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Author: Kauffman Center Kauffman Center for the Performing Arts Publisher: ISBN: 9781449470838 Category : Centers for the performing arts Languages : en Pages : 0
Book Description
The definitive, authorized story of the development, design, and construction of Kansas City's Kauffman Performing Arts Center (KCPA), acclaimed as one of the fifteen greatest performance halls in the world (and one of only two in the United States). With a Foreword by His Royal Highness Prince Charles, The Prince of Wales. Since its grand opening in 2011, the KCPA has been the subject of praise from critics and audiences all over the world. This book tells the remarkable story of the design and construction of the magnificent building by a celebrated team including architect Mosche Safdie, engineers from the Arup Group Ltd., international theater designer Richard Pilbrow, acoustician Yasuhisa Toyota, and many others. From its unique building materials to its lofty place in the Kansas City environment, every detail was subject to intense scrutiny and testing to reach the highest standards in performance and appearance. Performances from jazz musicians to symphonic orchestras, modern dance to ballet, opera to broadway musicals have entranced audiences and impressed professionals with the high quality of the facility. The Casavant organ, commissioned personally by Ms. Julie Irene Kauffman, Chairman of the Board of the Center, is one of the most magnificent instruments of its kind in the world. Illusrated with over 250 photos and contributions from the experts involved in the project make the book unique, and it stands alone as the only book of its kind on the Center. With the addition of a Foreword by His Royal Highness, The Prince of Wales, whose interest in and support of architectural endeavors is well known, it will be a treasure for Kansas Citians, and the perfect souvenir for visitors from all over the country, and the world.
Author: Kauffman Center Kauffman Center for the Performing Arts Publisher: ISBN: 9781449470838 Category : Centers for the performing arts Languages : en Pages : 0
Book Description
The definitive, authorized story of the development, design, and construction of Kansas City's Kauffman Performing Arts Center (KCPA), acclaimed as one of the fifteen greatest performance halls in the world (and one of only two in the United States). With a Foreword by His Royal Highness Prince Charles, The Prince of Wales. Since its grand opening in 2011, the KCPA has been the subject of praise from critics and audiences all over the world. This book tells the remarkable story of the design and construction of the magnificent building by a celebrated team including architect Mosche Safdie, engineers from the Arup Group Ltd., international theater designer Richard Pilbrow, acoustician Yasuhisa Toyota, and many others. From its unique building materials to its lofty place in the Kansas City environment, every detail was subject to intense scrutiny and testing to reach the highest standards in performance and appearance. Performances from jazz musicians to symphonic orchestras, modern dance to ballet, opera to broadway musicals have entranced audiences and impressed professionals with the high quality of the facility. The Casavant organ, commissioned personally by Ms. Julie Irene Kauffman, Chairman of the Board of the Center, is one of the most magnificent instruments of its kind in the world. Illusrated with over 250 photos and contributions from the experts involved in the project make the book unique, and it stands alone as the only book of its kind on the Center. With the addition of a Foreword by His Royal Highness, The Prince of Wales, whose interest in and support of architectural endeavors is well known, it will be a treasure for Kansas Citians, and the perfect souvenir for visitors from all over the country, and the world.
