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Using Photographs in Social and Historical Research

Using Photographs in Social and Historical Research PDF Author: Penny Tinkler
Publisher: SAGE
ISBN: 1446291529
Category : Social Science
Languages : en
Pages : 250

Book Description
Sophisticated, original and comprehensive, this book investigates photographic research practices and the conceptual and theoretical issues that underpin them. Using international case studies and ′behind the scenes′ interviews, Penny Tinkler sets out research practices and explores the possibilities, and challenges, of working with different methods and photographic sources. The book guides the reader through all aspects of doing photographic research including practical issues and ethical considerations. Key topics include: - Working with images - Generating photos in research - Managing large archives and digital databases - Reviewing personal photos - Photo-elicitation interviews Written in a clear, accessible style, this dynamic book is essential reading for students and researchers working with photographs in history and the social sciences.

Using Photographs in Social and Historical Research

Using Photographs in Social and Historical Research PDF Author: Penny Tinkler
Publisher: SAGE
ISBN: 1446291529
Category : Social Science
Languages : en
Pages : 250

Book Description
Sophisticated, original and comprehensive, this book investigates photographic research practices and the conceptual and theoretical issues that underpin them. Using international case studies and ′behind the scenes′ interviews, Penny Tinkler sets out research practices and explores the possibilities, and challenges, of working with different methods and photographic sources. The book guides the reader through all aspects of doing photographic research including practical issues and ethical considerations. Key topics include: - Working with images - Generating photos in research - Managing large archives and digital databases - Reviewing personal photos - Photo-elicitation interviews Written in a clear, accessible style, this dynamic book is essential reading for students and researchers working with photographs in history and the social sciences.

Photographs and the Practice of History

Photographs and the Practice of History PDF Author: Elizabeth Edwards
Publisher:
ISBN: 1350120650
Category : History
Languages : en
Pages : 0

Book Description
What is it to practice history in an age in which photographs exist? What is the impact of photographs on the core historiographical practices which define the discipline and shape its enquiry and methods? In Photographs and the Practice of History, Elizabeth Edwards proposes a new approach to historical thinking which explores these questions and redefines the practices at the heart of this discipline. Structured around key concepts in historical methodology which are recognisable to all undergraduates, the book shows that from the mid-19th century onward, photographs have influenced historical enquiry. Exposure to these mass-distributed cultural artefacts is enough to change our historical frameworks even when research is textually-based. Conceptualised as a series of 'sensibilities' rather than a methodology as such, it is intended as a companion to 'how to' approaches to visual research and visual sources. Photographs and the Practice of History not only builds on existing literature by leading scholars: it also offers a highly original approach to historiographical thinking that gives readers a foundation on which to build their own historical practices.

Eyewitnessing

Eyewitnessing PDF Author: Peter Burke
Publisher: Reaktion Books
ISBN: 1861898282
Category : History
Languages : en
Pages : 226

Book Description
Eyewitnessing evaluates the place of images among other kinds of historical evidence. By reviewing the many varieties of images by region, period and medium, and looking at the pragmatic uses of images (e.g. the Bayeux Tapestry, an engraving of a printing press, a reconstruction of a building), Peter Burke sheds light on our assumption that these practical uses are 'reflections' of specific historical meanings and influences. He also shows how this assumption can be problematic. Traditional art historians have depended on two types of analysis when dealing with visual imagery: iconography and iconology. Burke describes and evaluates these approaches, concluding that they are insufficient. Focusing instead on the medium as message and on the social contexts and uses of images, he discusses both religious images and political ones, also looking at images in advertising and as commodities. Ultimately, Burke's purpose is to show how iconographic and post-iconographic methods – psychoanalysis, semiotics, viewer response, deconstruction – are both useful and problematic to contemporary historians.

Still Shakespeare and the Photography of Performance

Still Shakespeare and the Photography of Performance PDF Author: Sally Barnden
Publisher: Cambridge University Press
ISBN: 1108487939
Category : Drama
Languages : en
Pages : 263

Book Description
Examines both theatrical and staged art photographs, demonstrating their role in fixing and unfixing Shakespearean authority.

