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Author: Duc Dau Publisher: Routledge ISBN: 1317647068 Category : Literary Criticism Languages : en Pages : 220
Book Description
The Victorians elevated the home and heteronormative family life to an almost secular religion. Yet alongside the middle-class domestic ideal were other families, many of which existed in the literature of the time. Queer Victorian Families: Curious Relations in Literature is chiefly concerned with these atypical or "queer" families. This collection serves as a corrective against limited definitions of family and is a timely addition to Victorian studies. Interdisciplinary in nature, the collection opens up new possibilities for uncovering submerged, marginalized, and alternative stories in Victorian literature. Broad in scope, subjects range from Count Fosco and his animal "children" in Wilkie Collins’s The Woman in White, to male kinship within and across Alfred Tennyson’s In Memoriam and Herman Melville’s Moby-Dick, and the nexus between disability and loving relationships in the fiction of Dinah Mulock Craik and Charlotte M. Yonge. Queer Victorian Families is a wide-ranging and theoretically adventurous exposé of the curious relations in the literary family tree.
Author: Duc Dau Publisher: Routledge ISBN: 1317647068 Category : Literary Criticism Languages : en Pages : 220
Book Description
The Victorians elevated the home and heteronormative family life to an almost secular religion. Yet alongside the middle-class domestic ideal were other families, many of which existed in the literature of the time. Queer Victorian Families: Curious Relations in Literature is chiefly concerned with these atypical or "queer" families. This collection serves as a corrective against limited definitions of family and is a timely addition to Victorian studies. Interdisciplinary in nature, the collection opens up new possibilities for uncovering submerged, marginalized, and alternative stories in Victorian literature. Broad in scope, subjects range from Count Fosco and his animal "children" in Wilkie Collins’s The Woman in White, to male kinship within and across Alfred Tennyson’s In Memoriam and Herman Melville’s Moby-Dick, and the nexus between disability and loving relationships in the fiction of Dinah Mulock Craik and Charlotte M. Yonge. Queer Victorian Families is a wide-ranging and theoretically adventurous exposé of the curious relations in the literary family tree.
Author: Anna Neill Publisher: ISBN: 9780814254080 Category : Literary Criticism Languages : en Pages :
Book Description
For twenty-first-century veterans of the evolution culture wars, Primitive Minds: Evolution and Spiritual Experience in the Victorian Novel, by Anna Neill, makes unlikely bedfellows of two Victorian "discoveries": evolutionary theory and spiritualism. Victorian science did much to uncover the physical substratum of mystical or dreamy experience, tracing spiritual states to a lower, reflex, or more evolutionarily primitive stage of consciousness. Yet science's pursuit of knowledge beyond sense-based evidence uncannily evoked powers associated with this primitive mind: the capacity to link events across space and time, to anticipate the future, to uncover elements of the forgotten past, and to see into the minds of others. Neill does not ask how the Victorians explained away spiritual experience through physiological psychology, but instead explores how physical explanation interacted with dreamy content in Victorian accounts of the mind's most exotic productions. This synthesis, she argues, was particularly acute in realist fiction, where, despite novelists' willingness to trace the nervous origins of individual behavior and its social consequences, activity in hidden regions of the mind enabled levels of perception inaccessible to ordinary waking thought. The authors in her study include Charlotte Bront�, Charles Dickens, George Eliot, Arthur Conan Doyle, and Thomas Hardy.
Author: Peter Melville Logan Publisher: State University of New York Press ISBN: 0791477282 Category : History Languages : en Pages : 220
Book Description
Victorian Fetishism argues that fetishism was central to the development of cultural theory in the nineteenth century. From 1850 to 1900, when theories of social evolution reached their peak, European intellectuals identified all "primitive" cultures with "Primitive Fetishism," a psychological form of self-projection in which people believe everything in the external world—thunderstorms, trees, stones—is alive. Placing themselves at the opposite extreme of cultural evolution, the Victorians defined culture not by describing what culture was but by describing what it was not, and what it was not was fetishism. In analyses of major works by Matthew Arnold, George Eliot, and Edward B. Tylor, Peter Melville Logan demonstrates the paradoxical role of fetishism in Victorian cultural theory, namely, how Victorian writers projected their own assumptions about fetishism onto the realm of historical fact, thereby "fetishizing" fetishism. The book concludes by examining how fetishism became a sexual perversion as well as its place within current cultural theory.
Author: Nathaniel Lloyd Publisher: London : Architectural Press ; New York : Architectural Book Publishing Company ISBN: Category : Architecture Languages : en Pages : 506
Author: Ivan Kreilkamp Publisher: Cambridge University Press ISBN: 113944834X Category : Literary Criticism Languages : en Pages : 266
Book Description
The nineteenth-century novel has always been regarded as a literary form pre-eminently occupied with the written word, but Ivan Kreilkamp shows it was deeply marked by and engaged with vocal performances and the preservation and representation of speech. He offers a detailed account of the many ways Victorian literature and culture represented the human voice, from political speeches, governesses' tales, shorthand manuals, and staged authorial performances in the early- and mid-century, to mechanically reproducible voice at the end of the century. Through readings of Charlotte Brontë, Browning, Carlyle, Conrad, Dickens, Disraeli and Gaskell, Kreilkamp re-evaluates critical assumptions about the cultural meanings of storytelling, and shows that the figure of the oral storyteller, rather than disappearing among readers' preference for printed texts, persisted as a character and a function within the novel. This 2005 study will change the way readers consider the Victorian novel and its many ways of telling stories.
