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Author: Paul Moorhouse Publisher: ISBN: 9781855144682 Category : Portraits Languages : en Pages : 0
Book Description
In viewing the Great War through the portraits of those involved, Paul Moorhouse looks at the bitter-sweet nature of a conflict in which valour and selfless endeavour were qualified by disaster and suffering, and examines the notion of identity - how various individuals associated with the war were represented and perceived. The narrative is structured chronologically, with thematic sections devoted to conflicting pairs - 'Royalty and the Assassin', 'Leaders and Followers', 'The Valiant and the Damned' - which reveal the radical differences between those caught up in the conflict in terms of their respective roles, aspirations, experiences, and, ultimately, their destinies. 'Leaders and Followers', for example, examines the dichotomy between the representation of senior military leaders such as Blumer, Foch, Haig and Hindenburg, who were responsible for directing the war, and that of the ordinary soldiers charged with executing it. While portraits of the generals emphasise their personal profile, gallantry and the trappings of military power, paintings of the rank and file are characterised by a tendency to anonymity, in which individual identity was subsumed with the impression of 'types'. Claude Rogers's imposing painting Gassed, for instance, presented the individual soldier as a kind of cipher, a depersonalised embodiment of common, degraded experience. Illustrated throughout with images both well known and less familiar, the book concludes with a section entitled 'Tradition and the Avant-Garde', which focuses on the struggle artists faced in finding an appropriate language in which to depict those who had experienced the unimaginable horror at the front: either by resorting to the steadying hand of tradition or a radical visual language of expressive distortion.
Author: Paul Moorhouse Publisher: ISBN: 9781855144682 Category : Portraits Languages : en Pages : 0
Book Description
In viewing the Great War through the portraits of those involved, Paul Moorhouse looks at the bitter-sweet nature of a conflict in which valour and selfless endeavour were qualified by disaster and suffering, and examines the notion of identity - how various individuals associated with the war were represented and perceived. The narrative is structured chronologically, with thematic sections devoted to conflicting pairs - 'Royalty and the Assassin', 'Leaders and Followers', 'The Valiant and the Damned' - which reveal the radical differences between those caught up in the conflict in terms of their respective roles, aspirations, experiences, and, ultimately, their destinies. 'Leaders and Followers', for example, examines the dichotomy between the representation of senior military leaders such as Blumer, Foch, Haig and Hindenburg, who were responsible for directing the war, and that of the ordinary soldiers charged with executing it. While portraits of the generals emphasise their personal profile, gallantry and the trappings of military power, paintings of the rank and file are characterised by a tendency to anonymity, in which individual identity was subsumed with the impression of 'types'. Claude Rogers's imposing painting Gassed, for instance, presented the individual soldier as a kind of cipher, a depersonalised embodiment of common, degraded experience. Illustrated throughout with images both well known and less familiar, the book concludes with a section entitled 'Tradition and the Avant-Garde', which focuses on the struggle artists faced in finding an appropriate language in which to depict those who had experienced the unimaginable horror at the front: either by resorting to the steadying hand of tradition or a radical visual language of expressive distortion.
Author: Peter Farrugia Publisher: UBC Press ISBN: 077486494X Category : History Languages : en Pages : 330
Book Description
Portraits of Battle brings together biography, battle accounts, and historiographical analysis to examine the lives of a cross-section of Canadians who served in the First World War. All Canadians are taught about Vimy Ridge, but that celebrated victory was just one battle among many to shape the country’s experience of the war. These portraits of the formerly faceless men and women honoured on war memorials provide a fresh and nuanced perspective on the complex legacy of the Great War in Canadian history.
Author: Various Publisher: Candlewick Press ISBN: 0763675547 Category : Juvenile Fiction Languages : en Pages : 305
Book Description
Combines evocative photographs and illustrations in a treasury of stories by 11 international writers that were inspired by artifacts connected to World War I. Illustrated by the Kate Greenaway Medal-winning artist of A Monster Calls.
Author: Sandy Callister Publisher: Auckland University Press ISBN: 1869406451 Category : Photography Languages : en Pages : 321
Book Description
By the time the First World War broke out in 1914, photography had become affordable and popular. Many of the 100,000 New Zealanders who went overseas to fight carried cameras with them, determined to capture their part in the 'great adventure'. And soldiers were not the only ones to take photographs: cameras were also used by officials, journalists and medical staff. The Face of War is the first book to examine the photographs, many previously unknown, of New Zealand's First World War experience, tracing a sometimes shocking, often moving visual history through soldiers' snapshots, keepsake portraits, battlefield panoramas, photographic medical records and rolls of honour. Sandy Callister discusses how photography was used to capture and narrate, memorialise and observe, romanticise and bear witness to the experiences of New Zealanders at home and overseas. Her study is the first to argue for the importance of New Zealand photography to the history of war, but also examines in depth the contradictions of this photography: as a site of remembrance and forgetting, of nation and sacrifice, of mourning and mythology, of subjectivity and identity. Both authoritative and insightful, The Face of War superbly illuminates an often overlooked aspect of New Zealand's First World War history.
