Wordsworth, Turner, and Romantic Landscape PDF Download

Author: Matthew Brennan
Publisher: Columbia, S.C. : Camden House
ISBN: 9780938100515
Category : Literary Collections
Languages : en
Pages : 165

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Book Description

Author: Stephen Copley
Publisher: Cambridge University Press
ISBN: 0521441137
Category : Literary Criticism
Languages : en
Pages : 322

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Book Description
Essays on eighteenth- and nineteenth-century ways of looking at landscape, in theory and practice.

Author: Roy Osamu Kamada
Publisher: Peter Lang
ISBN: 9781433108181
Category : English literature
Languages : en
Pages : 172

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Book Description
Postcolonial Romanticisms: Landscape and the Possibilities of Inheritance describes the production of a new and particular kind of postcolonial text and resituates the notion of literary influence in the context of postcolonial literatures. This book addresses the ways in which Derek Walcott, Garrett Hongo, and Jamaica Kincaid have appropriated aspects of «colonial» culture and how they deploy the tropes of British Romanticism in their own texts. Postcolonial Romanticisms argues that Walcott, Hongo, and Kincaid radically reimagine and rewrite the various traditions that have figured their island landscapes as unhistoricized, unoccupied, and marginal. The landscapes that they write about are necessarily politicized; their own subjectivities are intimately implicated in both the natural beauty as well as the traumatic history of place; they confront and engage to varying degrees the history of their postcolonial geographies, the history of diaspora, of slavery, of the capitalist commodification of the landscape, and the devastating consequences this history has on the individual. These postcolonial writers confront what Derek Walcott calls the «shards of an ancient pastoral», the literal and literary remains of colonial cultural authority that clutter their landscapes. Postcolonial Romanticisms is ideally suited for courses in cultural, literary, and postcolonial studies, specifically courses in world literature, global literature, postcolonial literature, Caribbean literature, contemporary poetry, and eco-literary studies.

Author: Matthew Cannon Brennan
Publisher:
ISBN:
Category : Art and literature
Languages : en
Pages : 390

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Author: Denise Gigante
Publisher: Yale University Press
ISBN: 0300133057
Category : Literary Criticism
Languages : en
Pages : 264

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div What does eating have to do with aesthetic taste? While most accounts of aesthetic history avoid the gustatory aspects of taste, this book rewrites standard history to uncover the constitutive and dramatic tension between appetite and aesthetics at the heart of British literary tradition. From Milton through the Romantics, the metaphor of taste serves to mediate aesthetic judgment and consumerism, gusto and snobbery, gastronomes and gluttons, vampires and vegetarians, as well as the philosophy and physiology of food. The author advances a theory of taste based on Milton’s model of the human as consumer (and digester) of food, words, and other commodities—a consumer whose tasteful, subliminal self remains haunted by its own corporeality. Radically rereading Wordsworth’s feeding mind, Lamb’s gastronomical essays, Byron’s cannibals and other deviant diners, and Kantian nausea, Taste resituates Romanticism as a period that naturally saw the rise of the restaurant and the pleasures of the table as a cultural field for the practice of aesthetics. /DIV

Author: Karl Kroeber
Publisher: [Madison] : University of Wisconsin Press
ISBN:
Category : Art
Languages : en
Pages : 168

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Author: Carol Buchanan
Publisher: Texas Tech University Press
ISBN: 9780896724457
Category : Gardening
Languages : en
Pages : 256

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Book Description
Counterposing poems of the garden and the letters and journals of Wordsworth and his eloquent sister Dorothy, Carol Buchanan pictures the whole Wordsworth: poet, gardener, and devoted and long-suffering family man. Illuminating Buchanan's perspective on the gardens, and on the Lake District that shaped Wordsworth's sensibilities, are three never-before-published garden plans and more than one hundred photographs."--BOOK JACKET.

Author: Walter Pape
Publisher: Walter de Gruyter
ISBN: 3110889447
Category : Literary Criticism
Languages : en
Pages : 377

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Author: Daniel Robinson
Publisher: Bloomsbury Publishing
ISBN: 1441150609
Category : Literary Criticism
Languages : en
Pages : 168

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Book Description
Daniel Robinson provides a comprehensive guide to studying Wordsworth at undergraduate level.

Author: William C. Edinger
Publisher: Liverpool University Press
ISBN: 1638040230
Category : Literary Criticism
Languages : en
Pages : 304

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Book Description
Genial Perception offers a critical examination of Wordsworth’s and Coleridge’s naturalist construction of creative and critical perception, and a historical study of the perceptual dimension of poetic taste. “Genial” is the adjectival form of “genius,” and eighteenth-century critical naturalism understands “genial” perception as a gift of nature, as an inborn power operating autonomously through the senses and imagination and thus independently of cultural influence. By exploring the philology of keywords and binaries inherited by the two poet-critics and used to describe and interpret their perceptual experience, both creative (imaginative) and critical, Genial Perception traces how that experience reveals an unacknowledged indebtedness to discourse and language, having been silently and perhaps unconsciously shaped by patterns and trends in the literary culture in which Wordsworth and Coleridge came of age. This study shows that critical perception, often thought to be too elusive and subjective to make a proper subject for historical investigation, can be approached through study of the terms—the language—of the practical criticism that attempts to communicate it; that both critical and creative perception are far more dependent on language than is commonly recognized; and that philology, by recovering the original usage, functions, and contexts of critical keywords, provides for an accurate historical understanding of the claims made by critics in the long eighteenth century for “genial” perception, and can illuminate the dynamics of “genial” perception itself.