Author: Seymour B. Sarason Publisher: Teachers College Press ISBN: 0807774960 Category : Education Languages : en Pages : 305
Book Description
In his most recent work and with his usual perceptiveness, Seymour Sarason probes the topic of teaching as a performing art. Refreshingly, Dr. Sarason focuses on the often-overlooked role of teachers in galvanizing an audience—their students. Sarason argues that teachers will better engage learners if they are prepared in the artistry of doing so. Sarason sees teachers as actors and thus uses the traditions of stage performance to inspire ways to foster connections between teachers and students. Sarason elucidates how the rehearsal processes actors undergo and the direction they receive, for example, would be similarly beneficial for educators. Recognizing that implementing his ideas would require a profound rethinking of teacher training programs, Sarason urges why they are crucial to excellence in education. As always, Sarason’s writing is rich with insight garnered from 45 years of teaching and a lifetime devotion to educational issues. His book is essential for teachers and teacher educators and an excellent resource for anyone interested in educational topics. “Once again, Sarason, like other great teachers and artists, has us pause at the moral center of what we thought we knew long enough to recognize truths we might otherwise neglect. Just as he guided our understanding of school cultures and school reform, this book reshapes what we previously thought of as ‘the art of teaching’.” —Jeannie Oakes, Professor of Education at University of California, Los Angeles “Seymour Sarason thinks he has something new to say. Indeed, he has. Furthermore, he writes about a domain anyone who has taught in educational institutions identifies with immediately but is almost barren of attention. There are insight, great writing, and passion here, but don’t look for a repetition of anything Sarason has written before. To the thousands of psychologists, sociologists, and teachers of teachers already nourished by Sarason’s writing, this book will add the audience of teachers in and out of schools that he has always wanted to reach.” —John Goodlad, Co-director, Center for Educational Renewal, University of Washington, and President, Institute for Educational Inquiry
Author: Mark O'Connell Publisher: Routledge ISBN: 1351707493 Category : Psychology Languages : en Pages : 204
Book Description
The Performing Art of Therapy explores the myriad ways in which acting techniques can enhance the craft of psychotherapy. The book shows how, by understanding therapy as a performing art, clinicians can supplement their theoretical approach with techniques that fine-tune the ways their bodies, voices, and imaginations engage with and influence their clients. Broken up into accessible chapters focused on specific attributes of performance, and including an appendix of step-by-step exercises for practitioners, this is an essential guidebook for therapists looking to integrate their theoretical training into who they are as individuals, find joy in their work, expand their empathy, increase self-care, and inspire clients to perform their own lives.
Author: David H. Gaylin Publisher: Business Expert Press ISBN: 1606495658 Category : Business & Economics Languages : en Pages : 285
Book Description
Attending a live concert or theatrical performance can be a thrilling experience. At their best, the performing arts represent the height of human creativity and expression. But the presentation on stage, whether it is Shakespeare, Beethoven, or The Lion King, depends on a business backstage. This book provides an overview of both the product on stage and the industry that makes it possible. While the industry’s product is unique—with unique supply and demand characteristics—it is still an industry, with supply inputs, organization structures, competitors, business models, value chains, and customers. We will examine each of the major segments (Broadway, regional theater, orchestra, opera, and ballet) along these business dimensions. This book will give lovers of the performing arts an understanding of the business realities that make live performances possible. Managers, board members, and performers will be better equipped to take on the strategic challenges their companies face. People contemplating any of these roles will have a better idea of what to expect. Business analysts and students of strategy will discover how economic frameworks apply in this unique setting where culture and commerce converge.
Author: Paula Thomson Publisher: Academic Press ISBN: 0128041080 Category : Performing Arts Languages : en Pages : 500
Book Description
Creativity and the Performing Artist: Behind the Mask synthesizes and integrates research in the field of creativity and the performing arts. Within the performing arts there are multiple specific domains of expertise, with domain-specific demands. This book examines the psychological nature of creativity in the performing arts. The book is organized into five sections. Section I discusses different forms of performing arts, the domains and talents of performers, and the experience of creativity within performing artists. Section II explores the neurobiology of physiology of creativity and flow. Section III covers the developmental trajectory of performing artists, including early attachment, parenting, play theories, personality, motivation, and training. Section IV examines emotional regulation and psychopathology in performing artists. Section V closes with issues of burnout, injury, and rehabilitation in performing artists. Discusses domain specificity within the performing arts Encompasses dance, theatre, music, and comedy performance art Reviews the biology behind performance, from thinking to movement Identifies how an artist develops over time, from childhood through adult training Summarizes the effect of personality, mood, and psychopathology on performance Explores career concerns of performing artists, from injury to burn out
Author: Shannon Jackson Publisher: Taylor & Francis ISBN: 1136979832 Category : Art Languages : en Pages : 310
Book Description
‘a game-changer, a must-read for scholars, students and artists alike’ – Tom Finkelpearl At a time when art world critics and curators heavily debate the social, and when community organizers and civic activists are reconsidering the role of aesthetics in social reform, this book makes explicit some of the contradictions and competing stakes of contemporary experimental art-making. Social Works is an interdisciplinary approach to the forms, goals and histories of innovative social practice in both contemporary performance and visual art. Shannon Jackson uses a range of case studies and contemporary methodologies to mediate between the fields of visual and performance studies. The result is a brilliant analysis that not only incorporates current political and aesthetic discourses but also provides a practical understanding of social practice.