Author: Max Arthur Publisher: Cassell Illustrated ISBN: 9781844037995 Category : History Languages : en Pages : 288
Book Description
Charting the Allies' entry into warfare in 1914, Max Arthur tells the story in words and pictures of the new conscripted army's life through the five years of slaughter and suffering. He brilliantly conveys not only the heroism, but also the universal horror, futility, humour and boredom of warfare. From the front-line troops and the daily dice with death, to the support lines, communications, enlistment, training and propaganda, every aspect of the soldier's life is covered in this brilliant collection of images and interviews that brings the Great War to life once more.
Author: Peter Walther Publisher: ISBN: 9783836554183 Category : Photography Languages : en Pages : 0
Book Description
The colours of catastrophe: Rediscovered autochrome photography of the First World War The devastating events of the First World War were captured in myriad photographs on all sides of the front. Since then, thousands of books of black-and-white photographs of the war have been published as all nations endeavour to comprehend the scale and the carnage of the "greatest catastrophe of the 20th century". Far less familiar are the rare colour images of the First World War, taken at the time by a small group of photographers pioneering recently developed autochrome technology. To mark the centenary of the outbreak of war, this groundbreaking volume brings together all of these remarkable, fully hued pictures of the "war to end war". Assembled from archives in Europe, the United States and Australia, more than 320 colour photos provide unprecedented access to the most important developments of the period - from the mobilization of 1914 to the victory celebrations in Paris, London and New York in 1919. The volume represents the work of each of the major autochrome pioneers of the period, including Paul Castelnau, Fernand Cuville, Jules Gervais-Courtellemont, Léon Gimpel, Hans Hildenbrand, Frank Hurley, Jean-Baptiste Tournassoud and Charles C. Zoller. Since the autochrome process required a relatively long exposure time, almost all of the photos depict carefully composed scenes, behind the rapid front-line action. We see poignant group portraits, soldiers preparing for battle, cities ravaged by military bombardment - daily human existence and the devastating consequences on the front. A century on, this unprecedented publication brings a startling human reality to one of the most momentous upheavals in history.
Author: Pennsylvania Academy of the Fine Arts Publisher: Princeton University Press ISBN: 0691172692 Category : Art Languages : en Pages : 320
Book Description
-World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---
Author: Peter Krass Publisher: John Wiley & Sons ISBN: Category : Art Languages : en Pages : 360
Book Description
Portrait of War tells the gripping true story of eight graphic artists recruited by the government and sent into combat to create a visual historical record of World War I. Featuring both their stunning illustrations and deep personal reflections, Portrait of War is a moving testament to the bravery of these artist-soldiers and the remarkable record of war they left behind.
Author: Robert J. Young Publisher: Berghahn Books ISBN: 178238829X Category : History Languages : en Pages : 200
Book Description
Studies on the First World War are plentiful but most tend to focus on the combatants. This volume offers a new and highly original perspective that shows the reader the civilian side of this protracted and destructive war through a succession of "snapshots": 130 excerpts from leading American and Canadian newspapers provide a collective portrait of life behind the battle lines, what is often called the "second" front. Written principally by Paris-based journalists, and intended for popular reading audiences, these articles depict ordinary people in a way that still touches the reader of today. They record eye-witness testimony of Paris under aerial bombardment, the gutted cathedrals at Reims and Arras, the cemeteries around Compiègne, the subterranean living quarters at Cambrai, and the heart-breaking orphanages at Chambly. Introduced and concluded by the editor, the volume also offers biographical notes on some of the leadingjournalist contributors, maps to familiarize readers with the geography of northern France, and detailed subject and geographical indices. The volume ends with a select bibliography of works on the subject of French civilian life during the Great War.
Author: Paul Moorhouse
Author: Paul Moorhouse
Author: Peter Farrugia
Author: Various
Author: Sandy Callister
Author: Max Arthur
Author: Peter Walther
Author: Pennsylvania Academy of the Fine Arts
Author: Peter Krass
Author: Robert J. Young
Author: Jeff Seidel