Photographs and the Practice of History

Photographs and the Practice of History PDF Author: Elizabeth Edwards
Publisher: Bloomsbury Publishing
ISBN: 1350120669
Category : History
Languages : en
Pages : 184

Book Description
What is it to practice history in an age in which photographs exist? What is the impact of photographs on the core historiographical practices which define the discipline and shape its enquiry and methods? In Photographs and the Practice of History, Elizabeth Edwards proposes a new approach to historical thinking which explores these questions and redefines the practices at the heart of this discipline. Structured around key concepts in historical methodology which are recognisable to all undergraduates, the book shows that from the mid-19th century onward, photographs have influenced historical enquiry. Exposure to these mass-distributed cultural artefacts is enough to change our historical frameworks even when research is textually-based. Conceptualised as a series of 'sensibilities' rather than a methodology as such, it is intended as a companion to 'how to' approaches to visual research and visual sources. Photographs and the Practice of History not only builds on existing literature by leading scholars: it also offers a highly original approach to historiographical thinking that gives readers a foundation on which to build their own historical practices.

The Ethics of Seeing

The Ethics of Seeing PDF Author: Jennifer Evans
Publisher: Berghahn Books
ISBN: 1785337297
Category : History
Languages : en
Pages : 306

Book Description
Throughout Germany’s tumultuous twentieth century, photography was an indispensable form of documentation. Whether acting as artists, witnesses, or reformers, both professional and amateur photographers chronicled social worlds through successive periods of radical upheaval. The Ethics of Seeing brings together an international group of scholars to explore the complex relationship between the visual and the historic in German history. Emphasizing the transformation of the visual arena and the ways in which ordinary people made sense of world events, these revealing case studies illustrate photography’s multilayered role as a new form of representation, a means to subjective experience, and a fresh mode of narrating the past.

Researching urban space and the built environment

Researching urban space and the built environment PDF Author: Jasmine Kilburn-Toppin
Publisher: Manchester University Press
ISBN: 152613361X
Category : Social Science
Languages : en
Pages : 161

Book Description
Researching urban space and the built environment is an accessible guide for historians keen to explore the spatial dimensions of the past. Written in a clear and lively style, it equips readers with the tools to effectively plan, research and write innovative spatial histories. By outlining and summarizing the theories and methodologies particularly pertinent to spatial research, and by providing hands-on advice on locating evidence and archives, the book supports researchers in the development of their own original projects. Through engagement with a rich array of primary evidence and useful historiographical case-studies, the guide opens up a huge variety of research possibilities. This book is the ideal research companion for undergraduate and postgraduate students, as well as independent researchers. It is especially tailored for students in history and related disciplines in the humanities encountering spatial themes and methodologies for the first time.

Photographers: A Sourcebook for Historical Research

Photographers: A Sourcebook for Historical Research PDF Author: Richard Rudisill
Publisher:
ISBN: 9780962194016
Category :
Languages : en
Pages : 120

Book Description


Insights Into American History

Insights Into American History PDF Author: Robert M. Levine
Publisher: Prentice Hall
ISBN:
Category : History
Languages : en
Pages : 196

Book Description
For courses in U.S. History Survey II (since 1865), American Studies, Women's Studies, American Civilization, Art, Art History, History of Photography and Communications Theory. This text shows students how to examine and analyze historical photographs as documentary sources in historical research. It takes a case study approach, and also presents many examples of assignments that instructors can use to challenge students to think about using photographs themselves.

Photography, History, Difference

Photography, History, Difference PDF Author: Tanya Sheehan
Publisher: Dartmouth College Press
ISBN: 1611686474
Category : Art
Languages : en
Pages : 289

Book Description
Over the past decade, historical studies of photography have embraced a variety of cultural and disciplinary approaches to the medium, while shedding light on non-Western, vernacular, and "other" photographic practices outside the Euro-American canon. Photography, History, Difference brings together an international group of scholars to reflect on contemporary efforts to take a different approach to photography and its histories. What are the benefits and challenges of writing a consolidated, global history of photography? How do they compare with those of producing more circumscribed regional or thematic histories? In what ways does the recent emphasis on geographic and national specificity encourage or exclude attention to other forms of difference, such as race, class, gender, and sexuality? Do studies of "other" photographies ultimately necessitate the adoption of nontraditional methodologies, or are there contexts in which such differentiation can be intellectually unproductive and politically suspect? The contributors to the volume explore these and other questions through historical case studies; interpretive surveys of recent historiography, criticism, and museum practices; and creative proposals to rethink the connections between photography, history, and difference. A thought-provoking collection of essays that represents new ways of thinking about photography and its histories. It will appeal to a broad readership among those interested in art history, visual culture, media studies, and social history.