Author: Tobie S. Stein Publisher: Simon and Schuster ISBN: 1621535185 Category : Performing Arts Languages : en Pages : 224
Book Description
What does it mean to be a performing arts leader? Leadership in the Performing Arts addresses and analyzes this question by presenting the wisdom and expertise of eleven men and women with experience leading nonprofit performing arts institutions in the United States. These successful leaders provide many real-world examples of business practices that may be generally applied by practitioners in our field, and throughout the nonprofit sector. The book examines: The leader’s career path and professional growth The leader’s vision Leadership styles and the importance of interpersonal skills Setting and executing organizational priorities Leading decision-making and communication processes Creating change and innovation Challenges faced in leading an institution Interviewees include: Kathy Brown, executive director of the New York City Ballet; Peter Gelb, general manager of the Metropolitan Opera; Heather Hitchens, president of the American Theatre Wing; Karen Brooks Hopkins, president and chief executive officer of the Brooklyn Academy of Music; Timothy J. McClimon, president of the American Express Foundation; Laura Penn, executive director of the Stage Directors and Choreographers Society; Arlene Shuler, president and chief executive officer of New York City Center; Paul Tetreault, director of Ford's Theatre; Nancy Umanoff, executive director of the Mark Morris Dance Group; Patrick Willingham, executive director of The Public Theater; and Harold Wolpert, managing director of the Roundabout Theatre Company. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Author: David Davies Publisher: John Wiley & Sons ISBN: 1405188030 Category : Performing Arts Languages : en Pages : 250
Book Description
PHILOSOPHY OF THE PERFORMING ARTS “David Davies’s Philosophy of the Performing Arts is long-awaited. Not since Paul Thom’s For an Audience has a book in the Anglo-American philosophical tradition focused so clearly, exclusively, informatively, and fairly on all the performing arts. I will use this book in my classes.” James Hamilton, Kansas State University, author of The Art of Theater “In this outstanding philosophical study, David Davies subjects the different, conflicting literatures characterizing works, performances, and their relationships to critical review en route to developing his own integrated theory. Covering classical music to jazz, Shakespeare to Brecht, dance to performance art, this is essential reading for anyone interested in the performing arts.” Stephen Davies, University of Auckland, author of The Philosophy of Art Philosophical inquiry concerning the performing arts has tended to focus on music – specifically classical music – which is assumed to provide a model for understanding the performing arts as a whole. This book engages with this belief and critically explores how the “classical paradigm” might be extended to other musical genres, to theater, and to dance. Taking in key components of artistic performance – improvisation, rehearsal, the role of the audience, the embodied nature of the artistic performer – the book examines similarities and differences between the performing art forms and presents the key philosophical issues that they bring into play. These reflections are then applied to the disputed issue of those contemporary artworks usually classified as “performance art.” Assuming no prior knowledge of the subject matter, this book provides an accessible, yet sophisticated, introduction to the field and a comprehensive framework for thinking about the performing arts.
Author: Kauffman Center Kauffman Center for the Performing Arts
Author: Kauffman Center Kauffman Center for the Performing Arts
Author: Seymour B. Sarason
Author: Mark O'Connell
Author: Carole J. Everett
Author: David H. Gaylin
Author: Paula Thomson
Author: Shannon Jackson
Author: G.D. Wilson
Author: Tobie S. Stein
Author: David Davies