Smith Publisher: Univ of California Press ISBN: 0520280679 Category : Performing Arts Languages : en Pages : 364
Book Description
Film Criticism, the Cold War, and the Blacklist examines the long-term reception of several key American films released during the postwar period, focusing on the two main critical lenses used in the interpretation of these films: propaganda and allegory. Produced in response to the hearings held by the House Committee on Un-American Activities (HUAC) that resulted in the Hollywood blacklist, these filmsÕ ideological message and rhetorical effectiveness was often muddled by the inherent difficulties in dramatizing villains defined by their thoughts and belief systems rather than their actions. Whereas anti-Communist propaganda films offered explicit political exhortation, allegory was the preferred vehicle for veiled or hidden political comment in many police procedurals, historical films, Westerns, and science fiction films. Jeff Smith examines the way that particular heuristics, such as the mental availability of exemplars and the effects of framing, have encouraged critics to match filmic elements to contemporaneous historical events, persons, and policies. In charting the development of these particular readings, Film Criticism, the Cold War, and the Blacklist features case studies of many canonical Cold War titles, including The Red Menace, On the Waterfront, The Robe, High Noon, and Invasion of the Body Snatchers.
Author: Catherine L. Fisk Publisher: Harvard University Press ISBN: 0674973208 Category : Law Languages : en Pages : 296
Book Description
Professional writers may earn a tidy living for their work, but they seldom own their writing. Catherine Fisk traces the history of labor relations that defined authorship in film, TV, and advertising in the mid-twentieth century, showing why strikingly different norms of attribution emerged in these overlapping industries.
Author: Jeremy Kuzmarov Publisher: NYU Press ISBN: 1583676945 Category : Political Science Languages : en Pages : 240
Book Description
"[This book] is a red flag to restore our historical consciousness about U.S.-Russian relations, and how denying this consciousness is leading to a repetition of past follies"--Amazon.com.
Author: Larry Ceplair Publisher: University Press of Kentucky ISBN: 081319590X Category : Performing Arts Languages : en Pages : 271
Book Description
Seventy-five years ago, the Hollywood blacklist ruined lives, stifled creativity, and sent waves of proscription and censorship throughout United States culture. When the Hollywood Ten refused to answer the questions of the House Committee on Un-American Activities about their membership in the Communist Party, they were sentenced to prison, the five who were under contract were fired by their studios, and all were blacklisted from reemployment until they "purged themselves of their communist taint." By the 1950s, this blacklist publicly stigmatized nearly three hundred other Americans in the entertainment industry who invoked the First and Fifth Amendments in their refusal to apologize for their Communist ties or provide the names of other members. Dozens of others were graylisted as the result of rumors. The Hollywood Motion Picture Blacklist: Seventy-Five Years Later offers new insights on the origins of the blacklist, the characteristics of those blacklisted, and the probability of future proscriptions of the blacklist type. Author Larry Ceplair draws on previously published work while introducing new material to vigorously recount the events that took place between the US government, Hollywood unions, and motion picture studios. Ceplair thoroughly examines the role of Jewish identity in many anti-communist efforts—a concept that has never been fully examined by scholars—and analyzes the actions of subpoenaed witnesses who were forced to choose between cooperating with the House Committee or joining the blacklist. This fascinating book is an illuminating examination of a dark period in American history and the fragility of our rights to free speech and due process.
Author: Jack Nusan Porter Publisher: Academic Studies PRess ISBN: 1644694662 Category : Political Science Languages : en Pages : 334
Book Description
Jack Nusan Porter’s writings date back to 1966, during the height of the Vietnam War. He describes the anguished struggle against war, racism, and poverty, as well as the radical groups and individuals involved—Jewish socialists, radical Zionists, radical Jews, Rabbi Meir Kahane and the Jewish Defense League, the counterculture, liberals, and conservatives alike. In addition, his writings vividly recount the anti-Zionist, anti-Israel, anti-Semitic, and revolutionary terrorism of the times. Here, Porter draws from the past in an effort to explain the present, walking the precarious bridge between allegiance to Israel and the Jewish people and the universal rights of all people. This collection of older and newer essays combines theory, sociology, film studies, literary criticism, post-modern thought, and politics.
Author: Bob Herzberg Publisher: McFarland ISBN: 0786457694 Category : Performing Arts Languages : en Pages : 305
Book Description
In examining the careers of communist and liberal actors, screenwriters, playwrights, and directors in Hollywood from the late 1920s to the present, this book uses studio and PCA correspondence, FBI files, film and theater reviews, and other sources to reveal how all of these artists were concerned with and active in the cinema of social protest. It covers the works of those liberal stars and directors who collaborated with communist artists in New York and Hollywood, including John Garfield, Canada Lee, Frances Farmer, Paul Robeson, James Edwards, and Paul Muni; liberal filmmakers like Philip Dunne; and ex-communists (and HUAC-friendly witnesses) like Elia Kazan, Edward Dmytryk, and Robert Rossen. It also looks at the activities of the Communist Party in Hollywood and the far-reaching influence of the Soviet Union.
Author: Gerald Sorin Publisher: Indiana University Press ISBN: 0253007321 Category : Biography & Autobiography Languages : en Pages : 528
Book Description
A biography of the Jewish American, left-wing author of Spartacus that explores his identity, his work, and his politics. Howard Fast’s life, from a rough-and-tumble Jewish New York street kid to the rich and famous author of close to one hundred books, rivals the Horatio Alger myth. Author of bestsellers such as Citizen Tom Paine, Freedom Road, My Glorious Brothers, and Spartacus, Fast joined the American Communist Party in 1943 and remained a loyal member until 1957, despite being imprisoned for contempt of Congress. Gerald Sorin illuminates the connections among Fast’s Jewishness, his writings, and his left-wing politics and explains Fast’s attraction to the Party and the reasons he stayed in it as long as he did. Recounting the story of his private and public life with its adventure and risk, love and pain, struggle, failure, and success, Sorin also addresses questions such as the relationship between modern Jewish identity and radical movements, the consequences of political myopia, and the complex interaction of art, popular culture, and politics in twentieth-century America. “A notable study of a thorny protagonist whose life has much to reveal about the times in which he lived and about the interplay of political belief, personal identity, art, and ambition.” —Publishers Weekly “Sorin . . . has written a heavily researched critical biography of Fast. . . . The volume’s strength is its explication and analysis of the complex social and political context of Fast’s activism and creative work. . . . Sorin’s lengthy critique of Fast’s adherence to Communism long after most American writers and intellectuals had abandoned the party, and his shameful public silence on Stalin’s crimes and Soviet anti-Semitism, are of significant import. . . . Recommended.” —Choice “An intriguing biography, not least for its examination of how Fast interwove his political activism, his Jewishness and his art during the heyday of McCarthyism. Recommended.” —Recorder (Melbourne)
Author: R. Schur Publisher: Springer ISBN: 0230101720 Category : Literary Criticism Languages : en Pages : 257
Book Description
This work examines the experiences of African Americans under the law and how African American culture has fostered a rich tradition of legal criticism. Moving between novels, music, and visual culture, the essays present race as a significant factor within legal discourse. Essays examine rights and sovereignty, violence and the law, and cultural ownership through the lens of African American culture. The volume argues that law must understand the effects of particular decisions and doctrines on African American life and culture and explores the ways in which African American cultural production has been largely centered on a critique of law.
Author: Gerald Horne
Author: Gerald Horne
Author: Gerald Horne
Author: Jeff Smith
Author: Catherine L. Fisk
Author: Jeremy Kuzmarov
Author: Larry Ceplair
Author: Jack Nusan Porter
Author: Bob Herzberg
Author: Gerald Sorin
Author: R. Schur