Author: George Stocking Publisher: Simon and Schuster ISBN: 0029315514 Category : Social Science Languages : en Pages : 450
Book Description
In this fascinating and erudite work, George Stocking, America's most renowned historian of anthropology, probes the Victorian origins of contemporary thought on human social and cultural evolution. George Stocking examines the portrayal of primitive peoples by Victorian travellers and missionaries. He shows how their attitudes towards the dark-skinned savages corresponded to their view of the proletarian masses produced by the Industrial Revolution.
Author: Christine Ferguson Publisher: Routledge ISBN: 1351923323 Category : Literary Criticism Languages : en Pages : 166
Book Description
Christine Ferguson's timely study is the first comprehensive examination of the importance of language in forming a crucial nexus among popular fiction, biology, and philology at the Victorian fin-de-siècle. Focusing on a variety of literary and non-literary texts, the book maps out the dialogue between the Victorian life and social sciences most involved in the study of language and the literary genre frequently indicted for causing linguistic corruption and debasement - popular fiction. Ferguson demonstrates how Darwinian biological, philological, and anthropological accounts of 'primitive' and animal language were co-opted into wider cultural debates about the apparent brutality of popular fiction, and shows how popular novelists such as Marie Corelli, Grant Allen, H.G. Wells, H. Rider Haggard, and Bram Stoker used their fantastic narratives to radically reformulate the relationships among language, thought, and progress that underwrote much of the contemporary prejudice against mass literary taste. In its alignment of scientific, cultural, and popular discourses of human language, Language, Science, and Popular Fiction in the Victorian Fin-de-Siècle stands as a corrective to assessments of best-selling fiction's intellectual, ideological, and aesthetic simplicity.
Author: Kathy Alexis Psomiades Publisher: Oxford University Press ISBN: 019286372X Category : Languages : en Pages : 250
Book Description
Marriage is the novel's traditional subject matter. But what happens to the novel when another genre of writing lays claim to the novel's traditional material? Primitive Marriage: Victorian Anthropology, the Novel, and Sexual Modernity shows how the foundational ideas of the new discipline of anthropology gave late-Victorian novelists and social scientists ways of rethinking heterosexual romance by referring to a new kind of history, one in which marriage systems, sexual behavior, and reproductive practices were temporalized and given historical agency. Temporalizing sexual relations, locating them in evolutionary and historical time, anthropologists and the novelists who wrote after them began to think modernity in sexual terms. This transformation of politics into sexual politics put sexuality and gender at the center of liberal stories of progress. The Victorian theorists responsible for this transformation--from well-known figures like Charles Darwin and Sigmund Freud to lesser-known writers like John McLennan and Henry Maine--and the novelists who engaged them--Anthony Trollope, George Eliot, Henry James, Sarah Grand, H. Rider Haggard, Thomas Hardy--not only helped produce sexually modern subjects, but also the theories about sexuality, time, and politics that we still draw upon to think modernity today.
Author: Richard Pearson Publisher: Cambridge Scholars Publishing ISBN: Category : History Languages : en Pages : 238
Book Description
In the nineteenth century, the ancient world became a very real presence for many writers and their publics, from the theatre-goers of popular pantomime to the intellectual thinkers in the academic and critical journals. The pre-eminence of the worlds of Greece and Rome was challenged by the discovery of Egyptian and Assyrian cultures, amongst other pre-Greek civilisations, and the worlds were brought to life in a series of high profile archaeological excavations and cultural exhibitions. Alongside the growing modernity of the Age of Steam, the whole of society was exposed to antiquity; architecture, painting, theatre, fiction and poetry, drew inspiration from the stories of the ancient writers, whilst the new museums and academies translated newly discovered languages and texts and excavated rediscovered ancient sites. The great civilisations, brimming with their own art and sculpted histories, were, however, contrasted by the traces of local, pre-civilised cultures of the West that existed before the coming of the Romans or in the Dark Ages immediately after their departure. The sense of a barbarity in manâ (TM)s past, a primitivism even, that may also be a survival into the modern age gradually grew in the Victorian mind as it uncovered the ancient sites of Britain and the prehistoric peoples of the Continent. It is during the post-Darwinian era of theories of social evolution, anthropology and ethnology that British and prehistorical archaeology began to find a public audience. This volume provides a series of readings from different disciplines that explore the presence of the ancient in nineteenth-century culture. The chapters demonstrate the range of the Victorian cultural preoccupation with civilisation and its primitive counterpoint and offer a combination of analyses of specific cultural events or traits, readings of particular Victorian texts and documents, and studies of exemplary Victorian figures and their personal engagements with antiquity. The book has been arranged to begin with archaeology and end with literary refashionings of the Classical, but the intertwinings of these elements in the Victorian period, as shown here, made the reaction to antiquity often an anxious and complex one.
Author: Duc Dau
Author: Duc Dau
Author: Anna Neill
Author: Peter Melville Logan
Author: Nathaniel Lloyd
Author: Ivan Kreilkamp
Author: George Stocking
Author: Christine Ferguson
Author: Kathy Alexis Psomiades
Author: Richard Pearson
Author: